James O. Pawelski – författare

This handbook examines the new and rapidly growing field of the positive humanities--an area of academic research at the intersection of positive psychology and the arts and humanities. Written by leading experts across a wide range of academic disciplines, the volume begins with an overview of the science and culture of human flourishing, covering historical and current trends in this literature. Next, contributors consider the well-being benefits of engagement with the arts and humanities, marking out neurological, cognitive, emotional, behavioral, and social pathways to human flourishing. These pathways lead to detailed investigations of individual fields within the arts and humanities, including music, the visual arts, philosophy, history, literature, religion, theater, and film. Along the way, the book thoroughly synthesizes theory, research, and exemplary practice, concluding with thought-provoking discussions of avenues for public engagement and policy.With its expansive coverage of both the field as a whole and specialized disciplinary and interdisciplinary drivers, The Oxford Handbook of the Positive Humanities advances the literature on the theory and science of well-being and extends the scope of the arts and humanities.

This handbook examines the new and rapidly growing field of the positive humanities--an area of academic research at the intersection of positive psychology and the arts and humanities. Written by leading experts across a wide range of academic disciplines, the volume begins with an overview of the science and culture of human flourishing, covering historical and current trends in this literature. Next, contributors consider the well-being benefits of engagement with the arts and humanities, marking out neurological, cognitive, emotional, behavioral, and social pathways to human flourishing. These pathways lead to detailed investigations of individual fields within the arts and humanities, including music, the visual arts, philosophy, history, literature, religion, theater, and film. Along the way, the book thoroughly synthesizes theory, research, and exemplary practice, concluding with thought-provoking discussions of avenues for public engagement and policy.With its expansive coverage of both the field as a whole and specialized disciplinary and interdisciplinary drivers, The Oxford Handbook of the Positive Humanities advances the literature on the theory and science of well-being and extends the scope of the arts and humanities.

This handbook examines the new and rapidly growing field of the positive humanities--an area of academic research at the intersection of positive psychology and the arts and humanities. Written by leading experts across a wide range of academic disciplines, the volume begins with an overview of the science and culture of human flourishing, covering historical and current trends in this literature. Next, contributors consider the well-being benefits of engagement with the arts and humanities, marking out neurological, cognitive, emotional, behavioral, and social pathways to human flourishing. These pathways lead to detailed investigations of individual fields within the arts and humanities, including music, the visual arts, philosophy, history, literature, religion, theater, and film. Along the way, the book thoroughly synthesizes theory, research, and exemplary practice, concluding with thought-provoking discussions of avenues for public engagement and policy.With its expansive coverage of both the field as a whole and specialized disciplinary and interdisciplinary drivers, The Oxford Handbook of the Positive Humanities advances the literature on the theory and science of well-being and extends the scope of the arts and humanities.

This book offers a landmark exploration of what the arts and humanities can contribute to the conceptualization and cultivation of human flourishing. Edited by James O. Pawelski--founding director of the Humanities and Human Flourishing Project at the University of Pennsylvania--this book serves as the capstone of a decade-long, nine-volume inquiry into the emerging field of the Positive Humanities. Bringing together leading scholars from eight core disciplines in the arts and humanities--philosophy, history, literary studies, religious studies and theology, theater, cinema and media, music, and the visual arts--it provides a comprehensive, interdisciplinary examination of how these disciplines engage with, understand, and advance human flourishing.The contributors trace the intellectual histories of their disciplines, investigate the distinctive strengths of reflective inquiry and experiential engagement, and illuminate how bringing these modes together can deepen our understanding of what it means to flourish. The volume addresses central themes in contemporary debates, including the relationship between happiness and flourishing, the various ways the humanities may promote well-being in individuals and communities, the importance of ethics and social justice, the interconnectedness of human and non-human worlds, and the risk of framing flourishing as mere adaptation to unjust conditions.In addition to conceptual analysis, the book highlights practical pathways through which the humanities foster flourishing--creativity and imagination, meaning-making, pedagogy, community building, and social transformation. Concluding with a forward-looking agenda, this book points to new possibilities for advancing human flourishing through a collaboration across the humanities, social sciences, and other domains of inquiry.

This book offers a landmark exploration of what the arts and humanities can contribute to the conceptualization and cultivation of human flourishing. Edited by James O. Pawelski--founding director of the Humanities and Human Flourishing Project at the University of Pennsylvania--this book serves as the capstone of a decade-long, nine-volume inquiry into the emerging field of the Positive Humanities. Bringing together leading scholars from eight core disciplines in the arts and humanities--philosophy, history, literary studies, religious studies and theology, theater, cinema and media, music, and the visual arts--it provides a comprehensive, interdisciplinary examination of how these disciplines engage with, understand, and advance human flourishing.The contributors trace the intellectual histories of their disciplines, investigate the distinctive strengths of reflective inquiry and experiential engagement, and illuminate how bringing these modes together can deepen our understanding of what it means to flourish. The volume addresses central themes in contemporary debates, including the relationship between happiness and flourishing, the various ways the humanities may promote well-being in individuals and communities, the importance of ethics and social justice, the interconnectedness of human and non-human worlds, and the risk of framing flourishing as mere adaptation to unjust conditions.In addition to conceptual analysis, the book highlights practical pathways through which the humanities foster flourishing--creativity and imagination, meaning-making, pedagogy, community building, and social transformation. Concluding with a forward-looking agenda, this book points to new possibilities for advancing human flourishing through a collaboration across the humanities, social sciences, and other domains of inquiry.

Great literature is more often praised for compelling depictions of conflict and tragedy than for moving portrayals of happiness and well-being. This collection of verse brings together poems of felicity, capturing what it means to be well in the fullest sense. Presented in 14 thematic sections, these works offer inspiring readings on wisdom, self-love, ecstasy, growth, righteousness, love and lust, inspiration, oneness with nature, hope, irreverence, awe, the delights of the senses, gratitude and compassion, relation to the sacred, justice, and unity. At times elegant, at others blunt, these poems reflect on what it means to live a rich, fulfilling life.

Explores James's concept of the individual in terms of physiology, psychology, philosophy, and religion.The Dynamic Individualism of William James analyzes James's rich and complex thought through an examination of his individualism. A central theme of James's writings, individualism underlies his basic views on freedom, society, government, psychology, education, religion, pragmatism, and metaphysics-yet, until now, no one has undertaken a careful study of this important aspect of James's thought. With close readings of texts that include The Principles of Psychology, The Varieties of Religious Experience, and A Pluralistic Universe, James O. Pawelski engages the range of contexts in which James discusses individualism, offers a refreshingly new reading of his work, and, in seeking to resolve James's own psychology, presents an original and convincing case for his dynamic individualism.

Explores James's concept of the individual in terms of physiology, psychology, philosophy, and religion.The Dynamic Individualism of William James analyzes James's rich and complex thought through an examination of his individualism. A central theme of James's writings, individualism underlies his basic views on freedom, society, government, psychology, education, religion, pragmatism, and metaphysics-yet, until now, no one has undertaken a careful study of this important aspect of James's thought. With close readings of texts that include The Principles of Psychology, The Varieties of Religious Experience, and A Pluralistic Universe, James O. Pawelski engages the range of contexts in which James discusses individualism, offers a refreshingly new reading of his work, and, in seeking to resolve James's own psychology, presents an original and convincing case for his dynamic individualism.

In much of the critical discourse of the seventies, eighties, and nineties, scholars employed suspicion in order to reveal a given text’s complicity with various undesirable ideologies and/or psychopathologies. Construed as such, interpretive practice was often intended to demystify texts and authors by demonstrating in them the presence of false consciousness, bourgeois values, patriarchy, orientalism, heterosexism, imperialist attitudes, and/or various neuroses, complexes, and lacks. While it proved to be of vital importance in literary studies, suspicious hermeneutics often compelled scholars to interpret eudaimonia, or well-being variously conceived, in pathologized terms. At the end of the twentieth century, however, literary scholars began to see the limitations of suspicion, conceived primarily as the discernment of latent realities beneath manifest illusions. In the last decade, often termed the “post-theory era,” there was a radical shift in focus, as scholars began to recognize the inapplicability of suspicion as a critical framework for discussions of eudaimonic experiences, seeking out several alternative forms of critique, most of which can be called, despite their differences, a hermeneutics of affirmation. In such alternative reading strategies scholars were able to explore configurations of eudaimonia, not by dismissing them as bad politics or psychopathology but in complex ways that have resulted in a new eudaimonic turn, a trans-disciplinary phenomenon that has also enriched several other disciplines. The Eudaimonic Turn builds on such work, offering a collection of essays intended to bolster the burgeoning critical framework in the fields of English, Comparative Literature, and Cultural Studies by stimulating discussions of well-being in the “post-theory” moment. The volume consists of several examinations of literary and theoretical configurations of the following determinants of human subjectivity and the role these play in facilitating well-being: values, race, ethics/morality, aesthetics, class, ideology, culture, economics, language, gender, spirituality, sexuality, nature, and the body. Many of the authors compelling refute negativity bias and pathologized interpretations of eudaimonic experiences or conceptual models as they appear in literary texts or critical theories. Some authors examine the eudaimonic outcomes of suffering, marginalization, hybridity, oppression, and/or tragedy, while others analyze the positive effects of positive affect. Still others analyze the aesthetic response and/or the reading process in inquiries into the role of language use and its impact on well-being, or they explore the complexities of strength, resilience, and other positive character traits in the face of struggle, suffering, and “othering.”

In much of the critical discourse of the seventies, eighties, and nineties, scholars employed suspicion in order to reveal a given text’s complicity with various undesirable ideologies and/or psychopathologies. Construed as such, interpretive practice was often intended to demystify texts and authors by demonstrating in them the presence of false consciousness, bourgeois values, patriarchy, orientalism, heterosexism, imperialist attitudes, and/or various neuroses, complexes, and lacks. While it proved to be of vital importance in literary studies, suspicious hermeneutics often compelled scholars to interpret eudaimonia, or well-being variously conceived, in pathologized terms. At the end of the twentieth century, however, literary scholars began to see the limitations of suspicion, conceived primarily as the discernment of latent realities beneath manifest illusions. In the last decade, often termed the “post-theory era,” there was a radical shift in focus, as scholars began to recognize the inapplicability of suspicion as a critical framework for discussions of eudaimonic experiences, seeking out several alternative forms of critique, most of which can be called, despite their differences, a hermeneutics of affirmation. In such alternative reading strategies scholars were able to explore configurations of eudaimonia, not by dismissing them as bad politics or psychopathology but in complex ways that have resulted in a new eudaimonic turn, a trans-disciplinary phenomenon that has also enriched several other disciplines. The Eudaimonic Turn builds on such work, offering a collection of essays intended to bolster the burgeoning critical framework in the fields of English, Comparative Literature, and Cultural Studies by stimulating discussions of well-being in the “post-theory” moment. The volume consists of several examinations of literary and theoretical configurations of the following determinants of human subjectivity and the role these play in facilitating well-being: values, race, ethics/morality, aesthetics, class, ideology, culture, economics, language, gender, spirituality, sexuality, nature, and the body. Many of the authors compelling refute negativity bias and pathologized interpretations of eudaimonic experiences or conceptual models as they appear in literary texts or critical theories. Some authors examine the eudaimonic outcomes of suffering, marginalization, hybridity, oppression, and/or tragedy, while others analyze the positive effects of positive affect. Still others analyze the aesthetic response and/or the reading process in inquiries into the role of language use and its impact on well-being, or they explore the complexities of strength, resilience, and other positive character traits in the face of struggle, suffering, and “othering.”