James O'Connor – författare

Sandwiched between the East and West, Russian intellectuals have for centuries been divided geographically, politically, and culturally into two distinct groups: the Slavophiles, who rejected Western-style democracy, preferring a more holistic and abstract vision, and the more rational and scientific-minded Westernizers. These two ideologies cut across the political spectrum of late nineteenth-century Russia and competed for dominance in the country''s intellectual life. The tension created between these two opposing groups caused the feeling that violent upheaval was Russia''s future. In turn, many began to think that Russia was possibly following the path of France and that a French-style revolution might be possible on Russian soil. In The French Revolution in Russian Intellectual Life, Dmitry Shlapentokh describes the role that the French democratic revolution played in Russia''s intellectual development by the end of the nineteenth century.

The revolutionary upheaval in Russia at the beginning of twentieth century and the continuous expansion of the West convinced most Russian intellectuals that the French Revolution in its democratic reading was indeed the pathway of history. Yet the rise of totalitarian regimes and their expansion proved the validity of the sober vision of nineteenth-century Russian intellectuals. Some conservative Russian intellectuals believed that not only would Russia preserve its authoritarian regime but it would spread this regime all over the world. In this context, Shlapentokh argues the French Revolution with its democratic tradition was only a phenomenon of Western civilization and hence transitory.

The flirtation with Western ideology, with its democratic polity and market economy that followed in the wake of the collapse of the communist regime, culminated in an increasing push for corporate authoritarianism and nationalism. This work helps explain why Russia turned away from democratic to autocratic stylesi?1

Sandwiched between the East and West, Russian intellectuals have for centuries been divided geographically, politically, and culturally into two distinct groups: the Slavophiles, who rejected Western-style democracy, preferring a more holistic and abstract vision, and the more rational and scientific-minded Westernizers. These two ideologies cut across the political spectrum of late nineteenth-century Russia and competed for dominance in the country''s intellectual life. The tension created between these two opposing groups caused the feeling that violent upheaval was Russia''s future. In turn, many began to think that Russia was possibly following the path of France and that a French-style revolution might be possible on Russian soil. In The French Revolution in Russian Intellectual Life, Dmitry Shlapentokh describes the role that the French democratic revolution played in Russia''s intellectual development by the end of the nineteenth century.

The revolutionary upheaval in Russia at the beginning of twentieth century and the continuous expansion of the West convinced most Russian intellectuals that the French Revolution in its democratic reading was indeed the pathway of history. Yet the rise of totalitarian regimes and their expansion proved the validity of the sober vision of nineteenth-century Russian intellectuals. Some conservative Russian intellectuals believed that not only would Russia preserve its authoritarian regime but it would spread this regime all over the world. In this context, Shlapentokh argues the French Revolution with its democratic tradition was only a phenomenon of Western civilization and hence transitory.

The flirtation with Western ideology, with its democratic polity and market economy that followed in the wake of the collapse of the communist regime, culminated in an increasing push for corporate authoritarianism and nationalism. This work helps explain why Russia turned away from democratic to autocratic stylesi?1

Fiscal Crisis of the State refers to the tendency of government expenditures to outpace revenues in the U.S. in the late 1960s and early 1970s, but its relevance to other countries of the period and also in today''s global economy is evident. When government expenditure constitutes a larger and larger share of total economy theorists who ignore the impact of the state budget do so at their own (and capitalism''s) peril. This volume examines how changes in tax rates and tax structure used to regulate private economic activity. O''Connor theorizes that particular expenditures and programs and the budget as a whole can be understood only in terms of power relationships within the private economy. O''Connor''s analysis includes an anatomy of American state capitalism, political power and budgetary control in the United States, social capital expenditures, social expenses of production, financing the budget, and the scope and limits of reform. He shows that the simultaneous growth of monopoly power and the state itself generate an increasingly severe social crisis. State monopolies indirectly determine the state budget by generating needs that the state must satisfy. The state administration organizes production as a result of a series of political decisions. Over time, there is a tendency for what O''Connor calls the social expenses of production to rise, and the state is increasingly compelled to socialize these expenses. The state has three ways to finance increased budgetary outlays: create state enterprises that produce social expenditures; issue debt and borrowing against further tax revenues; raise tax rates and introduce new taxes. None of these mechanisms are satisfactory. Neither the development of state enterprise nor the growth of state debt liberates the state from fiscal concerns. Similarly, tax finance is a form of economic exploitation and thus a problem for class analysis. O''Connor contends that the fiscal crisis of the capitalist state is the inev

Fiscal Crisis of the State refers to the tendency of government expenditures to outpace revenues in the U.S. in the late 1960s and early 1970s, but its relevance to other countries of the period and also in today''s global economy is evident. When government expenditure constitutes a larger and larger share of total economy theorists who ignore the impact of the state budget do so at their own (and capitalism''s) peril. This volume examines how changes in tax rates and tax structure used to regulate private economic activity. O''Connor theorizes that particular expenditures and programs and the budget as a whole can be understood only in terms of power relationships within the private economy. O''Connor''s analysis includes an anatomy of American state capitalism, political power and budgetary control in the United States, social capital expenditures, social expenses of production, financing the budget, and the scope and limits of reform. He shows that the simultaneous growth of monopoly power and the state itself generate an increasingly severe social crisis. State monopolies indirectly determine the state budget by generating needs that the state must satisfy. The state administration organizes production as a result of a series of political decisions. Over time, there is a tendency for what O''Connor calls the social expenses of production to rise, and the state is increasingly compelled to socialize these expenses. The state has three ways to finance increased budgetary outlays: create state enterprises that produce social expenditures; issue debt and borrowing against further tax revenues; raise tax rates and introduce new taxes. None of these mechanisms are satisfactory. Neither the development of state enterprise nor the growth of state debt liberates the state from fiscal concerns. Similarly, tax finance is a form of economic exploitation and thus a problem for class analysis. O''Connor contends that the fiscal crisis of the capitalist state is the inev