Dmitry Shlapentokh – författare
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With a historical sweep that recent events have made definitive, the authors examine the influence of Soviet ideology on the presentation of social reality in films produced in the Soviet Union between the October Revolution and the final days of glasnost. Within the framework of an introduction that lays out the conceptual terminology used to describe that shifting ideological landscape, the authors analyze both the social groups appearing in the films and the relations of film directors and other film makers to state censorship and ideological control.
807 kr
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With a historical sweep that recent events have made definitive, the authors examine the influence of Soviet ideology on the presentation of social reality in films produced in the Soviet Union between the October Revolution and the final days of glasnost. Within the framework of an introduction that lays out the conceptual terminology used to describe that shifting ideological landscape, the authors analyze both the social groups appearing in the films and the relations of film directors and other film makers to state censorship and ideological control.
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The political uncertainty following the collapse of the Soviet Union and the rejection of the revolutionary model has brought Russian political thought full circle as democratic forces contend with authoritarian nationalism. This volume is essential to understanding the antidemocratic tradition in Russia and the persistent danger of totalitarianism.
572 kr
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The political uncertainty following the collapse of the Soviet Union and the rejection of the revolutionary model has brought Russian political thought full circle as democratic forces contend with authoritarian nationalism. This volume is essential to understanding the antidemocratic tradition in Russia and the persistent danger of totalitarianism.
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Mongol Conquests in the Novels of Vasily Yan
An Intellectual Biography
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Russia between East and West
Scholarly Debates on Eurasianism
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