James Smith Allen – författare

Robert Darnton, Roger Chartier, and others have written much on the history of reading in the Old Regime, but this is the first broad study of reading to focus on the period after 1800. How and why did people understand texts as they did in modern France? In answering this question, James Allen moves easily from one interpretive framework to another and draws on a wide range of sources--novels, diaries, censor reports, critical reviews, artistic images, accounts of public and private readings, and the letters that readers sent to authors about their books. As he analyzes reading "in the public eye," the author explores the formation of "interpretive communities" during the years when reading silently and alone gradually became more common than reading aloud in a group. In the Public Eye discusses printing, publishing, literacy, schooling, criticism, and censorship, to study the social, cultural, economic, and political forces that shaped French interpretive practice. Examining the art and act of reading by different audiences, it discloses the mentalities of literate people for whom few other historical records exist.The book will be essential reading for those interested in modern French history, post-structuralist literary theory and criticism, reader-response theory and criticism, and social and intellectual history in general. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Robert Darnton, Roger Chartier, and others have written much on the history of reading in the Old Regime, but this is the first broad study of reading to focus on the period after 1800. How and why did people understand texts as they did in modern France? In answering this question, James Allen moves easily from one interpretive framework to another and draws on a wide range of sources--novels, diaries, censor reports, critical reviews, artistic images, accounts of public and private readings, and the letters that readers sent to authors about their books. As he analyzes reading "in the public eye," the author explores the formation of "interpretive communities" during the years when reading silently and alone gradually became more common than reading aloud in a group. In the Public Eye discusses printing, publishing, literacy, schooling, criticism, and censorship, to study the social, cultural, economic, and political forces that shaped French interpretive practice. Examining the art and act of reading by different audiences, it discloses the mentalities of literate people for whom few other historical records exist.The book will be essential reading for those interested in modern French history, post-structuralist literary theory and criticism, reader-response theory and criticism, and social and intellectual history in general. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Eliane Brault's book tells a remarkable tale of betrayal and bravery on an unexpected scale. Its audience includes everyone fascinated by the drama of the German invasion and occupation of France in World War II. But only now, for the first time, is Brault's moving story available in English translation.This account of 1940 draws on Brault's extensive network of fellow journalists and social activists. The exceptionally well-informed author highlights the role played by defeatists and collaborators in the Fall of France and the creation of the Vichy Regime. She also celebrates the unsung courage of the French in the face of national calamity, a disaster worsened by the internal divisions and venality of the Germans during the occupation.Brault's vibrant writing is rendered here with sensitivity. This Anglophone edition retains the originality of Brault's style, a unique hybrid of newspaper reporting, critical commentary, and personal reflection. Her book now joins the classic accounts in English of the same events by the historian Marc Bloch, the novelist Irene Nemirovsky, and the literary critic Jean Guehenno, however different the genres of writing they explored. Simply put, Brault's work deserves to be as well-known as theirs.

Eliane Brault's book tells a remarkable tale of betrayal and bravery on an unexpected scale. Its audience includes everyone fascinated by the drama of the German invasion and occupation of France in World War II. But only now, for the first time, is Brault's moving story available in English translation.This account of 1940 draws on Brault's extensive network of fellow journalists and social activists. The exceptionally well-informed author highlights the role played by defeatists and collaborators in the Fall of France and the creation of the Vichy Regime. She also celebrates the unsung courage of the French in the face of national calamity, a disaster worsened by the internal divisions and venality of the Germans during the occupation.Brault's vibrant writing is rendered here with sensitivity. This Anglophone edition retains the originality of Brault's style, a unique hybrid of newspaper reporting, critical commentary, and personal reflection. Her book now joins the classic accounts in English of the same events by the historian Marc Bloch, the novelist Irene Nemirovsky, and the literary critic Jean Guehenno, however different the genres of writing they explored. Simply put, Brault's work deserves to be as well-known as theirs.

Éliane Brault’s book tells a remarkable tale of betrayal and bravery on an unexpected scale. Its audience includes everyone fascinated by the drama of the German invasion and occupation of France in World War II. But only now, for the first time, is Brault’s moving story available in English translation.This account of 1940 draws on Brault’s extensive network of fellow journalists and social activists. The exceptionally well-informed author highlights the role played by defeatists and collaborators in the Fall of France and the creation of the Vichy Regime. She also celebrates the unsung courage of the French in the face of national calamity, a disaster worsened by the internal divisions and venality of the Germans during the occupation.Brault’s vibrant writing is rendered here with sensitivity. This Anglophone edition retains the originality of Brault’s style, a unique hybrid of newspaper reporting, critical commentary, and personal reflection. Her book now joins the classic accounts in English of the same events by the historian Marc Bloch, the novelist Irène Némirovsky, and the literary critic Jean Guéhenno, however different the genres of writing they explored. Simply put, Brault’s work deserves to be as well-known as theirs.

A Civil Society explores the struggle to initiate women as full participants in the masonic brotherhood that shared in the rise of France’s civil society and its “civic morality” on behalf of women’s rights. As a vital component of the third sector during France’s modernization, freemasonry empowered women in complex social networks, contributing to a more liberal republic, a more open society, and a more engaged public culture.James Smith Allen shows that although women initially met with stiff resistance, their induction into the brotherhood was a significant step in the development of French civil society, including the promotion of women’s rights in the late nineteenth century. Pulling together the many gendered facets of masonry, Allen draws from periodicals, memoirs, and archival material to account for the rise of women within the masonic brotherhood in the context of rapid historical change.  Thanks to women’s social networks and their attendant social capital, masonry came to play a leading role in French civil society and the rethinking of gender relations in the public sphere.