Jan Miernowski – författare

Stretching from antiquity to AI, a provocative study of the joyless laughter that emerges at the boundary of the human and the inhuman.What does it mean to be human? And, more precisely, what does it mean to be human now, with both humanism and the humanities in crisis? In answer to these questions, Laughing on the Brink of Humanity seeks not some essence of the human but rather an epiphenomenal manifestation-a sign of the human. The book finds such a sign in the joyless, painful, and often deadly laughter that resonates when we cross the barrier between what is human and what is not: animality, machinery, divinity. Jan Miernowski brings together a wide swath of discourses and figures, from Plato and the Bible through early modern humanism, to Friedrich Nietzsche, Georges Bataille, Hannah Arendt, Claude Lanzmann, Spike Jonze, Tom Stoppard, and Michel Houellebecq. Looking for laughter on the brink of humanity-in literature and philosophy, natural science and film, theology and computer science-the book offers an exercise in epihumanism appropriate to our posthuman age.

This book employs perspectives from continental philosophy, intellectual history, and literary and cultural studies to breach the divide between early modernist and modernist thinkers. It turns to early modern humanism in order to challenge late 20th-century thought and present-day posthumanism. This book  addresses contemporary concerns such as the moral responsibility of the artist, the place of religious beliefs in our secular societies, legal rights extended to nonhuman species, the sense of ‘normality’ applied to the human body, the politics of migration, individual political freedom and international terrorism. It demonstrates how early modern humanism can bring new perspectives to postmodern antihumanism and even invite us to envision a humanism of the future.

This book employs perspectives from continental philosophy, intellectual history, and literary and cultural studies to breach the divide between early modernist and modernist thinkers. It turns to early modern humanism in order to challenge late 20th-century thought and present-day posthumanism. This book  addresses contemporary concerns such as the moral responsibility of the artist, the place of religious beliefs in our secular societies, legal rights extended to nonhuman species, the sense of ‘normality’ applied to the human body, the politics of migration, individual political freedom and international terrorism. It demonstrates how early modern humanism can bring new perspectives to postmodern antihumanism and even invite us to envision a humanism of the future.