Janette Deacon – författare

Managing Heritage in Africa provides a wide-ranging, up-to-date synthesis of heritage management practice in Africa, covering a broad spectrum of heritage issues such as archaeology, living traditions, sacred sites, heritage of pain (slavery), international conventions cultural landscapes, heritage in conflict areas and heritage versus development. Dealing with both intangible and tangible heritage, Managing Heritage in Africa gives an informative insight into some of the major issues and approaches to contemporary heritage management in Africa and situates the challenges facing heritage practitioners.

Managing Heritage in Africa provides a wide-ranging, up-to-date synthesis of heritage management practice in Africa, covering a broad spectrum of heritage issues such as archaeology, living traditions, sacred sites, heritage of pain (slavery), international conventions cultural landscapes, heritage in conflict areas and heritage versus development. Dealing with both intangible and tangible heritage, Managing Heritage in Africa gives an informative insight into some of the major issues and approaches to contemporary heritage management in Africa and situates the challenges facing heritage practitioners.

This volume contains contributions that consider new approaches to three areas: the documentation of rock art; its interpretation using indigenous knowledge; and the presentation of rock art. Working with Rock Art is the first edited volume to consider each of these areas in a theoretical rather than a technical fashion, and it therefore makes a significant contribution to the discipline. The volume aims to promote the sharing of new experiences between leading researchers in the field. While the geographic focus is truly global, there is a dominant north-south axis with strong representation from researchers in southern Africa and northern Europe, two leading centres for new approaches in rock art research. Working with Rock Art opens up a long overdue dialogue about shared experiences between these two centres, and a number of the chapters are the first published results of new collaborative research. Since this volume covers the recording, interpretation and presentation of rock art, it will attract a wide audience of researchers, heritage managers and students, as well as anyone interested in the field of rock art studies.

This volume contains contributions that consider new approaches to three areas: the documentation of rock art; its interpretation using indigenous knowledge; and the presentation of rock art. Working with Rock Art is the first edited volume to consider each of these areas in a theoretical rather than a technical fashion, and it therefore makes a significant contribution to the discipline. The volume aims to promote the sharing of new experiences between leading researchers in the field. While the geographic focus is truly global, there is a dominant north-south axis with strong representation from researchers in southern Africa and northern Europe, two leading centres for new approaches in rock art research. Working with Rock Art opens up a long overdue dialogue about shared experiences between these two centres, and a number of the chapters are the first published results of new collaborative research. Since this volume covers the recording, interpretation and presentation of rock art, it will attract a wide audience of researchers, heritage managers and students, as well as anyone interested in the field of rock art studies.

Paintedand engraved marks and images on rock surfaces represent the oldest and mostwidespread form of human expression. Found globally in its originallandscapes, with some images dating back fifty thousand years or more, theworld's rock art constitutes the most important body of latent knowledgeabout our deep past. Today, however, mass tourism, vandalism, theft, landdevelopment, and climate change are posing increasingly dire threats to thisirreplaceable heritage.This richly illustrated volume,the ninth to appear in the Getty Conservation Institute's award-winningReadings in Conservation series, is the first interdisciplinary anthology tofocus on the conservation and management of rock art sites. Its 133 readings surveythe arc of published writings on the subject, ranging from early academictheories and oral narratives of Traditional peoples to an abundant selectionof recent scholarship covering current best practices and advances inportable instrumentation that can be used in the field. The book is dividedinto nine parts. Initial sections probe the origins and significance of theseoften-enigmatic forms, then survey scientific and technological methods ofdating, monitoring, and documenting them. Subsequent readings discuss rockart's physical characteristics and weathering, its importance to Indigenouscommunities, the decolonization of site management, the role of governments,the value of public outreach, and climate change. The volume closes with a selectionof case studies drawn from major sites worldwide.

Readers are lured by the title of this book to find out more about being an archaeologist. The book uses an interview box containing questions and answers to explore what archaeologists do. The archaeologist answering the questions works in South Africa, focusing on the Later Stone Age and the lives of the San people. She takes the reader on a short journey in the life of an archaeologist.

This information book tells the reader about rock art, and southern African rock art in particular. It uses many clear photographs to show learners lots of examples of rock art, including paintings and engravings. The book tells the reader what rock art is, who made it, when it was made and how it is studied. It encourages readers to think about how to interpret the pictures and looks at how archaeologists have interpreted rock art.