Jeffrey Einboden - Böcker

On October 3, 1807, Thomas Jefferson was contacted by an unknown traveler urgently pleading for a private "interview" with the President, promising to disclose "a matter of momentous importance". By the next day, Jefferson held in his hands two astonishing manuscripts whose history has been lost for over two centuries. Authored by Muslims fleeing captivity in rural Kentucky, these documents delivered to the President in 1807 were penned by literate African slaves, and written entirely in Arabic.Jefferson's Muslim Fugitives reveals the untold story of two escaped West Africans in the American heartland whose Arabic writings reached a sitting U.S. President, prompting him to intervene on their behalf. Recounting a quest for emancipation that crosses borders of race, region and religion, Jeffrey Einboden unearths Arabic manuscripts that circulated among Jefferson and his prominent peers, including a document from 1780s Georgia which Einboden identifies as the earliest surviving example of Muslim slave authorship in the newly-formed United States. Revealing Jefferson's lifelong entanglements with slavery and Islam, Jefferson's Muslim Fugitives tracks the ascent of Arabic slave writings to the highest halls of U.S. power, while questioning why such vital legacies from the American past have been entirely forgotten.

Uncovering Islam's formative impact on U.S. literary origins, Jeffrey Einboden traces neglected genealogies of Islamic reception from the Revolution to Reconstruction. Privileging informal engagements and intimate exchanges, the book excavates personal appeals to Islamic sources by pivotal figures of the early nation--Ezra Stiles, William Bentley, Washington Irving, Lydia Maria Child, Ralph Waldo Emerson--and discovers Muslim discourse woven into the familiar fabric of their letters and sermons, journals and journalism, memoirs and marginalia. Recovering unpublished manuscripts and material witnesses to early U.S. engagement with the Muslim world, Einboden argues that Islamic literature and Middle Eastern languages catalyzed authorial identities in early America, acting as vehicles of artistic reflection, religious contemplation, and political liberation. Reaching to the Middle East to circumvent Europe, key American authors chart new cultural alternatives in their autobiographic prose and poetry, mirroring the defining struggles of the country's first decades through domestic approaches to the Qu'ran, Hadith, and Sufi sources.

A transnational study of the American Renaissance which explores the literary circulation of Middle Eastern translations of 19th-century U.S. literature In a pioneering approach to classic U.S. Literature, Jeffrey Einboden traces the global afterlives of literary icons from Washington Irving to Walt Whitman and analyses 19th-century American authors as they now appear in Arabic, Hebrew and Persian translation. Crossing linguistic, cultural and national boundaries, Middle Eastern renditions of U.S. texts are interrogated as critical readings and illuminating revisions of their American sources. Why does Moby-Dick both invite and resist Arabic translation? What are the religious and aesthetic implications of re-writing Leaves of Grass in Hebrew? How does rendering The Scarlet Letter into Persian transform Hawthorne's infamous symbol? Uncovering the choices and changes made by prominent Middle Eastern translators, this study is the first to reveal the significance of 'orienting' American classics, demonstrating how such a process offers a valuable lens for reconsidering U.S. literary origins, accenting and amplifying facets of the American Renaissance customarily hidden. Key Features:Advances Transatlantic Studies through expanding the field's critical perspective and methods, revealing the Middle East as a significant region for American literary receptions, and translation as an instructive lens for re-evaluating U.S. classicsProvides vital transnational readings of Washington Irving, Henry Wadsworth Longfellow, Nathaniel Hawthorne, Herman Melville and Walt Whitman previously unacknowledged in American Studies Develops and promotes a theory of global literary circulation, situating the American Renaissance as a pivotal movement, reaching back to ancient Middle Eastern sources, and forward to developing Middle Eastern transmissions

Revealing Islam’s formative influence on literary Romanticism, this book recounts a lively narrative of religious and aesthetic exchange, mapping the impact of Muslim sources on the West’s most seminal authors. Spanning continents and centuries, the book surveys Islamic receptions that bridge Romantic periods and personalities, unfolding from Europe, to Britain, to America, embracing iconic figures from Goethe, to Byron, to Emerson, as well as authors less widely recognized, such as Joseph Hammer-Purgstall.Broad in historical scope, Islam and Romanticism is also particular in personal detail, exposing Islam’s role as a creative catalyst, but also as a spiritual resource, with the Qur’an and Sufi poetry infusing the literary publications, but also the private lives, of Romantic writers. Highlighting cultural encounter, rather than political exploitation, the book differs from previous treatments by accenting Western receptions that transcend mere “Orientalism”, finding the genesis of a global literary culture first emerging in the Romantics’ early appeal to Islamic traditions.

The Qur'an's biblical foregrounds have long formed a controversial concern within Qur'anic Studies, with field-leading scholars debating the Muslim scripture's complex relationship and response to the Judeo-Christian canon. This contentious subject has largely overshadowed, however, a reciprocal, yet no less rich, question which motivates the present study. Rather than read the Muslim scripture in light of its biblical antecedents, The Qur'an & Kerygma adopts the inverse approach, situating the Qur'an as itself the formative foreground to Western literary innovation and biblical exegesis, stretching from late antiquity in the 9th century to postmodernity in the 20th. The book argues, in particular, that Qur'anic readings and renditions have provoked and paralleled key developments in the Christian canon and its critique, catalyzing pivotal acts of authorship and interpretation which have creatively contoured the language and legacy of biblical kerygma. Structured chronologically, the study's span of more than a millennium is sustained by its specific concentration on four case studies selected from representative areas and eras, exploring innovative translations and interpretations of the Qur'an authored by Christian literati from 9th-century Andalucia to 20th-century North America. Mirroring its subject matter, the book engages a literary critical approach, offering close-readings of targeted texts frequently neglected and never before synthesized in a single study, highlighting the stylistic, as well as spiritual, influence on Western authors exercised by Islamic writ.

The Qur'an's biblical foregrounds have long formed a controversial concern within Qur'anic Studies, with field-leading scholars debating the Muslim scripture's complex relationship and response to the Judeo-Christian canon. This contentious subject has largely overshadowed, however, a reciprocal, yet no less rich, question which motivates the present study. Rather than read the Muslim scripture in light of its biblical antecedents, The Qur'an & Kerygma adopts the inverse approach, situating the Qur'an as itself the formative foreground to Western literary innovation and biblical exegesis, stretching from late antiquity in the 9th century to postmodernity in the 20th. The book argues, in particular, that Qur'anic readings and renditions have provoked and paralleled key developments in the Christian canon and its critique, catalyzing pivotal acts of authorship and interpretation which have creatively contoured the language and legacy of biblical kerygma. Structured chronologically, the study's span of more than a millennium is sustained by its specific concentration on four case studies selected from representative areas and eras, exploring innovative translations and interpretations of the Qur'an authored by Christian literati from 9th-century Andalucia to 20th-century North America. Mirroring its subject matter, the book engages a literary critical approach, offering close-readings of targeted texts frequently neglected and never before synthesized in a single study, highlighting the stylistic, as well as spiritual, influence on Western authors exercised by Islamic writ.