John Matteson – författare

Since its publication in 1868, the beloved children’s classic Little Women, has been handed down from mother to daughter. It has inspired an opera, three films and a musical. In this lavish four-colour edition, renowned Alcott expert John Matteson brings unprecedented vibrancy to the book, to the March family it creates and to the Alcott family who inspired it. With numerous photographs taken for this edition, readers discover the extraordinary links between the real and the fictional family. Matteson’s annotations bring us back in touch with the objects and culture of a distant but still-relevant time. His introductory essays examine Little Women’s pivotal place in children’s literature and tell the story of Alcott herself, a tale every bit as captivating as her fiction.

December 1862 drove the United States towards a breaking point. The Battle of Fredericksburg shattered Union forces and Northern confidence. As Abraham Lincoln’s government threatened to fracture, this critical moment also tested five extraordinary individuals whose lives reflect the soul of a nation. The changes they underwent led to profound repercussions in the country’s law, literature, politics and popular mythology. Taken together, their stories offer a striking restatement of what it means to be American. Guided by patriotism, driven by desire, all five moved towards singular destinies. A young Harvard intellectual steeped in courageous ideals, Oliver Wendell Holmes Jr confronted grave challenges to his concept of duty. The one-eyed army chaplain Arthur Fuller pitted his frail body against the evils of slavery. Walt Whitman—a gay Brooklyn poet condemned by the guardians of propriety; and Louisa May Alcott—a struggling writer, seeking an authentic voice and her father’s admiration-tended soldiers’ wracked bodies as nurses. On the other side of the national schism, John Pelham, a West Point cadet from Alabama, achieved a unique excellence in artillery tactics as he served a doomed and misbegotten cause.A Worse Place Than Hell brings together the prodigious forces of war with the intimacy of individual lives. Matteson interweaves the historic and the personal in a work as beautiful as it is powerful.

Louisa May Alcott is known universally. Yet during Louisa's youth, the famous Alcott was her father, Bronson—an eminent teacher and a friend of Emerson and Thoreau. He desired perfection, for the world and from his family. Louisa challenged him with her mercurial moods and yearnings for money and fame. The other prize she deeply coveted—her father's understanding—seemed hardest to win. This story of Bronson and Louisa's tense yet loving relationship adds dimensions to Louisa's life, her work, and the relationships of fathers and daughters.

December 1862 drove the United States toward a breaking point. The Battle of Fredericksburg shattered Union forces and Northern confidence. As Abraham Lincoln’s government threatened to fracture, this critical moment also tested five extraordinary individuals whose lives reflect the soul of a nation. The changes they underwent led to profound repercussions in the country’s law, literature, politics, and popular mythology. Taken together, their stories offer a striking restatement of what it means to be American.Guided by patriotism, driven by desire, all five moved toward singular destinies. A young Harvard intellectual steeped in courageous ideals, Oliver Wendell Holmes Jr. confronted grave challenges to his concept of duty. The one-eyed army chaplain Arthur Fuller pitted his frail body against the evils of slavery. Walt Whitman, a gay Brooklyn poet condemned by the guardians of propriety, and Louisa May Alcott, a struggling writer seeking an authentic voice and her father’s admiration, tended soldiers’ wracked bodies as nurses. On the other side of the national schism, John Pelham, a West Point cadet from Alabama, achieved a unique excellence in artillery tactics as he served a doomed and misbegotten cause.A Worse Place Than Hell brings together the prodigious forces of war with the intimacy of individual lives. Matteson interweaves the historic and the personal in a work as beautiful as it is powerful.

Melville’s (Dis)Orders offers a dialogical re-reading of Herman Melville as a thinker of moral, political, and existential disorder, tracing how his literary imagination confronts authority, law, violence, and ethical responsibility in modernity.Combining literary analysis with philosophical reflection, this book advances a dual-voiced, dialogical approach to Melville’s oeuvre that brings literary studies into sustained conversation with ethics, political thought, theology, and intellectual history. Moving beyond thematic interpretation, the authors read Melville as a diagnostician of modernity’s fractures—where sovereignty falters, legal order destabilizes, and moral judgment becomes precarious. Through close readings of major and lesser-known texts, the volume offers scholars a conceptually rigorous framework for understanding Melville’s relevance to debates on authority, responsibility, friendship, and post-theological ethics, while modeling dialogic scholarship as a critical method.This book is written primarily for scholars of nineteenth-century American literature, Melville studies, American Romanticism, and comparative literature, as well as philosophers, intellectual historians, and scholars of religion interested in ethics, secularization, and dialogic thought. It will also be of value to postgraduate and doctoral students, advanced undergraduates in specialized seminars, and educators seeking an interdisciplinary, research-driven resource on Melville’s ethical imagination.

After 25 years as a piano teacher of 100 students, mostly children, I find that i continue to be impressed by their musical talent and amused by their unexpected comments. If you like kids as much as i do, you will appreciate some of their unintentional and frequently uninhibited humor. Quoting my late grandmother Velma Peterson, as she quoted a favorite early T.V. host "Kids Say the Darnest Things".

A brilliant writer and a fiery social critic, Margaret Fuller (1810–1850) was perhaps the most famous American woman of her generation. Outspoken and quick-witted, idealistic and adventurous, she became the leading female figure in the transcendentalist movement, wrote a celebrated column of literary and social commentary for Horace Greeley’s newspaper, and served as the first foreign correspondent for an American newspaper. While living in Europe she fell in love with an Italian nobleman, with whom she became pregnant out of wedlock. In 1848 she joined the fight for Italian independence and, the following year, reported on the struggle while nursing the wounded within range of enemy cannons. Amid all these strivings and achievements, she authored the first great work of American feminism: Woman in the Nineteenth Century. Despite her brilliance, however, Fuller suffered from self-doubt and was plagued by ill health. John Matteson captures Fuller’s longing to become ever better, reflected by the changing lives she led.