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1 224 kr
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1 224 kr
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170 kr
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Morlais is Alun Lewis’s unpublished novel from the late 1930s. The Lawrentian story of a young boy growing up in the poverty stricken industrial valleys of south Wales, it is also reflects Lewis’ own experiences, particularly his search for self knowledge and his conviction that he would be a writer. Miner’s son Morlais Jenkins is already being educated away from his background at grammar school when he is adopted, on the death of her own son, by the wife of the local local colliery owner. Morlais’ parents recognize the opportunity for their son to make a better future, but they must all pay a great price. Stifled by middle class life, his adoptive mother recognizes that Morlais will be a poet and encourages him to be neither working class or middle class, but true to his talent. Full of vivid descriptive passages of life in the fictional mining valley, and centred on the conflicted character of Morlais and the decisions he faces over his two families, his two social backgrounds, and his desire to be a poet, the novel is an enthralling journey through the life of a young boy becoming a young man. Alun Lewis (1915-1944) was the outstanding writer of World War II and Morlais, written in his mid twenties, is an early indication of the talented writer he would become just five years later.
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Alun, Gweno and Freda is a radical reworking of John Pikoulis’s classic biography, Alun Lewis: A Life (Seren, 1984) with new material which sheds further light on the greatest writer of the Second World War, Alun Lewis (1915-1944). Born in the impoverished industrial valleys of south Wales, the story of Lewis has many varied aspects – he was a talented academic, a gifted writer, a depressive personality, politically aspirational in left wing terms, a pacifist by nature who was faced with a war against fascism. In the course of the war he became caught between two women on opposite sides of the world, his wife Gweno and Freda Aykroyd, an ex patriot in India whose house provided respite for officers on leave there. Lewis’s relationships with Gweno and Freda informed his poetry but also contributed to an inevitable emotional turmoil. He died in mysterious circumstances on active service in Burma: was his death an accident or suicide? And did his triangular relationship with Gweno and Freda contribute to the ending of his life?Essentially the story of Lewis’s short and sometimes tortured life, the book is also the story about how it was written. It quotes extensively from interviews with and correspondence from the main players in the story, and explores the sometimes difficult and delicate territories to be negotiated by the biographer as a story unfolds.