Julia Langkau – författare

Philosophy has long paid minimal attention to creativity, and even with the rise of research on imagination, the creative imagination has still largely been ignored. The aim of this Oxford Handbook is to correct this neglect. By bringing together research from various sub-disciplines, the contributors explore recent emerging topics and open up new avenues of research in the philosophy of imagination and creativity.The 37 chapters provide state of the art treatments of a variety of subjects at the intersection of imagination and creativity. The volume opens with a comprehensive editors' introduction providing an overview of issues covered in the volume. The chapters in Part I provides framing and historical context for the philosophical study of imagination and creativity, along with an overview of the empirical literature. The chapters in Part II explores imagination and creativity as they manifest in, and in turn shape, the individual. The chapters in Part III survey the role of imagination and creativity across a wide variety of artistic domains, and the chapters in Part IV turn to societal domains. Part V focuses on the interplay of imagination and creativity with regard to the variety and features of creative subjects.The handbook will be of great interest to scholars and students wishing to learn about imagination and creativity across a wide philosophical terrain: from the philosophy of mind and cognitive science to ethics and political philosophy, to aesthetics and philosophy of art, to epistemology and philosophy of science. The volume will be useful not only to established scholars but to those coming to these topics for the first time.

This book presents new research on the crucial role that imagination plays in contemporary philosophy of fiction.The first part of the book challenges the main paradigm set by Kendall Walton and Gregory Currie, according to which there is a necessary connection between fiction and a prescription that we engage imaginatively with its content. The contributors address the fundamental questions of how we can define fiction, and especially whether we can define fiction in terms of imagination. The second part focuses on a distinct but related question: can we point to some distinctive experiential features of our engagement with fiction? In the third part, the focus lies on the cognitive value of fiction and on the role that imagination plays in that respect. The chapters in this part discuss the cognitive value of fiction with respect to issues such as the training of the faculty of imagination, phenomenal experience, empathy, and the emotions.The Philosophy of Fiction will be of interest to scholars and advanced students working in aesthetics, philosophy of mind, epistemology, and literary studies.Chapter 13 of this book is available for free in PDF format as Open Access from the individual product page at www.routledge.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

This book presents new research on the crucial role that imagination plays in contemporary philosophy of fiction.The first part of the book challenges the main paradigm set by Kendall Walton and Gregory Currie, according to which there is a necessary connection between fiction and a prescription that we engage imaginatively with its content. The contributors address the fundamental questions of how we can define fiction, and especially whether we can define fiction in terms of imagination. The second part focuses on a distinct but related question: can we point to some distinctive experiential features of our engagement with fiction? In the third part, the focus lies on the cognitive value of fiction and on the role that imagination plays in that respect. The chapters in this part discuss the cognitive value of fiction with respect to issues such as the training of the faculty of imagination, phenomenal experience, empathy, and the emotions.The Philosophy of Fiction will be of interest to scholars and advanced students working in aesthetics, philosophy of mind, epistemology, and literary studies.Chapter 13 of this book is available for free in PDF format as Open Access from the individual product page at www.routledge.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.