Kanan Makiya - Böcker
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4 produkter
4 produkter
329 kr
Skickas inom 3-6 vardagar
308 kr
Skickas inom 5-8 vardagar
"One of the most important books ever written on the state of the modern Middle East." -Geraldine Brooks, Wall Street Journal
260 kr
Skickas inom 7-10 vardagar
First published in 1989, just before the Gulf War broke out, "Republic of Fear" was the only book that explained the motives of the Saddam Hussein regime in invading and annexing Kuwait. This edition, updated in 1998, has a substantial introduction focusing on the changes in Hussein's regime since the Gulf War. In 1968 a coup d'etat brought into power an extraordinary regime in Iraq, one that stood apart from other regimes in the Middle East. Between 1968 and 1980, this new regime, headed by the Arab Ba'th Socialist party, used ruthless repression and relentless organization to transform the way Iraqis think and react to political questions. In just twelve years, a party of a few thousand people grew to include nearly ten percent of the Iraqi population. This book describes the experience of Ba'thism from 1968 to 1980 and analyzes the kind of political authority it engendered, culminating in the personality cult around Saddam Hussein. Fear, the author argues, is at the heart of Ba'thi politics and has become the cement for a genuine authority, however bizarre.Examining Iraqi history in a search for clues to understanding contemporary political affairs, the author illustrates how the quality of Ba'thi pan-Arabism as an ideology, the centrality of the first experience of pan-Arabism in Iraq, and the interaction between the Ba'th and communist parties in Iraq from 1958 to 1968 were crucial in shaping the current regime. Saddam Hussein's decision to launch all-out war against Iran in September 1980 marks the end of the first phase of this re-shaping of modern Iraqi politics. The Iraq-Iran war is a momentous event in its own right, but for Iraq, the author argues, the war diverts dissent against the Ba'thi regime by focusing attention on the specter of an enemy beyond Iraq's borders, thus masking a hidden potential for even greater violence inside Iraq.
337 kr
Skickas inom 10-15 vardagar
In Baghdad, an enormous monument nearly twice the size of the Arc de Triomphe towers over the city. Two huge forearms emerge from the ground, clutching two swords that clash overhead. Those arms are enlarged casts of those of Saddam Hussein, showing every bump and follicle. The "Victory Arch" celebrates a victory over Iran (in their eight-year-long war) that never happened. This text is a study of the interplay between art and politics - of how culture, normally an unquestioned good, can play into the hands of a power with devastating effects. Kanan Makiya uses the culture invented by Saddam Hussein as a window into the nature of totalitarianism and shows how art can become the weapon of dictatorship. Under Saddam Hussein, culture connived in his evil - this text explains how. It should be useful reading for anyone concerned with the power of culture and the culture of power.