Karen Pechilis - Böcker

A distinctive aspect of Hindu devotion is the veneration of a human guru, who is not only an exemplar and a teacher, but is often worshipped as an embodiment of the divine. In the past these gurus have almost always been men. Today, however, female gurus are a noticeable presence, especially in the United States. This collection of nine all new essays looks at the phenomenon of the female guru both in its original Indian context, where Hindu women leaders have been unusual but not unknown, and as it has evolved on the American scene. Each chapter is devoted to a particular female guru, ranging from the fifth-century Tamil saint Karaikkal Ammaiyar to Gurumayi, who today presides over the worldwide movement of Siddha Yoga, headquartered in the Catskill resort town of South Fallsburg, New York. The biographies of these special women are both fascinating in their own right and shed important new light on issues of gender and religious authority.

The religious landscape of South Asia is complex and fascinating. While existing literature tends to focus on the majority religions of Hinduism and Buddhism, much less attention is given to Jainism, Sikhism, Islam or Christianity. While not nelecting the majority traditions, this valuable resource also explores the important role which the minority traditions play in the religious life of the subcontinent, covering popular as well as elite expressions of religious faith. By examining the realities of religious life, and the ways in which the traditions are practised on the ground, this book provides an illuminating introduction to religion in South Asia.

The religious landscape of South Asia is complex and fascinating. While existing literature tends to focus on the majority religions of Hinduism and Buddhism, much less attention is given to Jainism, Sikhism, Islam or Christianity. While not nelecting the majority traditions, this valuable resource also explores the important role which the minority traditions play in the religious life of the subcontinent, covering popular as well as elite expressions of religious faith. By examining the realities of religious life, and the ways in which the traditions are practised on the ground, this book provides an illuminating introduction to religion in South Asia.

Devotion is a category of expression in many of the world’s religious traditions. This book looks at issues involved in academically interpreting religious devotion, as well as exploring the interpretations of religious devotion made by a sixth century poet, a twelfth century biographer, and present-day festival publics. The book focuses on the female poet-saint Kāraikkāl Ammaiyār, whose poetry is devotional in nature. It discusses the biography written on the poet six centuries after her lifetime, and suggests ways of interpreting Kāraikkāl Ammaiyār’s poetry without using the categories and events promoted by her biographer, in order to engage her own thoughts as they are communicated through the poetry attributed to her. In the same way that the biographer made the poet ‘speak’ to his present day, the book looks at how festivals held today make both the poetry and the biography relevant to the present day.By discussing how poetry, story and festival provide distinctive yet overlapping interpretations of the saint, this book reveals the selections and priorities of interpreters in the making of a living tradition. It is an accessible contribution to students and scholars of religion, Indian history and women’s studies.

Devotion is a category of expression in many of the world’s religious traditions. This book looks at issues involved in academically interpreting religious devotion, as well as exploring the interpretations of religious devotion made by a sixth century poet, a twelfth century biographer, and present-day festival publics. The book focuses on the female poet-saint Kāraikkāl Ammaiyār, whose poetry is devotional in nature. It discusses the biography written on the poet six centuries after her lifetime, and suggests ways of interpreting Kāraikkāl Ammaiyār’s poetry without using the categories and events promoted by her biographer, in order to engage her own thoughts as they are communicated through the poetry attributed to her. In the same way that the biographer made the poet ‘speak’ to his present day, the book looks at how festivals held today make both the poetry and the biography relevant to the present day.By discussing how poetry, story and festival provide distinctive yet overlapping interpretations of the saint, this book reveals the selections and priorities of interpreters in the making of a living tradition. It is an accessible contribution to students and scholars of religion, Indian history and women’s studies.

How has Hinduism been shaped over time? What are continuities and changes in its cultural history of textual, social, ritual, visual, political, philosophical, and theological perspectives and practices?Spanning over 4,000 years, A Cultural History of Hinduism provides an authoritative survey of one of the world’s oldest religious traditions in its social and cultural contexts, from ancient times to the present. With 55 experts from academic disciplines such as history, religion studies, art history, anthropology and philosophy, the work represents inclusive narratives and aims to generate new cultural history questions. Chapter titles are identical across each of the volumes. This gives the choice of reading about a specific period in one of the volumes, or following a theme across history by reading the relevant chapter in each of the six.The six volumes cover: 1 – Antiquity (2000 – 200 BCE); 2 – Classical Age (200 BCE – 800 CE); 3 – Post-Classical Age (800 – 1500); 4 – Age of Empires (1500 – 1857); 5 –Age of Late Colonialism (1857 – 1947); 6 – Age of Independence (1947 – 2017).Themes (and chapter titles are): sources of authority; defining body and mind; social organization and everyday norms; identity, difference and dialogue; politics and power; visual Culture; lineages and emerging exemplars and movements; and hinduism in global context. The page extent for the pack is approximately 1632pp. Each volume opens with an Introduction and concludes with Notes, Bibliography, Notes on Contributors, and an Index. Special introductory offer (valid up to 3 months after publication): £395 / $550 (full price: £440 / $610)The Cultural Histories SeriesA Cultural History of Hinduism is part of the Cultural Histories Series. Titles are available both as printed hardcover sets for libraries needing just one subject or preferring a one-off purchase and tangible reference for their shelves, or as part of a fully searchable digital library, updated twice a year and available to institutions by annual subscription or on perpetual access. See www.bloomsburyculturalhistory.com for further information or to access content.

This open access book is the first to focus on material visualities of bhakti imagery that inspire, shape, convey, and expand both the visual practices of devotional communities, as well as possibilities for extending the reach of devotion in society in new and often unexpected ways. Communities of interpreters of bhakti images discussed in this book include not only a number of distinctive Hindu bhakti groups, but also artisans, diaspora women, South Asian Sufis, businessmen, dancers, and filmmakers.This book’s identification of devotional practices of looking, such as materializing memory, mirroring and immaterializing portraits, and shaping the return look, connect material and visual cultures as well as illustrate modes of established and experimental image usage.Bhakti is one of the most-studied aspects of Indic devotionalism on account of its expression through emotive poetry, song, and vivid hagiographies of saints. The diverse devotional visualities analyzed in this book meaningfully circulate bhakti images in past and present, generating their renewed relationship to contemporary concerns.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Patrice M. and John F. Kelly Fellowship in Arts & Letters at Drew University, USA.

This open access book is the first to focus on material visualities of bhakti imagery that inspire, shape, convey, and expand both the visual practices of devotional communities, as well as possibilities for extending the reach of devotion in society in new and often unexpected ways. Communities of interpreters of bhakti images discussed in this book include not only a number of distinctive Hindu bhakti groups, but also artisans, diaspora women, South Asian Sufis, businessmen, dancers, and filmmakers.This book’s identification of devotional practices of looking, such as materializing memory, mirroring and immaterializing portraits, and shaping the return look, connect material and visual cultures as well as illustrate modes of established and experimental image usage.Bhakti is one of the most-studied aspects of Indic devotionalism on account of its expression through emotive poetry, song, and vivid hagiographies of saints. The diverse devotional visualities analyzed in this book meaningfully circulate bhakti images in past and present, generating their renewed relationship to contemporary concerns.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Patrice M. and John F. Kelly Fellowship in Arts & Letters at Drew University, USA.

Examines how embodiment is conceived and experienced in South Asian religions.Refiguring the Body provides a sustained interrogation of categories and models of the body grounded in the distinctive idioms of South Asian religions, particularly Hindu and Buddhist traditions. The contributors engage prevailing theories of the body in the Western academy that derive from philosophy, social theory, and feminist and gender studies. At the same time, they recognize the limitations of applying Western theoretical models as the default epistemological framework for understanding notions of embodiment that derive from non-Western cultures. Divided into three sections, this collection of essays explores material bodies, embodied selves, and perfected forms of embodiment; divine bodies and devotional bodies; and gendered logics defining male and female bodies. The contributors seek to establish theory parity in scholarly investigations and to re-figure body theories by taking seriously the contributions of South Asian discourses to theorizing the body.