Kate Haulman – författare

In May 1894, President Grover Cleveland gave a speech thanking those who gathered “to worship at this national shrine.” He was not referring to the battlefields at Gettysburg or Antietam, nor to Mount Vernon, but to the gravesite of Mary Ball Washington, mother of George. While dedicating the new monument that marked it in Fredericksburg, Virginia, Cleveland honored “the woman who gave our Nation its greatest and best citizen.” There could be no clearer valorization of eighteenth-century republican motherhood and its centrality to the nation's origin story.The Mother of Washington in Nineteenth-Century America examines the role of motherhood in the commemoration of the American Revolution by tracing the creation and evolution of the Mother of Washington figure. Kate Haulman explores the nineteenth-century memory of an eighteenth-century woman known for and through her famous son, the nation's first president. Underpinned by a canon of stories about Mary that often involved George, the monument and the figure it memorialized overlapped, sometimes in surprising and even paradoxical ways. In print, in images, and on the landscape, memorializing Mary foregrounded maternal ideals based in traditional gender roles and ancestry in the public memory of the nation's founding. As some women framed their engagement with the state in maternal terms, other men and women used the Mother of Washington to link the virtues she represented to the nation's origins. Women memorialists finally took up the cause to complete the monument, finishing what elite men had begun decades earlier.Then as now, groups used the past to construct American motherhood, as well as using motherhood to engage with the founding past. The Mother of Washington in Nineteenth-Century America offers fresh arguments about gender, race, and the politics of Revolutionary history and memory still contested 250 years later.

In May 1894, President Grover Cleveland gave a speech thanking those who gathered "e;to worship at this national shrine."e; He was not referring to the battlefields at Gettysburg or Antietam, nor to Mount Vernon, but to the gravesite of Mary Ball Washington, mother of George. While dedicating the new monument that marked it in Fredericksburg, Virginia, Cleveland honored "e;the woman who gave our Nation its greatest and best citizen."e; There could be no clearer valorization of eighteenth-century republican motherhood and its centrality to the nation's origin story. The Mother of Washington in Nineteenth-Century America examines the role of motherhood in the commemoration of the American Revolution by tracing the creation and evolution of the Mother of Washington figure. Kate Haulman explores the nineteenth-century memory of an eighteenth-century woman known for and through her famous son, the nation's first president. Underpinned by a canon of stories about Mary that often involved George, the monument and the figure it memorialized overlapped, sometimes in surprising and even paradoxical ways. In print, in images, and on the landscape, memorializing Mary foregrounded maternal ideals based in traditional gender roles and ancestry in the public memory of the nation's founding. As some women framed their engagement with the state in maternal terms, other men and women used the Mother of Washington to link the virtues she represented to the nation's origins. Women memorialists finally took up the cause to complete the monument, finishing what elite men had begun decades earlier. Then as now, groups used the past to construct American motherhood, as well as using motherhood to engage with the founding past. The Mother of Washington in Nineteenth-Century America offers fresh arguments about gender, race, and the politics of Revolutionary history and memory still contested 250 years later.

In May 1894, President Grover Cleveland gave a speech thanking those who gathered "e;to worship at this national shrine."e; He was not referring to the battlefields at Gettysburg or Antietam, nor to Mount Vernon, but to the gravesite of Mary Ball Washington, mother of George. While dedicating the new monument that marked it in Fredericksburg, Virginia, Cleveland honored "e;the woman who gave our Nation its greatest and best citizen."e; There could be no clearer valorization of eighteenth-century republican motherhood and its centrality to the nation's origin story. The Mother of Washington in Nineteenth-Century America examines the role of motherhood in the commemoration of the American Revolution by tracing the creation and evolution of the Mother of Washington figure. Kate Haulman explores the nineteenth-century memory of an eighteenth-century woman known for and through her famous son, the nation's first president. Underpinned by a canon of stories about Mary that often involved George, the monument and the figure it memorialized overlapped, sometimes in surprising and even paradoxical ways. In print, in images, and on the landscape, memorializing Mary foregrounded maternal ideals based in traditional gender roles and ancestry in the public memory of the nation's founding. As some women framed their engagement with the state in maternal terms, other men and women used the Mother of Washington to link the virtues she represented to the nation's origins. Women memorialists finally took up the cause to complete the monument, finishing what elite men had begun decades earlier. Then as now, groups used the past to construct American motherhood, as well as using motherhood to engage with the founding past. The Mother of Washington in Nineteenth-Century America offers fresh arguments about gender, race, and the politics of Revolutionary history and memory still contested 250 years later.

In eighteenth-century America, fashion served as a site of contests over various forms of gendered power. Here, Kate Haulman explores how and why fashion — both as a concept and as the changing style of personal adornment — linked gender relations, social order, commerce, and political authority during a time when traditional hierarchies were in flux.In the see-and-be-seen port cities of Boston, New York, Philadelphia, and Charleston, fashion, a form of power and distinction, was conceptually feminized yet pursued by both men and women across class ranks. Haulman shows that elite men and women in these cities relied on fashion to present their status but also attempted to undercut its ability to do so for others. Disdain for others'' fashionability was a means of safeguarding social position in cities where the modes of dress were particularly fluid and a way to maintain gender hierarchy in a world in which women’s power as consumers was expanding. Concerns over gendered power expressed through fashion in dress, Haulman reveals, shaped the revolutionary-era struggles of the 1760s and 1770s, influenced national political debates, and helped to secure the exclusions of the new political order.

Examines how women's histories are explored and explained around the worldMaking Women's Histories showcases the transformations that the intellectual and political production of women's history has engendered across time and space. It considers the difference women's and gender history has made to and within national fields of study, and to what extent the wider historiography has integrated this new knowledge. What are the accomplishments of women's and gender history? What are its shortcomings? What is its future?The contributors discuss their discovery of women's histories, the multiple turns the field has taken, and how place affected the course of this scholarship. Noted scholars of women's and gender history, they stand atop such historiographically-defined vantage points as Tsarist Russia, the British Empire in Egypt and India, Qing-dynasty China, and the U.S. roiling through the 1960s. From these and other peaks they gaze out at the world around them, surveying trajectories in the creation of women's histories in recent and distant pasts and envisioning their futures.

Examines how women's histories are explored and explained around the worldMaking Women's Histories showcases the transformations that the intellectual and political production of women's history has engendered across time and space. It considers the difference women's and gender history has made to and within national fields of study, and to what extent the wider historiography has integrated this new knowledge. What are the accomplishments of women's and gender history? What are its shortcomings? What is its future?The contributors discuss their discovery of women's histories, the multiple turns the field has taken, and how place affected the course of this scholarship. Noted scholars of women's and gender history, they stand atop such historiographically-defined vantage points as Tsarist Russia, the British Empire in Egypt and India, Qing-dynasty China, and the U.S. roiling through the 1960s. From these and other peaks they gaze out at the world around them, surveying trajectories in the creation of women's histories in recent and distant pasts and envisioning their futures.

In eighteenth-century America, fashion served as a site of contests over various forms of gendered power. Here, Kate Haulman explores how and why fashion--both as a concept and as the changing style of personal adornment--linked gender relations, social order, commerce, and political authority during a time when traditional hierarchies were in flux. In the see-and-be-seen port cities of Boston, New York, Philadelphia, and Charleston, fashion, a form of power and distinction, was conceptually feminized yet pursued by both men and women across class ranks. Haulman shows that elite men and women in these cities relied on fashion to present their status but also attempted to undercut its ability to do so for others. Disdain for others'' fashionability was a means of safeguarding social position in cities where the modes of dress were particularly fluid and a way to maintain gender hierarchy in a world in which women''s power as consumers was expanding. Concerns over gendered power expressed through fashion in dress, Haulman reveals, shaped the revolutionary-era struggles of the 1760s and 1770s, influenced national political debates, and helped to secure the exclusions of the new political order.

In eighteenth-century America, fashion served as a site of contests over various forms of gendered power. Here, Kate Haulman explores how and why fashion - both as a concept and as the changing style of personal adornment - linked gender relations, social order, commerce, and political authority during a time when traditional hierarchies were in flux. In the see-and-be-seen port cities of Boston, New York, Philadelphia, and Charleston, fashion, a form of power and distinction, was conceptually feminized yet pursued by both men and women across class ranks. Haulman shows that elite men and women in these cities relied on fashion to present their status but also attempted to undercut its ability to do so for others. Disdain for others' fashionability was a means of safeguarding social position in cities where the modes of dress were particularly fluid and a way to maintain gender hierarchy in a world in which women's power as consumers was expanding. Concerns over gendered power expressed through fashion in dress, Haulman reveals, shaped the revolutionary-era struggles of the 1760s and 1770s, influenced national political debates, and helped to secure the exclusions of the new political order.

In eighteenth-century America, fashion served as a site of contests over various forms of gendered power. Here, Kate Haulman explores how and why fashion — both as a concept and as the changing style of personal adornment — linked gender relations, social order, commerce, and political authority during a time when traditional hierarchies were in flux.In the see-and-be-seen port cities of Boston, New York, Philadelphia, and Charleston, fashion, a form of power and distinction, was conceptually feminized yet pursued by both men and women across class ranks. Haulman shows that elite men and women in these cities relied on fashion to present their status but also attempted to undercut its ability to do so for others. Disdain for others'' fashionability was a means of safeguarding social position in cities where the modes of dress were particularly fluid and a way to maintain gender hierarchy in a world in which women’s power as consumers was expanding. Concerns over gendered power expressed through fashion in dress, Haulman reveals, shaped the revolutionary-era struggles of the 1760s and 1770s, influenced national political debates, and helped to secure the exclusions of the new political order.