Katherine Jellison – författare

What's white, costs billions of dollars, and embodies the American dream? For years, a white-gowned bride, multi-tiered white cake, and shiny gold rings have been the central icons for a grand American tradition that remains vibrant despite changing times. Now Katherine Jellison gives us a comprehensive cultural history of American weddings since World War II, examining the development of our precise and expensive standards for celebrating weddings and the staying power of this phenomenon in the face of enormous social, political, and economic upheaval.Jellison's book is the first to examine wedding culture in the context of postwar cultural change, analyzing the mechanisms that disseminated, updated, and sustained the specific tradition of the white wedding. Tracing the ritual back to the rise of consumer culture in the postwar boom, it also examines how Americans guaranteed the survival of the white wedding into the twenty-first century by amending the ideology that supported it and reinterpreting the functions it served.Jellison examines the ways the bridal business, the media, and consumers responded to new norms that expanded the notions of who was an appropriate white-wedding bride. She particularly examines the key influences that have sustained this cultural phenomenon for sixty years - the bridal-wear industry, celebrity weddings, movie weddings, and media coverage of the weddings-next-door - to show that the white wedding has become a unifying experience that crosses gender, class, and racial lines.Here are the mystique of the perfect white wedding gown, a cavalcade of iconic brides from Grace Kelly to Caroline Bessette, and the proliferation of reality weddings in magazines and on television. Jellison draws on pro-wedding writings of contemporary feminist authors, as well as oral histories of bridal couples from diverse backgrounds, and examines contemporary issues such as the legalization of same-sex marriage - and its backlash - and the post-Katrina ""Hurricane Brides"" project.Engagingly written and lavishly illustrated, ""It's Our Day"" tells how a fantasy event survived counterculture movements and organized feminism to become a multi-billion-dollar industry supporting clothiers, caterers, jewelers, and florists. But more than an expose of commercialism, it is a testament to the flexibility of the dream it represents.

Native American philosophy has enabled Native American cultures to survive more than five hundred years of attempted cultural assimilation. The first edition of this historical and philosophical work was written as a text for the first course in Native Philosophy ever offered by a philosophy department at a Canadian university. This revised edition, based on more than twenty-five years of research through the Native Philosophy Project and funded in part by the Rockefeller Foundation, is expanded to include extensive discussion of Native American philosophy and culture in the United States as well as Canada. Topics covered include colonialism, neocolonialism, the phenomenology of the vision quest, the continuity of Native values, land and the integrity of person, the role of cognitive science in supporting Native narrative traditions, language in Indian life, landscape and other-than-human entities, teaching Native American philosophy through film and popular culture and the value of various research methods for Native American philosophy. A vital addition to the scholarly work examining Indian life in both Canada and the United States.

The advent of modern agribusiness irrevocably changed the patterns of life and labor on the American family farm. In Entitled to Power, Katherine Jellison examines midwestern farm women’s unexpected response to new labor-saving devices.Federal farm policy at mid-century treated farm women as consumers, not producers. New technologies, as promoted by agricultural extension agents and by home appliance manufacturers, were expected to create separate spheres of work in the field and in the house. These innovations, however, enabled women to work as operators of farm machinery or independently in the rural community. Jellison finds that many women preferred their productive roles on and off the farm to the domestic ideal emphasized by contemporary prescriptive literature. A variety of visual images of farm women from advertisements and agricultural publications serve to contrast the publicized view of these women with the roles that they chose for themselves. The letters, interviews, and memoirs assembled by Jellison reclaim the many contributions women made to modernizing farm life.Originally published in 1993.A UNC Press Enduring Edition — UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

This engaging collection of essays explores the lives and legacies of six Ohio-born First Ladies: Lucy Webb Hayes, Lucretia Rudolph Garfield, Caroline Scott Harrison, Ida Saxton McKinley, Helen Herron Taft, and Florence Kling Harding. With contributions by leading scholars, the volume moves beyond traditional biography to examine how each woman’s Ohio roots shaped her public role and influenced her husband’s political career at both state and national levels.Connecting Ohio history to the broader narrative of nineteenth- and early twentieth-century US history, these essays draw on rich primary and secondary sources to illuminate the intersection of regional identity and national politics. Accessible and insightful, Ohio’s First Ladies invites readers of all backgrounds-from high school students to lifelong learners-to discover how the Midwest helped mold women who would leave their mark on the White House.ContributorsBenjamin T. ArringtonJennifer CappsAnnette B. DunlapKara M. FrenchMichelle GullionKatherine JellisonKatherine A. S. Sibley