Kathleen Ashley – författare

Bringing together artifacts, texts, and practices within an interpretive framework that stresses the cultural work performed by saints, Kathleen Ashley presents a comparative study of the cults of the medieval Sainte Foy at a number of the sites where she was especially venerated.This book analyzes how each cult site produced the saint it needed, appropriating or creating whatever was required to that end. Ashley’s approach is thoroughly interdisciplinary, incorporating visual, religious, medieval, and women’s and gender studies as well as literary studies and social history. She uses the theoretical framework of "cultural work" to analyze how the cult of Sainte Foy was sponsored and received by specific groups in different locales in Europe. The book is comprehensive in terms of historical as well as geographical range, tracing the history of the cult from the early Middle Ages into the present day. It also includes historiographical analysis, examining the way the cults of Sainte Foy have been represented in various historical accounts. Ashley’s narrative challenges the boundary between "elite" and "popular" culture and complicates the traditional vernacular vs. Latin language binary. A chief aim of the study is to show how "art" objects always operated in conjunction with other cultural texts to construct a saint’s cult. The volume is heavily illustrated, showing artifacts such as stained-glass windows and wall paintings which are not readily available from any other source.This book will be of special interest to scholars in art history, medieval history, gender studies, and religion.

What do books on how to behave tell us about society during the Middle Ages?Focusing on a broad range of texts from England, France, Germany, and Italy-conduct and courtesy books, advice poems, devotional literature, trial records-the contributors to Medieval Conduct draw attention to the diverse ways in which readers of this literature could interpret such behavioral guides, appropriating them to their own ends. Medieval Conduct expands the concept of conduct to include historicized practices, and theorizes the connection between texts and their concrete social uses; what emerges is a nuanced interpretation of the role of gender and class inscribed in such texts. By bringing to light these subtleties and complexities, the authors also reveal the ways in which the assumptions of literary history have shaped our reception of such texts in the past two centuries.Contributors: Mark Addison Amos, Southern Illinois U; Anna Dronzek, U of Minnesota, Morris; Roberta L. Krueger, Hamilton College; Ruth NissÉ, U of Nebraska-Lincoln; Ann Marie Rasmussen, Duke U; Jennifer Fisk Rondeau, U of Oregon; and Claire Sponsler, U of Iowa.

Exploring the connections between autobiography and postmodernism, this book addresses self-representation in a variety of literatures - Native American, British, Chicana, immigrant, and lesbian, among others - in genres as diverse as poetry, naming, confession, photography, and the manifesto. The essays examine how different writers respond to the culturally specific pressures of genre, how these constraints are negotiated, and what self-representation reveals about the politics of identity. In contrast to those critics of postmodernism who fear the dissolution of the active subject, the contributors here demonstrate that autobiography gives postmodernism a discourse through which to theorise human agency. The autobiographical subject that emerges is not the decentered human agent of so many versions of postmodernism, but the producer of texts that call attention to the contradictions in dominant modes of self-representation, and demonstrate the possibilities of writing from other locations.

Bringing together artifacts, texts, and practices within an interpretive framework that stresses the cultural work performed by saints, Kathleen Ashley presents a comparative study of the cults of the medieval Sainte Foy at a number of the sites where she was especially venerated.This book analyzes how each cult site produced the saint it needed, appropriating or creating whatever was required to that end. Ashley’s approach is thoroughly interdisciplinary, incorporating visual, religious, medieval, and women’s and gender studies as well as literary studies and social history. She uses the theoretical framework of "cultural work" to analyze how the cult of Sainte Foy was sponsored and received by specific groups in different locales in Europe. The book is comprehensive in terms of historical as well as geographical range, tracing the history of the cult from the early Middle Ages into the present day. It also includes historiographical analysis, examining the way the cults of Sainte Foy have been represented in various historical accounts. Ashley’s narrative challenges the boundary between "elite" and "popular" culture and complicates the traditional vernacular vs. Latin language binary. A chief aim of the study is to show how "art" objects always operated in conjunction with other cultural texts to construct a saint’s cult. The volume is heavily illustrated, showing artifacts such as stained-glass windows and wall paintings which are not readily available from any other source.This book will be of special interest to scholars in art history, medieval history, gender studies, and religion.