Keith Rutter – författare

Classical Greece was permeated by a spirit of rivalry. Games and sports, theatrical performances, courtroom trials, recitation of poetry, canvassing for public office, war itself - all aspects of life were informed by a competitive ethos. This pioneering book considers how the Greeks viewed, explained, exploited and controlled the emotions that entered into such rivalrous activities, and looks at what the private and public effects were of such feelings as ambition, desire, pride, passion, envy and spite.Among the questions the authors address: How was envy distinguished from emulation? Was rivalry central to democratic politics? What was the relation between envy and erotic jealousy? Did the Greeks feel erotic jealousy at all? Did the views of philosophers correspond to those reflected in the historians, tragic poets and orators? Were there differences in attitude towards the rivalrous emotions within ancient Greece, or between Greece and Rome? Did jealousy, envy and malice have bad effects on ancient society, or could they be channelled to positive ends by stimulating effort and innovation? Can the ancient Greek and Roman views of envy, spite and jealousy contribute anything to our own understanding of these universally troubling emotions?This is the first book devoted to the emotions of rivalry in the classical world taken as a whole. With chapters written by a dozen scholars in ancient history, literature and philosophy, it contributes notably to the study of ancient Greece and to the history of the emotions more generally.

The western tradition of coinage began in Asia Minor around 650 BCE and from there the idea spread quite rapidly to other parts of the Mediterranean. This book describes and evaluates developments in coinage down to the period of the Persian Wars, ending in 479. Early coinage was not monolithic. The new medium of exchange proved attractive to a variety of rulers and societies - kings, dynasts, tribes, city-states with varying forms of governance. The physical characteristics of the coins produced were another source of difference. Initially there was no fixed idea of what a coin should look like, and there were several experiments before a consensus emerged around a small, circular metal object with a design, or type, on both sides. This book provides students with an authoritative introduction, with all technical terms and methodologies explained, as well as illustrations of over 200 important coins with detailed captions.

The western tradition of coinage began in Asia Minor around 650 BCE and from there the idea spread quite rapidly to other parts of the Mediterranean. This book describes and evaluates developments in coinage down to the period of the Persian Wars, ending in 479. Early coinage was not monolithic. The new medium of exchange proved attractive to a variety of rulers and societies - kings, dynasts, tribes, city-states with varying forms of governance. The physical characteristics of the coins produced were another source of difference. Initially there was no fixed idea of what a coin should look like, and there were several experiments before a consensus emerged around a small, circular metal object with a design, or type, on both sides. This book provides students with an authoritative introduction, with all technical terms and methodologies explained, as well as illustrations of over 200 important coins with detailed captions.

Over his long and illustrious career as Lecturer, Reader and Professor in Edinburgh University (1961-1976), Lawrence Professor of Classical Archaeology at Cambridge (1976-2001) and currently Fellow of the McDonald Institute of Archaeology at Cambridge, Anthony Snodgrass has influenced and been associated with a long series of eminent classical archaeologists, historians and linguists.In acknowledgement of his immense academic achievement, this collection of essays by a range of international scholars reflects his wide-ranging research interests: Greek prehistory, the Greek Iron Age and Archaic era, Greek texts and Archaeology, Classical Art History, societies on the fringes of the Greek and Roman world, and Regional Field Survey. Not only do they celebrate his achievements but they also represent new avenues of research which will have a broad appeal.