John Bintliff – författare

A Companion to Archaeology features essays from 27 of the world's leading authorities on different types of archaeology that aim to define the field and describe what it means to be an archaeologist. Shows that contemporary archaeology is an astonishingly broad activity, with many contrasting specializations and ways of approaching the material record of past societies.Includes essays by experts in reading the past through art, linguistics, or the built environment, and by professionals who present the past through heritage management and museums.Introduces the reader to a range of archaeologists: those who devote themselves to the philosophy of archaeology, those who see archaeology as politics or anthropology, and those who contend that the essence of the discipline is a hard science.

The theme of this book is the appropriate methodology for the study of the history of life on earth. In particular, it focuses on the interplay between form and structure: the things that we might predict and model and the things that we cannot predict - the arbitrary and the contingent - which may be as important, or even more important, than the way in which life on earth has evolved. The contributors are drawn from palaeontology, archaeology, anthropology and human evolution; the time scales covered are from the development of life on earth, through human evolution to later prehistory and historic archaeology. Underpinning the theme of the book is the work of Stephen Jay Gould, who has developed a distinctive philosophy of history concerning the nature of long-term and short-term evolutionary processes, particularly stressing the interplay between structure and contingency.

A Companion to Archaeology features essays from 27 of the world's leading authorities on different types of archaeology that aim to define the field and describe what it means to be an archaeologist. Shows that contemporary archaeology is an astonishingly broad activity, with many contrasting specializations and ways of approaching the material record of past societies.Includes essays by experts in reading the past through art, linguistics, or the built environment, and by professionals who present the past through heritage management and museums.Introduces the reader to a range of archaeologists: those who devote themselves to the philosophy of archaeology, those who see archaeology as politics or anthropology, and those who contend that the essence of the discipline is a hard science.

The Complete Archaeology of Greece covers the incredible richness and variety of Greek culture and its central role in our understanding of European civilization, from the Palaeolithic era of 400,000 years ago to the early modern period. In a single volume, the field's traditional focus on art and architecture has been combined with a rigorous overview of the latest archaeological evidence forming a truly comprehensive work on Greek civilization. *Extensive notes on the text are freely available online at Wiley Online Library, and include additional details and references for both the serious researcher and amateur A unique single-volume exploration of the extraordinary development of human society in Greece from the earliest human traces up till the early 20th century ADProvides 22 chapters and an introduction chronologically surveying the phases of Greek culture, with over 200 illustrationsFeatures over 200 images of art, architecture, and ancient texts, and integrates new archaeological discoveries for a more detailed picture of the Greece past, its landscape, and its peopleExplains how scientific advances in archaeology have provided a broader perspective on Greek prehistory and historySelected by Choice as a 2013 Outstanding Academic Title

Over his long and illustrious career as Lecturer, Reader and Professor in Edinburgh University (1961-1976), Lawrence Professor of Classical Archaeology at Cambridge (1976-2001) and currently Fellow of the McDonald Institute of Archaeology at Cambridge, Anthony Snodgrass has influenced and been associated with a long series of eminent classical archaeologists, historians and linguists.In acknowledgement of his immense academic achievement, this collection of essays by a range of international scholars reflects his wide-ranging research interests: Greek prehistory, the Greek Iron Age and Archaic era, Greek texts and Archaeology, Classical Art History, societies on the fringes of the Greek and Roman world, and Regional Field Survey. Not only do they celebrate his achievements but they also represent new avenues of research which will have a broad appeal.

True to its initial aims, the latest volume of the Journal of Greek Archaeology runs the whole chronological range of Greek Archaeology, while including every kind of material culture. Papers include an overview of a major project investigating Palaeolithic environments, human settlement and other activities in the Ionian Islands. Neolithic industries in large stone artefacts link two papers on the human palaeobiology of populations in the Mycenaean and then Iron Age eras. Two papers on Greeks abroad enlighten us on the nature of Greek presence and impact on indigenous society (and vice versa) in Archaic and Classical Egypt and Southern France. In a totally contrasted fashion, a long article on the fate of Southern Greek cities under Rome offers a very negative but definitively researched analysis on their radical decline. Architecture makes two appearances for the periods that follow, firstly for the towns of Crete under Venetian then Ottoman rule, secondly in the form of Landscape Architecture – the physical infrastructure of rural land use in the unusual landscape of the Mani. Finally, to show that Greek Archaeology knows no boundaries when it comes to material culture, there is a piece on a 21st century fashion designer who has used ancient art to enrich his designs. Alongside these papers, there are articles challenging the accepted view of the Late Bronze ‘Sea Peoples’, shedding welcome light on the neglected later prehistory and protohistory of Epiros, on Greek terracotta figurines and their links to sacrificial offerings, and finally providing a long-term study of the walls of Athens over almost two-and-a-half millennia. The full complement of reviews for almost every period of the Greek Past are also full of fascinating insights and updates.

The fourth volume of the Journal of Greek Archaeology (JGA) is unusually rich and varied in content. Geographically the articles range from Sicily via Greece to Anatolia and the Near East, while chronologically they extend from the Bronze Age to the Ottoman era. Thematically there is a set of papers in landscape studies which include agricultural history, settlement geography, regional comparisons; articles on material culture which encompass metallurgy, ceramics, the links between language and artefacts, and production and trade; papers on aspects of human social science such as palaeopathology and deformity, gender studies and the representation of the supernatural; historical perspectives are finally represented by articles on fortifications and Islamisation. Of particular note is a lengthy presentation of the survey and excavation at the recently discovered Mycenaean palace in the Sparta Valley.The review section is even broader, running from the Palaeolithic through to aspects of present-day heritage studies, and covering an equally wide field of topics.

An international peer-reviewed English-language journal specializing in synthetic articles and in long reviews, the Journal of Greek Archaeology appears annually each Autumn. The scope of the journal is Greek archaeology both in the Aegean and throughout the wider Greek-inhabited world, from earliest Prehistory to the Modern Era. Thus we include contributions not just from traditional periods such as Greek Prehistory and the Classical Greek to Hellenistic eras, but also from Roman through Byzantine, Crusader and Ottoman Greece and into the Early Modern period. Outside of the Aegean contributions are welcome covering the Archaeology of the Greeks overseas, likewise from Prehistory into the Modern World. Greek Archaeology for the purposes of the JGA thus includes the Archaeology of the Hellenistic World, Roman Greece, Byzantine Archaeology, Frankish and Ottoman Archaeology, and the Postmedieval Archaeology of Greece and of the Greek Diaspora.

An international peer-reviewed English-language journal specializing in synthetic articles and in long reviews, the Journal of Greek Archaeology appears annually each Autumn. The scope of the journal is Greek archaeology both in the Aegean and throughout the wider Greek-inhabited world, from earliest Prehistory to the Modern Era.Volume Two maintains the mission to publish across the whole time range of Greek Archaeology, with articles from the Palaeolithic to the Early Modern era, as well as reaching out from the Aegean to the wider Greek world. Lithics and Ceramics are accompanied by innovative Art History and Industrial Archaeology. The book reviews are equally wide-ranging. Contributors are international, and include young researchers as well as long-established senior scholars.

Volume 6 maintains the journal's goal to cover the broad chronological spread of Greek Archaeology, ranging from a new review of the Mesolithic occupation at Theopetra, one of the most important hunter-gatherer sites in Greece, to a detailed analysis of how the distribution of Middle Byzantine churches in the Peloponnese enlightens us into the evolution of human settlement and land use. Prehistory is richly represented in further articles, as we learn about Middle Bronze Age society on Lefkas, the dispute over exotic primates portrayed on the frescoes of Santorini, a new Minoan-style peak sanctuary on Naxos, and Post-Palatial settlement structure on Crete. Bridging prehistory to historical times, a detailed study rethinks the burial and settlement evidence for Early Iron Age Athens, then entering the Archaic period, an original article links textual analysis and material culture to investigate dedicatory behaviour in Ionian sanctuaries. As a special treat, that doyen of Greek plastic arts Andrew Stewart, asks us to look again at the evidence for the birth of the Classical Style in Greek sculpture. Greek theatres in Sicily are next contextualised into contemporary politics, while the sacred Classical landscape of the island of Salamis is explored with innovative GIS-techniques. For the seven-hundred years or so of Roman rule we are given an indepth presentation of regional economics from Central Greece, and a thorough review of harbours and maritime navigation for Late Roman Crete. Finally we must mention a methodological article, deploying the rich data from the Nemea landscape survey, to tackle issues of changing land use and the sometimes controversial topic of ancient manuring.