Kenneth Lincoln – författare
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5 produkter
5 produkter
Inbunden, Engelska, 1993
1 303 kr
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Lincoln's study of Native American humour moves from tribal culture to interethnic literature. He covers the traditional Trickster of origin myths, historical ironies (speeches, treatises, as-told-to life stories), Euroamericans `playing Indian', Feminist Indian home humour, contemporary painters and playwrights reinventing Coyote, popular mixed-blood music and Red English, and three Native American novelists, Louise Erdrich, James Welch, and N. Scott Momaday, as well as a bicultural novel, The Northern Lights, by Howard Norman.
E-bok
PDF, Engelska, 1993739 kr
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Drawing upon history, psychology, folklore, linguistics, anthropology, and the arts, this book challenges "wooden Indian" stereotypes to redefine negative attitudes and humorless approaches to Native American peoples. Moving from tribal culture to interethnic literature, Lincoln covers the traditional Trickster of origin myths, historical ironies, Euroamericans "playing Indian," feminist Indian humor at home, contemporary painters and playwrights reinventing Coyote, popular mixed-blood music and Red English, and three Native American novelists, Louise Erdrich, James Welch, and N. Scott Momaday. Indi''n Humor documents and interprets the contexts of laughter among Native Americans, as they see and are seen by the rest of the world. The study comes to focus comically on the poets, visual artists, playwrights, and novelists who make up the cultural renaissance of the past twenty years.
Häftad, Engelska, 1985
416 kr
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"Native American Renaissance is the most important discussion of contemporary American Indian poetry and fiction produced to date. It offers intelligent and balanced insight into the contexts and work of a number of contemporary American Indian writers. Its careful discussion provides clear and sometimes breathtaking illumination into this literature that is at once tribal and modern, western and traditional, a literature that is the oldest and newest literature in America." (Paula Gunn Allen (Laguna), University of California, Berkeley). "This is a pioneering volume. Lincoln presents the writing of today's most gifted Native American authors, against an ethnographic background which should enable a growing number of readers to share his enthusiasm. Lincoln has lived with American Indians, knows them, and is respected by them; all this enhances his book." (William Bright, Editor, Language). "This is the most informed and insightful assessment of the best of modern Native American literature. Lincoln is sensitive to the tribal roots of this literature, so he is able to go beyond mere criticism to cultural contextualization.I found this study quite powerful in its scope, probing depth, imaginative sweep, and sensitivity of writing. Debate on the subject may well gather around Native American Renaissance for the rest of the decade." (Alfonso Ortiz (San Juan), University of New Mexico).
Häftad, Engelska, 1999
493 kr
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Examining contemporary poetry by way of ethnicity and gender, Kenneth Lincoln tracks the Renaissance invention of the Wild Man and the recurrent Adamic myth of the lost Garden. He discusses the first anthology of American Indian verse, "The Path on the Rainbow" (1918), which opened Jorge Luis Borges' university surveys of American literature, to thirty-five contemporary Indian poets who speak to, with, and against American mainstream bards. From Whitman's free verse, through the Greenwich Village Renaissance (sandwiched between the world wars) and the post-apocalyptic Beat incantations, to transglobal questions of tribe and verse at the century's close, Lincoln shows where we mine the mother lode of New World voices, what distinguishes American verse, which tales our poets sing and what inflections we hear in the rhythms, pitches, and parsings of native lines. Lincoln presents the Lakota concept of 'singing with the heart of a bear' as poetry which moves through an artist.He argues for a fusion of estranged cultures, tribal and emigre, margin and mainstream, in detailing the ethnopoetics of Native American translation and the growing modernist concern for a 'native' sense of the 'makings' of American verse. This fascinating work represents a major new effort in understanding American and Native American literature, spirituality, and culture.
579 kr
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Examining contemporary poetry by way of ethnicity and gender, Kenneth Lincoln tracks the Renaissance invention of the Wild Man and the recurrent Adamic myth of the lost Garden. He discusses the first anthology of American Indian verse, The Path on the Rainbow (1918), which opened Jorge Luis Borges'' university surveys of American literature, to thirty-five contemporary Indian poets who speak to, with, and against American mainstream bards. From Whitman''s free verse, through the Greenwich Village Renaissance (sandwiched between the world wars) and the post-apocalyptic Beat incantations, to transglobal questions of tribe and verse at the century''s close, Lincoln shows where we mine the mother lode of New World voices, what distinguishes American verse, which tales our poets sing and what inflections we hear in the rhythms, pitches, and parsings of native lines.Lincoln presents the Lakota concept of "singing with the heart of a bear" as poetry which moves through an artist. He argues for a fusion of estranged cultures, tribal and émigré, margin and mainstream, in detailing the ethnopoetics of Native American translation and the growing modernist concern for a "native" sense of the "makings" of American verse. This fascinating work represents a major new effort in understanding American and Native American literature, spirituality, and culture.Examining contemporary poetry by way of ethnicity and gender, Kenneth Lincoln tracks the Renaissance invention of the Wild Man and the recurrent Adamic myth of the lost Garden. He discusses the first anthology of American Indian verse, The Path on the