Kenneth M. Price – författare

During Walt Whitman''s decade in Washington, DC, 1863-1873, he labored intensely, at times seeming to have three lives at once. He wrote the most distinguished journalism of his career; came into his own as a writer of letters; crafted memorable Civil War poetry, Drum-Taps and Sequel to Drum-Taps and later folded it into heavily revised and expanded versions of Leaves of Grass; and produced his searching but also flawed critique of American culture, Democratic Vistas. Whitman''s work through the first three editions of Leaves often receives the highest praise, yet his writing in the Washington years is exceptional, too, by any reckoning—and is all the more remarkable given that he also cared for thousands of wounded and sick soldiers in Washington hospitals, serving as an attentive visitor. In addition, he served as a government clerk in various positions, most notably in the attorney general''s office when much was accomplished on the road toward a multi-racial democracy including efforts to suppress the Ku Klux Klan, and much was also missed (both by the attorney general''s office and by Whitman) in the efforts to advance a more just and vibrant union. Kenneth M. Price analyses Whitman''s integrated life, writings, and government work in his urban context to re-evaluate the writer and the nation''s capital in a time of transformation. Drawing on an expanded Whitman corpus, including nearly 3,000 Whitman documents Price recently identified in the National Archives, Whitman in Washington demonstrates that the power of Whitman''s Civil War and Reconstruction writing emerges, more fully than previously imagined, from his intimate knowledge of the capital city, its bureaucracies, and its tumultuous post-war history.

During Walt Whitman''s decade in Washington, DC, 1863-1873, he labored intensely, at times seeming to have three lives at once. He wrote the most distinguished journalism of his career; came into his own as a writer of letters; crafted memorable Civil War poetry, Drum-Taps and Sequel to Drum-Taps and later folded it into heavily revised and expanded versions of Leaves of Grass; and produced his searching but also flawed critique of American culture, Democratic Vistas. Whitman''s work through the first three editions of Leaves often receives the highest praise, yet his writing in the Washington years is exceptional, too, by any reckoning—and is all the more remarkable given that he also cared for thousands of wounded and sick soldiers in Washington hospitals, serving as an attentive visitor. In addition, he served as a government clerk in various positions, most notably in the attorney general''s office when much was accomplished on the road toward a multi-racial democracy including efforts to suppress the Ku Klux Klan, and much was also missed (both by the attorney general''s office and by Whitman) in the efforts to advance a more just and vibrant union. Kenneth M. Price analyses Whitman''s integrated life, writings, and government work in his urban context to re-evaluate the writer and the nation''s capital in a time of transformation. Drawing on an expanded Whitman corpus, including nearly 3,000 Whitman documents Price recently identified in the National Archives, Whitman in Washington demonstrates that the power of Whitman''s Civil War and Reconstruction writing emerges, more fully than previously imagined, from his intimate knowledge of the capital city, its bureaucracies, and its tumultuous post-war history.

More than a century after his death, Walt Whitman remains a fresh phenomenon. Startling discoveries and massive transcription efforts are enabling new insights into his life and achievements. In the past few years new breakthroughs have proliferated, including the publication of a long-lost Whitman novel, Jack Engle, along with a hitherto unknown health guide for urban men and previously undiscovered poems. Myriad other documents have become more readily available, including largely unmined troves of journalism, narrative and documentary prose, and experimental note-keeping. Leaves of Grass and Whitman's literary life as a whole are thus ripe for reconsideration. The Oxford Handbook of Walt Whitman embraces this expanded view of Whitman and charts new pathways in Whitman Studies by bringing in new perspectives, methods, and contexts.

During Walt Whitman's decade in Washington, DC, 1863-1873, he labored intensely, at times seeming to have three lives at once. He wrote the most distinguished journalism of his career; came into his own as a writer of letters; crafted memorable Civil War poetry, Drum-Taps and Sequel to Drum-Taps and later folded it into heavily revised and expanded versions of Leaves of Grass; and produced his searching but also flawed critique of American culture, Democratic Vistas. Whitman's work through the first three editions of Leaves often receives the highest praise, yet his writing in the Washington years is exceptional, too, by any reckoning--and is all the more remarkable given that he also cared for thousands of wounded and sick soldiers in Washington hospitals, serving as an attentive visitor. In addition, he served as a government clerk in various positions, most notably in the attorney general's office when much was accomplished on the road toward a multi-racial democracy including efforts to suppress the Ku Klux Klan, and much was also missed (both by the attorney general's office and by Whitman) in the efforts to advance a more just and vibrant union. This book analyses Whitman's integrated life, writings, and government work in his urban context to re-evaluate the writer and the nation's capital in a time of transformation. Drawing on an expanded Whitman corpus, including nearly 3,000 Whitman documents the author recently identified in the National Archives, Whitman in Washington demonstrates that the power of Whitman's Civil War and Reconstruction writing emerges, more fully than we could ever before have imagined, from his intimate knowledge of the capital city, its bureaucracies, and its tumultuous post-war history.

During Walt Whitman's decade in Washington, DC, 1863-1873, he labored intensely, at times seeming to have three lives at once. He wrote the most distinguished journalism of his career; came into his own as a writer of letters; crafted memorable Civil War poetry, Drum-Taps and Sequel to Drum-Taps and later folded it into heavily revised and expanded versions of Leaves of Grass; and produced his searching but also flawed critique of American culture, Democratic Vistas. Whitman's work through the first three editions of Leaves often receives the highest praise, yet his writing in the Washington years is exceptional, too, by any reckoning—and is all the more remarkable given that he also cared for thousands of wounded and sick soldiers in Washington hospitals, serving as an attentive visitor. In addition, he served as a government clerk in various positions, most notably in the attorney general's office when much was accomplished on the road toward a multi-racial democracy including efforts to suppress the Ku Klux Klan, and much was also missed (both by the attorney general's office and by Whitman) in the efforts to advance a more just and vibrant union.Kenneth M. Price analyses Whitman's integrated life, writings, and government work in his urban context to re-evaluate the writer and the nation's capital in a time of transformation. Drawing on an expanded Whitman corpus, including nearly 3,000 Whitman documents Price recently identified in the National Archives, Whitman in Washington demonstrates that the power of Whitman's Civil War and Reconstruction writing emerges, more fully than previously imagined, from his intimate knowledge of the capital city, its bureaucracies, and its tumultuous post-war history.

This comprehensive volume celebrates the 150th anniversary of the 1855 edition of Walt Whitman's Leaves of Grass with twenty essays by preeminent scholars representing a variety of critical perspectives that focus exclusively on the original edition. Once regarded as primarily a collector's item, this edition is now viewed as the poet's most bold and compelling articulation of the possibilities of American democracy. The essays weave a rich tapestry of the most current, innovative criticism on this foundational book of American poetry. The contributors treat Whitman's poetry, his biography, his politics, his reception in the United States and abroad, race and ethnic issues, nineteenth-century America, and even the complex typographical history of the first edition of Leaves of Grass. The volume also includes a tribute from the renowned poet Galway Kinnell.

Walt Whitman ""is America,"" according to Ezra Pound. More than a century after his death, Whitman's name regularly appears in political speeches, architectural inscriptions, television programs, and films, and it adorns schools, summer camps, truck stops, corporate centers, and shopping malls. In an analysis of Whitman as a quintessential American icon, Kenneth Price shows how his ubiquity and his extraordinarily malleable identity have contributed to the ongoing process of shaping the character of the United States. Price examines Whitman's own writings as well as those of writers who were influenced by him, paying particular attention to Whitman's legacies for an ethnically and sexually diverse America. He focuses on fictional works by Edith Wharton, D. H. Lawrence, John Dos Passos, Ishmael Reed, and Gloria Naylor, among others. In Price's study, Leaves of Grass emerges as a living document accruing meanings that evolve with time and with new readers, with Whitman and his words regularly pulled into debates over immigration, politics, sexuality, and national identity. As Price demonstrates, Whitman is a recurring starting point, a provocation, and an irresistible, rewritable text for those who reinvent the icon in their efforts to remake America itself.

This collection of essays show that periodical works emerged from the juncture where high-brow intermingled with low-brow, where commerce blended with artistry in 19th-century America. The authors examine a variety of periodicals from ""Atlantic Monthly"" to ""The National Era"".

This introductory guide to Walt Whitman weaves together the writer’s life with an examination of his works. · An innovative introductory guide to Walt Whitman. · Weaves together the writer’s life with an examination of his works. · Focuses especially on Whitman’s evolving masterpiece Leaves of Grass. · Examines the material conditions and products of Whitman’s “scripted life”, including his original manuscripts. · Investigates Whitman’s “life in print” – his belief that he could literally embody himself in his books. · Linked to a large electronic archive of Whitman’s work at www.whitmanarchive.org

This introductory guide to Walt Whitman weaves together the writer’s life with an examination of his works.

· An innovative introductory guide to Walt Whitman.

· Weaves together the writer’s life with an examination of his works.

· Focuses especially on Whitman’s evolving masterpiece Leaves of Grass.

· Examines the material conditions and products of Whitman’s “scripted life”, including his original manuscripts.

· Investigates Whitman’s “life in print” – his belief that he could literally embody himself in his books.

· Linked to a large electronic archive of Whitman’s work at www.whitmanarchive.org

Exploring technology, ethics, and culture to unlock digital scholarship’s futureFutures of Digital Scholarly Editing navigates the ever-shifting terrain of digital academia, examining practical and ethical considerations as technology continues to evolve. In this indispensable collection, digital humanities practitioners and scholars work with a wide range of archival materials to confront key challenges surrounding the adaptation and sustainability of digital editorial projects as well as their societal impact. Broaching essential questions at the nexus of technology and culture, Futures of Digital Scholarly Editing is organized around three principal frameworks: access, sustainability, and interoperability; ethics and community involvement; and the evolution of textual scholarship. From addressing outdated technical infrastructures to fostering new collaborations, this volume serves as a beacon guiding scholars and institutions through the complexities of digital editing in an era of profound technological and societal transformation. Contributors: Stephanie P. Browner, The New School; Julia Flanders, Northeastern U; Ed Folsom, U of Iowa; Nicole Gray, U of Nebraska–Lincoln; Cassidy Holahan, U of Nevada, Las Vegas; Fotis Jannidis, U of WÜrzburg; Aylin Malcolm, U of Guelph; Sarah Lynn Patterson, U of Massachusetts Amherst; Elena Pierazzo, U of Tours; K.J. Rawson, Northeastern U; Whitney Trettien, U of Pennsylvania; John Unsworth, U of Virginia; Dirk Van Hulle, U of Oxford; Robert Warrior, U of Kansas; Marta L. Werner, Loyola U Chicago. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.