Kim Wünschmann – författare

Oberbrechen: A German Village Confronts Its Nazi Past is a new title in OUP's Graphic History Series that chronicles the events of the Holocaust and its aftermath in a small village in rural Germany. Based on meticulous research and using powerful visual storytelling, the book provides a multilayered narrative that explores the experiences of both Jewish and non-Jewish villagers from the First World War to the present. Its focus on how "ordinary" people experienced this time offers a new and illuminating insight into everyday life and the processes of violence, rupture, and reconciliation that characterized the history of the twentieth century in Germany and beyond. The graphic narrative is accompanied by source documents published in English translation for the first time, an essay on the wider historical context, and an incisive reflection on the writing of this book--and of history more broadly.

The German Revolution of 1918-19 marks a historical turning point at which, following the catastrophe of the Great War, soldiers and civilians rose up to overthrow the German Empire's political and military leadership. The prospect of radical change evoked diverse hopes and fears in Germans young and old, female and male, rural and urban, Catholic, Protestant and Jewish. The essays in this volume, which are all based on fresh archival research, analyse their various expectations, experiences, and responses towards the revolution. Whereas much of the existing scholarship concentrates on the high politics and institutional contests of the revolution, these essays are concerned with revolutionary culture and subjectivities. They seek to historicize the revolution not so much from above, or from below, but from within, as a lived and open-ended civic experiment. This volume's cast of protagonists encompasses sailors mobilizing in north German naval bases, women storming town halls in provincial Bavaria, youngsters pounding Hamburg dance floors on wintery evenings, factory workers savouring the new eight-hour day, publishers grappling with shifting readerships, theologians debating constitutional arrangements, and journalists writing to make sense of a world seemingly turned upside down. The essays explore how the German Revolution unleashed the political imagination of a newly empowered citizenry. Their collective contention is that this socio-cultural approach best registers the revolution's popular mobilization and societal penetration, its destruction of inherited patterns of authority, and, ultimately, its complex and contested legacy for the Weimar republican project.