Kirsten Emiko McAllister – författare

This volume examines the politics of fieldwork and the challenges of researching migrants constructed as outsiders both nationally and transnationally. Based on research with undocumented migrants, temporary workers, refugees, international students, and those who, having received citizenship status find their lives to be discursively and legally restricted, it shows how interdisciplinary fieldwork-based approaches can provide detailed accounts of migrants’ voices and their conditions of existence, offering insights into the ways in which they understand and take part in producing their transnational worlds. Applying critical, self-reflexive methodological approaches that challenge assumptions about who has the authority to produce knowledge and what types of knowledge have the authority of truth, Migration and the Politics of Methodology will appeal to scholars of sociology, anthropology, geography, and communication and cultural studies with interests in research methods and migration.

This volume examines the politics of fieldwork and the challenges of researching migrants constructed as outsiders both nationally and transnationally. Based on research with undocumented migrants, temporary workers, refugees, international students, and those who, having received citizenship status find their lives to be discursively and legally restricted, it shows how interdisciplinary fieldwork-based approaches can provide detailed accounts of migrants’ voices and their conditions of existence, offering insights into the ways in which they understand and take part in producing their transnational worlds. Applying critical, self-reflexive methodological approaches that challenge assumptions about who has the authority to produce knowledge and what types of knowledge have the authority of truth, Migration and the Politics of Methodology will appeal to scholars of sociology, anthropology, geography, and communication and cultural studies with interests in research methods and migration.

As a visual medium, the photograph has many culturally resonant properties that it shares with no other medium. These essays develop innovative cultural strategies for reading, re-reading and re-using photographs, as well as for (re)creating photographs and other artworks and evoke varied sites of memory in contemporary landscapes: from sites of war and other violence through the lost places of indigenous peoples to the once-familiar everyday places of home, family, neighborhood and community. Paying close attention to the settings in which such photographs are made and used--family collections, public archives, museums, newspapers, art galleries--the contributors consider how meanings in photographs may be shifted, challenged and renewed over time and for different purposes--from historical inquiry to quests for personal, familial, ethnic and national identity.