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While Disability Studies has become more diversified in recent years, contemporary debates still favour the Northern Hemisphere, ignoring the lived experience of disabled people in much of the global South. Few theoretical studies pay sufficient attention to the range of beliefs and attitudes towards disability in specific African contexts, despite the fact that beliefs and explanations for disability permeate daily existence in sub-Saharan African places, and can have real consequences for persons with disabilities, leading to stigmatisation, marginalisation, and even violence.This volume is a timely intervention that seeks to address some of these imbalances and biases. Through frank life writing, evocative poetry, and critical reflections on African arts and literatures, the contributors highlight the urgent need for more culturally informed understandings of disability, as a means by which to challenge existing explanations. They examine the powerful role of different creative forms, tools, and methodologies in enhancing understandings of disability in African contexts.Demonstrating the power of cultural representation in building sensitivity to the range of issues related to disability, this book is of key relevance not just to scholars and students of disability studies, African studies, and sociology, but to all who seek to advocate for social change.The volume is a key outcome of the Disability and Inclusion Africa Network. It is edited by Charlotte Baker (Lancaster University, UK), Elvis Imafidon (SOAS, University of London, UK), Kobus Moolman (University of the Western Cape, South Africa), and Emelda Ngufor Samba (University of Yaoundé 1, Cameroon).
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361 kr
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This book was conceptualised prior to the global reckoning with 'this mortal body' unleashed by the Covid pandemic. It is an attempt to (re)turn attention to the body as that through which so much of our humanness is experienced, mediated, enjoyed, suffered, understood and expressed. But Covid forcibly returned us to the body in ways that none of us could ever have imagined. Perhaps Notes from the Body could not be more timely. The variety of possible bodies for which the contributors seek a voice reminds us of the multiple ways in which we may be human. Through various creative forms, the pieces in this volume present the body as, among other things: sick, violated, racialised, healed, performing, ageing, (multiply) gendered, spiritual, abused, 'disabled', broken, sexual, animalised, medical, controlled, interrupted, failing, rejected and abject. Several themes recur: humanisation and dehumanisation; the loss or recovery of agency; dignity and humiliation; violation of the bounds of self; the integrity or wholeness of the body; the body's betrayal; and mourning or celebrating the body.