Charlotte Baker – författare

While Disability Studies has become more diversified in recent years, contemporary debates still favour the Northern Hemisphere, ignoring the lived experience of disabled people in much of the global South. Few theoretical studies pay sufficient attention to the range of beliefs and attitudes towards disability in specific African contexts, despite the fact that beliefs and explanations for disability permeate daily existence in sub-Saharan African places, and can have real consequences for persons with disabilities, leading to stigmatisation, marginalisation and even violence.

This volume is a timely intervention that seeks to address some of these imbalances and biases. Through frank life writing, evocative poetry, and critical reflections on African arts and literatures, the contributors highlight the urgent need for more culturally informed understandings of disability, as a means by which to challenge existing explanations. They examine the powerful role of different creative forms, tools and methodologies in enhancing understandings of disability in African contexts.

Demonstrating the power of cultural representation in building sensitivity to the range of issues related to disability, this book is of key relevance not just to scholars and students of disability studies, African studies and sociology, but to all who seek to advocate for social change.

The volume is a key outcome of the Disability and Inclusion Africa Network. It is edited by Charlotte Baker (Lancaster University, UK), Elvis Imafidon (SOAS, University of London, UK), Kobus Moolman (University of the Western Cape, South Africa) and Emelda Ngufor Samba (University of Yaoundé 1, Cameroon).

While Disability Studies has become more diversified in recent years, contemporary debates still favour the Northern Hemisphere, ignoring the lived experience of disabled people in much of the global South. Few theoretical studies pay sufficient attention to the range of beliefs and attitudes towards disability in specific African contexts, despite the fact that beliefs and explanations for disability permeate daily existence in sub-Saharan African places, and can have real consequences for persons with disabilities, leading to stigmatisation, marginalisation and even violence.

This volume is a timely intervention that seeks to address some of these imbalances and biases. Through frank life writing, evocative poetry, and critical reflections on African arts and literatures, the contributors highlight the urgent need for more culturally informed understandings of disability, as a means by which to challenge existing explanations. They examine the powerful role of different creative forms, tools and methodologies in enhancing understandings of disability in African contexts.

Demonstrating the power of cultural representation in building sensitivity to the range of issues related to disability, this book is of key relevance not just to scholars and students of disability studies, African studies and sociology, but to all who seek to advocate for social change.

The volume is a key outcome of the Disability and Inclusion Africa Network. It is edited by Charlotte Baker (Lancaster University, UK), Elvis Imafidon (SOAS, University of London, UK), Kobus Moolman (University of the Western Cape, South Africa) and Emelda Ngufor Samba (University of Yaoundé 1, Cameroon).

Fictions of African Dictatorship examines the fictional representation of the African dictator and the performance of dictatorship across genres. The volume includes contributions focusing on literature, theatre and film, all of which examine the relationship between the fictional and the political. Among the questions the contributors ask: what are the implications of reading a novel for its historical content or accuracy? How does the dictator novel interrogate ideas of veracity? How is power performed and ridiculed? How do different writers reflect on questions of authority in the postcolony, and what are the effects on their stories and modes of narration? This volume untangles some of the intricate workings of dictatorial power in the postcolony, through twelve close readings of works of fiction. It interrogates the intersections between real and literary space, exploring censorship, political critique and creative resistance. Insights into a wide range of lesser known texts and contexts make this volume an original and insightful contribution to scholarship on representations of dictatorship.