Kylie Thomas – författare
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7 produkter
7 produkter
681 kr
Skickas inom 10-15 vardagar
This book offers a range of perspectives on photography in Africa, bringing research on South African photography into conversation with work from several other places on the continent, including Angola, the DRC, Kenya, Mali, Morocco, Nigeria, Ethiopia, and Eritrea. The collection engages with the history of photography and its role in colonial regulatory regimes; with social documentary photography and practices of self-representation; and with the place of portraits in the production of subjectivities, as well as contemporary and experimental photographic practices. Through detailed analyses of particular photographs and photographic archives, the chapters in this book trace how photographs have been used both to affirm colonial worldviews and to disrupt and critique such forms of power. This book was originally published as a special issue of Social Dynamics.
593 kr
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Afterimages of Apartheid shows how photographs of the past can be mobilised as a critical tool for understanding the ongoing effects of apartheid in contemporary South Africa.Through close readings of significant images made during and after apartheid, the book shows how photography works as a means of documentation, commemoration, and resistance. Written by one of South Africa’s leading scholars of visual history, the book considers the ways in which photographs can be used to contest impunity for state violence. Afterimages includes chapters on the Sharpeville and Marikana massacres, on the re-opening of cases of human rights violations that remain unresolved in the aftermath of the South African Truth and Reconciliation Commission, and on contemporary protests against the post-apartheid state. The book makes a powerful case for the role of photographs in drawing the viewer into the past time they represent, issuing a call to the living to remember, respond, and react.This vivid account of the photography of apartheid will be of interest to students and researchers across the fields of South African history, visual studies, memory studies, art history, photography studies and transitional justice.
2 171 kr
Skickas inom 10-15 vardagar
Afterimages of Apartheid shows how photographs of the past can be mobilised as a critical tool for understanding the ongoing effects of apartheid in contemporary South Africa.Through close readings of significant images made during and after apartheid, the book shows how photography works as a means of documentation, commemoration, and resistance. Written by one of South Africa’s leading scholars of visual history, the book considers the ways in which photographs can be used to contest impunity for state violence. Afterimages includes chapters on the Sharpeville and Marikana massacres, on the re-opening of cases of human rights violations that remain unresolved in the aftermath of the South African Truth and Reconciliation Commission, and on contemporary protests against the post-apartheid state. The book makes a powerful case for the role of photographs in drawing the viewer into the past time they represent, issuing a call to the living to remember, respond, and react.This vivid account of the photography of apartheid will be of interest to students and researchers across the fields of South African history, visual studies, memory studies, art history, photography studies and transitional justice.
2 241 kr
Skickas inom 10-15 vardagar
This book offers a range of perspectives on photography in Africa, bringing research on South African photography into conversation with work from several other places on the continent, including Angola, the DRC, Kenya, Mali, Morocco, Nigeria, Ethiopia, and Eritrea. The collection engages with the history of photography and its role in colonial regulatory regimes; with social documentary photography and practices of self-representation; and with the place of portraits in the production of subjectivities, as well as contemporary and experimental photographic practices. Through detailed analyses of particular photographs and photographic archives, the chapters in this book trace how photographs have been used both to affirm colonial worldviews and to disrupt and critique such forms of power. This book was originally published as a special issue of Social Dynamics.
2 171 kr
Skickas inom 10-15 vardagar
This collection explores women’s multifaceted historical and contemporary involvement in photography in Africa. The book offers new ways of thinking about the history of photography, exploring through case studies the complex and historically specific articulations of gender and photography on the continent, and attending to the challenge and potential of contemporary feminist and postcolonial engagements with the medium. The volume is organised in thematic sections that present the lives and work of historically significant yet overlooked women photographers, as well as the work of acclaimed contemporary African women photographers such as Héla Ammar, Fatoumata Diabaté, Lebohang Kganye and Zanele Muholi. The book offers critical reflections on the politics of gendered knowledge production and the production of racialised and gendered identities and alternative and subaltern subjectivities. Several chapters illuminate how contemporary African women photographers, collectors and curators are engaging with colonial photographic archives to contest stereotypical forms of representation and produce powerful counter-histories. Raising critical questions about race, gender and the history of photography, the collection provides a model for interdisciplinary feminist approaches for scholars and students of art history, visual studies and African history.
524 kr
Skickas inom 10-15 vardagar
This collection explores women’s multifaceted historical and contemporary involvement in photography in Africa. The book offers new ways of thinking about the history of photography, exploring through case studies the complex and historically specific articulations of gender and photography on the continent, and attending to the challenge and potential of contemporary feminist and postcolonial engagements with the medium. The volume is organised in thematic sections that present the lives and work of historically significant yet overlooked women photographers, as well as the work of acclaimed contemporary African women photographers such as Héla Ammar, Fatoumata Diabaté, Lebohang Kganye and Zanele Muholi. The book offers critical reflections on the politics of gendered knowledge production and the production of racialised and gendered identities and alternative and subaltern subjectivities. Several chapters illuminate how contemporary African women photographers, collectors and curators are engaging with colonial photographic archives to contest stereotypical forms of representation and produce powerful counter-histories. Raising critical questions about race, gender and the history of photography, the collection provides a model for interdisciplinary feminist approaches for scholars and students of art history, visual studies and African history.
1 181 kr
Skickas inom 10-15 vardagar
Impossible Mourning argues that while the HIV/AIDS epidemic has figured largely in public discourse in South Africa over the last ten years, particularly in debates about governance and constitutional rights post-apartheid, the experiences of people living with HIV for the most part remain invisible and the multiple losses due to AIDS have gone publicly unmourned. This profound fact is at the center of this book which explores the significance of the disavowal of AIDS-death in relation to violence, death, and mourning under apartheid. Impossible Mourning shows how in spite of the magnitude of the epidemic and as a result of the stigma and discrimination that has largely characterized both national and personal responses to the epidemic, spaces for the expression of collective mourning have been few. This book engages with multiple forms of visual representation that work variously to compound, undo, and complicate the politics of loss. Drawing on work Thomas did in art and narrative support groups while working with people living with HIV/AIDS in Khayelitsha, a township outside of the city of Cape Town this book also includes analyses of the work of South African visual artists and photographers Jane Alexander, Gille de Vlieg, Jillian Edelstein, Pieter Hugo, Ezrom Legae, Gideon Mendel, Zanele Muholi, Sam Nhlengethwa, Paul Stopforth, and Diane Victor.