Kyung-Ja Chun – författare

An anthology of ten short stories by one of Korea's foremost living writers. Pak Wanso is the author of five novels, including The Naked Tree, and of several best-selling volumes of short prose. Her works have sold millions of copies in Korea, where the public and critics alike have applauded Pak as a masterful realist.The literary world of Pak depicts the trials of the Korean War and the subsequent three decades of upheaval during which Korea was transformed from a military dictatorship and an agriculturally based society to an urban industrialized, albeit troubled, democracy. Pak offers a searching woman's perspective on radical changes in Korean family structures and social values, exposing the cruelty and hypocrisy of Korea's Confucian traditions, which have subjugated women for centuries. Her realistic prose also portrays the dehumanizing impacts of the capitalist market order that characterizes Korea today.With rich insight, Pak presents moral ambiguities inherent in Korea's society today and encourages her readers to question the injustices that prevail in the more impersonal and often alienated world emerging in a "globalized" Korea.

Originally published in Seoul in 1938, soon after the outbreak of the Pacific War, "Peace Under Heaven" is a satirical novel centering on the household of a Korean landlord during the Japanese colonial occupation. Master Yun, embodying the traditional ambitions of a standard Korean paterfamilias, by being projected fast forward into a modern urban environment, caricatures the increasing irrelevance of Confucian mores to 20th-century social reality. Depicting the anomic lives of the Yun household in colonial Seoul, Chase Man-Sik, one of modern Korea's best-known writers, uses black comedy to underscore the collapse of ritualistic traditional values in the face of capitalist modernisation. The decadence of the nouveau riche pseudo-aristocrat Master Yun is interwoven with insights into the customary bases of oppression of Korean women into the self-deceptions underlying collaboration by Koreans with the Japanese oppressor. The savage hilarity of Chae's style lends force and historical relevance to his insight into the attitudes of the milieu in which his narrative is set.

Originally published in Seoul in 1938, soon after the outbreak of the Pacific War, "Peace Under Heaven" is a satirical novel centering on the household of a Korean landlord during the Japanese colonial occupation. Master Yun, embodying the traditional ambitions of a standard Korean paterfamilias, by being projected fast forward into a modern urban environment, caricatures the increasing irrelevance of Confucian mores to 20th-century social reality. Depicting the anomic lives of the Yun household in colonial Seoul, Chase Man-Sik, one of modern Korea's best-known writers, uses black comedy to underscore the collapse of ritualistic traditional values in the face of capitalist modernisation. The decadence of the nouveau riche pseudo-aristocrat Master Yun is interwoven with insights into the customary bases of oppression of Korean women into the self-deceptions underlying collaboration by Koreans with the Japanese oppressor. The savage hilarity of Chae's style lends force and historical relevance to his insight into the attitudes of the milieu in which his narrative is set.