Laura Cleaver – författare

During the twelfth and thirteenth centuries, texts about the recent and more distant past were produced in remarkable numbers in the lands controlled by the kings of England. This may be seen, in part, as a response to changing social and political circumstances in the wake of the Norman conquest of England in 1066. The names of many of the twelfth and thirteenth-century historians are well known, and they include Orderic Vitalis, William of Malmesbury, John ofWorcester, Henry of Huntingdon, Gerald of Wales, and Matthew Paris. Yet the manuscripts in which these works survive are also evidence for the involvement of many other people in the production of history, as patrons, scribes, and artists. Illuminated History Books in the Anglo-Norman World focuses onhistory books of the twelfth and thirteenth centuries to examine what they reveal about the creation, circulation, and reception of history in this period. In particular, this research concentrates on illuminated manuscripts. These volumes represent an additional investment of time, labour, and resources, and combinations of text and imagery shed light on engagements with the past as manuscripts were copied at specific times and places. Imagery could be used to reproduce the features of oldersources, but it was also used to call attention to particular elements of a text, and to impose frameworks onto the past. As a result, Illuminated History Books in the Anglo-Norman World has the potential to change the way in which we see the medieval past and its historians.

During the twelfth and thirteenth centuries, texts about the recent and more distant past were produced in remarkable numbers in the lands controlled by the kings of England. This may be seen, in part, as a response to changing social and political circumstances in the wake of the Norman conquest of England in 1066. The names of many of the twelfth and thirteenth-century historians are well known, and they include Orderic Vitalis, William of Malmesbury, John ofWorcester, Henry of Huntingdon, Gerald of Wales, and Matthew Paris. Yet the manuscripts in which these works survive are also evidence for the involvement of many other people in the production of history, as patrons, scribes, and artists. Illuminated History Books in the Anglo-Norman World focuses onhistory books of the twelfth and thirteenth centuries to examine what they reveal about the creation, circulation, and reception of history in this period. In particular, this research concentrates on illuminated manuscripts. These volumes represent an additional investment of time, labour, and resources, and combinations of text and imagery shed light on engagements with the past as manuscripts were copied at specific times and places. Imagery could be used to reproduce the features of oldersources, but it was also used to call attention to particular elements of a text, and to impose frameworks onto the past. As a result, Illuminated History Books in the Anglo-Norman World has the potential to change the way in which we see the medieval past and its historians.

During the twelfth and thirteenth centuries, texts about the recent and more distant past were produced in remarkable numbers in the lands controlled by the kings of England. This may be seen, in part, as a response to changing social and political circumstances in the wake of the Norman conquest of England in 1066. The names of many of the twelfth and thirteenth-century historians are well known, and they include Orderic Vitalis, William of Malmesbury, John of Worcester, Henry of Huntingdon, Gerald of Wales, and Matthew Paris. Yet the manuscripts in which these works survive are also evidence for the involvement of many other people in the production of history, as patrons, scribes, and artists. Illuminated History Books in the Anglo-Norman World focuses on history books of the twelfth and thirteenth centuries to examine what they reveal about the creation, circulation, and reception of history in this period. In particular, this research concentrates on illuminated manuscripts. These volumes represent an additional investment of time, labour, and resources, and combinations of text and imagery shed light on engagements with the past as manuscripts were copied at specific times and places. Imagery could be used to reproduce the features of older sources, but it was also used to call attention to particular elements of a text, and to impose frameworks onto the past. As a result, Illuminated History Books in the Anglo-Norman World has the potential to change the way in which we see the medieval past and its historians.

This Element examines the trade in rare books and manuscripts between Britain and America during a period known as the 'Golden Age' of collecting. Through analysis of contemporary press reports, personal correspondence, trade publications and sales records, this study contrasts American and British perspectives as rare books passed through the commercial market. The aim is to compare the rhetoric and reality of the book trade in order to assess its impact on emerging cultural institutions, contemporary scholarship and shifting notions of national identity. By analysing how markets emerged, dealers functioned and buyers navigated the market, this Element interrogates accepted narratives about the ways in which major rare book and manuscript collections were formed and how they were valued by contemporaries.

This Element examines the trade in rare books and manuscripts between Britain and America during a period known as the ''Golden Age'' of collecting. Through analysis of contemporary press reports, personal correspondence, trade publications and sales records, this study contrasts American and British perspectives as rare books passed through the commercial market. The aim is to compare the rhetoric and reality of the book trade in order to assess its impact on emerging cultural institutions, contemporary scholarship and shifting notions of national identity. By analysing how markets emerged, dealers functioned and buyers navigated the market, this Element interrogates accepted narratives about the ways in which major rare book and manuscript collections were formed and how they were valued by contemporaries.

This Element examines the trade in rare books and manuscripts between Britain and America during a period known as the ''Golden Age'' of collecting. Through analysis of contemporary press reports, personal correspondence, trade publications and sales records, this study contrasts American and British perspectives as rare books passed through the commercial market. The aim is to compare the rhetoric and reality of the book trade in order to assess its impact on emerging cultural institutions, contemporary scholarship and shifting notions of national identity. By analysing how markets emerged, dealers functioned and buyers navigated the market, this Element interrogates accepted narratives about the ways in which major rare book and manuscript collections were formed and how they were valued by contemporaries.

A study of the representation of education in material culture, at a period of considerable change and growth.On the facade of Chartres cathedral serene personifications of the arts of grammar, rhetoric, dialectic, music, arithmetic, geometry and astronomy present passers-by with a vision of education as an improving process leading to greater knowledge of God. The arts proved a popular subject in medieval imagery, and were included in manuscripts, stained-glass and luxury metalwork objects as well as on the facades of churches. These idealized figures contrast with many textual accounts of education, in which authors recorded the hardships of student poverty and the temptations of drink and women to be found in the cities where teachers were increasingly establishing themselves.Thisbook considers how and why education was explored in the art and architecture of the twelfth century. Through analysis of imagery in a wide range of media, it examines how teachers and students sought to use images to enhance their reputations and the status of their studies. It also investigates how the ideal models often set out in imagery compared with contemporary practice in an era that saw significant changes, beginning with a shift away from monastic education and culminating in the appearance of the first universities.LAURA CLEAVER is Senior Lecturer in Manuscript Studies, Institute of English Studies, University of London.

The market for rare books has been characterized as unpredictable, and driven by the whims of a small number of rich individuals. Yet behind the headlines announcing new auction records, a range of sources make it possible to analyze the market as a whole. This book introduces the economics of the trade in manuscripts and rare books during the turbulent period ca. 1890–1939. It demonstrates how surviving sources, even when incomplete and inconsistent, can be used to tackle questions about the operation of the rare book trade, including how books were priced, profit margins, accounting practices, and books as investments, from the perspectives of both dealers and collectors.

This collection brings together current research into the development of the market for pre-modern manuscripts. Between 1890 and 1945 thousands of manuscripts made in Europe before 1600 appeared on the market. Many entered the collections in which they have remained, shaping where and how we encounter the books today. These collections included libraries that bear their founders’ names, as well as national and regional public libraries. The choices of the super-rich shaped their collections and determined what was available to those with fewer resources. In addition, wealthy collectors sponsored scholarship on their manuscripts and participated in exhibitions, raising the profile of some books. This volume examines the collectors, dealers, and scholars who engaged with pre-modern books, and the cultural context of the manuscript trade in this era.

The market for rare books has been characterized as unpredictable, and driven by the whims of a small number of rich individuals. Yet behind the headlines announcing new auction records, a range of sources make it possible to analyze the market as a whole. This book introduces the economics of the trade in manuscripts and rare books during the turbulent period ca. 1890–1939. It demonstrates how surviving sources, even when incomplete and inconsistent, can be used to tackle questions about the operation of the rare book trade, including how books were priced, profit margins, accounting practices, and books as investments, from the perspectives of both dealers and collectors.

This collection brings together current research into the development of the market for pre-modern manuscripts. Between 1890 and 1945 thousands of manuscripts made in Europe before 1600 appeared on the market. Many entered the collections in which they have remained, shaping where and how we encounter the books today. These collections included libraries that bear their founders’ names, as well as national and regional public libraries. The choices of the super-rich shaped their collections and determined what was available to those with fewer resources. In addition, wealthy collectors sponsored scholarship on their manuscripts and participated in exhibitions, raising the profile of some books. This volume examines the collectors, dealers, and scholars who engaged with pre-modern books, and the cultural context of the manuscript trade in this era.

Most medieval manuscripts are now held in specialist libraries, but a century ago there was a flourishing international trade in such books, with London at its centre. The first half of the twentieth century saw new record auction prices and many manuscripts leaving Europe for the USA, but also periods of economic depression and social and political upheaval in which both the economic and cultural values assigned to manuscripts were reassessed. The trade in this period determined the physical destination of many manuscripts, and helped set the direction of scholarship. This book examines the trade in hand-written books produced before ca. 1500 and its impact, from the death of the designer, socialist, and manuscript collector William Morris in 1896 to the Second World War.

Fresh perspectives on how we understand the complex nature of the Angevin lands.At the time of his death in 1189, the lands which Henry II had brought under his rule through inheritance, marriage, and military might stretched from Northumbria to Gascony, and across the Irish Sea. This vast agglomeration, often described in English as "the Angevin empire", and in French as "l'espace Plantagenêt", was a dominant force in the politics of western Europe until its fragmentation under John, beginning with the loss of Normandy to the French king Philip Augustus in 1204. Yet beyond the forceful personalities of its rulers, what - if anything - bound these wide and disparate lands together? To what extent were they interconnected politically, economically and culturally? This multi-disciplinary volume brings together specialists in history, literature, material culture, art history, and manuscript studies to approach these questions from a range of different perspectives. From the cultural interactions of courts, to political thought and symbols of power, the diffusion of historical writing, and practical responses of the Angevins to the challenges of governing, whether in Aquitaine or in Ireland, and of waging war in expansion or defence of their territories, this book aims to provoke fresh thinking regarding how we understand the complex nature of the Angevin lands.

Fresh perspectives on how we understand the complex nature of the Angevin lands.At the time of his death in 1189, the lands which Henry II had brought under his rule through inheritance, marriage, and military might stretched from Northumbria to Gascony, and across the Irish Sea. This vast agglomeration, often described in English as "e;the Angevin empire"e;, and in French as "e;l'espace Plantagenet"e;, was a dominant force in the politics of western Europe until its fragmentation under John, beginning with the loss of Normandy to the French king Philip Augustus in 1204. Yet beyond the forceful personalities of its rulers, what - if anything - bound these wide and disparate lands together? To what extent were they interconnected politically, economically and culturally? This multi-disciplinary volume brings together specialists in history, literature, material culture, art history, and manuscript studies to approach these questions from a range of different perspectives. From the cultural interactions of courts, to political thought and symbols of power, the diffusion of historical writing, and practical responses of the Angevins to the challenges of governing, whether in Aquitaine or in Ireland, and of waging war in expansion or defence of their territories, this book aims to provoke fresh thinking regarding how we understand the complex nature of the Angevin lands.

Fresh perspectives on how we understand the complex nature of the Angevin lands.At the time of his death in 1189, the lands which Henry II had brought under his rule through inheritance, marriage, and military might stretched from Northumbria to Gascony, and across the Irish Sea. This vast agglomeration, often described in English as "e;the Angevin empire"e;, and in French as "e;l'espace Plantagenet"e;, was a dominant force in the politics of western Europe until its fragmentation under John, beginning with the loss of Normandy to the French king Philip Augustus in 1204. Yet beyond the forceful personalities of its rulers, what - if anything - bound these wide and disparate lands together? To what extent were they interconnected politically, economically and culturally? This multi-disciplinary volume brings together specialists in history, literature, material culture, art history, and manuscript studies to approach these questions from a range of different perspectives. From the cultural interactions of courts, to political thought and symbols of power, the diffusion of historical writing, and practical responses of the Angevins to the challenges of governing, whether in Aquitaine or in Ireland, and of waging war in expansion or defence of their territories, this book aims to provoke fresh thinking regarding how we understand the complex nature of the Angevin lands.

Contemporary descriptions of objects no longer extant examined to reconstruct these lost treasures.Surviving accounts of the material culture of medieval Europe - including buildings, boats, reliquaries, wall paintings, textiles, ivory mirror cases, book bindings and much more - present a tantalising glimpse of medieval life, hinting at the material richness of that era. However, students and scholars of the period will be all too familiar with the frustration of trying to piece together a picture of the past from a handful of fragments. The "material turn" has put art, architecture, and other artefacts at the forefront of historical and cultural studies, and the resulting spotlight on the material culture of the past has been illuminating for researchers in many fields. Nevertheless, the loss of so much of the physical remnants of the Middle Ages continues to thwart our understanding of the period, and much of the knowledge we often take for granted is based on a series of arbitrary survivals. The twelve essays in this book draw on a wide array of sources and disciplines to explore how textual records, from the chronicles of John of Worcester and Matthew Paris and inventories of monastic treasuries and noble women to Beowulf and early English riddles, when combined with archaeological and art-historical evidence, can expand our awareness of artistic and cultural environments. Touching on a broad range of issues around how we imaginatively reconstruct the medieval past and a variety of objects, both precious and ephemeral, this volume will be of fundamental interest to medieval scholars, whatever their disciplinary field.Contributors: Katherine Baker, Marian Bleeke, Deirdre Carter, Laura Cleaver, Judith Collard, Joshua Davies, Kathryn Gerry, Karl Kinsella, Katherine A. Rush, Katherine Weikert, Beth Whalley, Victoria Yuskaitis

The contexts for the works of eleventh and twelfth-century historians are here brought to the fore.History was a subject popular with authors and readers in the Anglo-Norman world. The volume and richness of historical writing in the lands controlled by the kings of England, particularly from the twelfth century, has long attracted the attention of historians and literary scholars, whilst editions of works by such writers as Orderic Vitalis, John of Worcester, Symeon of Durham, William of Malmesbury, Gerald of Wales, Roger of Howden, and Matthew Paris has made them well known. Yet the easy availability of modern editions obscures both the creation and circulation of histories in the Middle Ages.This collection of essays returns to the processes involved in writing history, and in particular to the medieval manuscript sources in which the works of such historians survive. It explores the motivations of those writing about the past in the Middle Ages, and the evidence provided by manuscripts for the circumstances in which copies were made. It also addresses the selection of material for copying, combinations of text and imagery, and the demand for copies of particular works, shedding new light on how and why history was being read, reproduced, discussed, adapted, and written.LAURA CLEAVER is Senior Lecturer in Manuscript Studies, Institute of English Studies, University of London; ANDREA WORM is Professor of Art History. Kunsthistorischen Institut, Eberhard Karls University, Tubingen. Contributors: Stephen Church, Kathryn Gerry, Anne Lawrence-Mathers, Laura Pani, Charles C. Rozier, Gleb Schmidt, Laura Slater, Michael Staunton, Caoimhe Whelan, Andrea Worm

The twenty-eight essays in this collection showcase cutting-edge research in manuscript studies, encompassing material from late antiquity to the Renaissance. The volume celebrates the exceptional contribution of John Lowden to the study of medieval books. The authors explore some of the themes and questions raised in John's work, tackling issues of meaning, making, patronage, the book as an object, relationships between text and image, and the transmission of ideas. They combine John's commitment to the close scrutiny of manuscripts with an interrogation of what the books meant in their own time and what they mean to us now.