Linnea Semmerling - Böcker
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2 produkter
2 produkter
520 kr
Skickas inom 3-6 vardagar
Since its beginnings in the nineteen-seventies, the medium of video has been closely linked to the subcultural and countercultural movements of its time, both in art and in everyday culture in Germany. Art and music videos in particular demonstrate great subversive potential: artists and musicians oppose traditional values, transgress and repeatedly explore social norms and gender stereotypes. In this volume, queer academic as well as artistic research approaches and archival practices are reviewed in the context of a history of punk and its offshoots. Among our many contributors are Tiffany Florvil (University of New Mexico), Marina Grzinic (Academy of Fine Arts Vienna), Jack Halberstam (Columbia University in the City of New York), Angela McRobbie (University of London), Peter Rehberg (Schwules Museum Berlin), and artist Wolfgang Müller.
1 209 kr
Skickas inom 10-15 vardagar
Listening on Display provides an empirical investigation of the historically, culturally, and socially contingent ways in which artists, curators, and visitors relate to sounds in contemporary art exhibitions. Sounding artworks have appeared regularly in contemporary art exhibitions since the 1960s, yet scholars of art history, musicology, sound studies, and museum studies have long noted the experiential difficulties this development poses. They describe how sounds challenge the sensory hierarchy of the museum, how they disrupt the venerable silence of the white cube, or how they drown in the ambient noise of galleries. This book explores the listening experiences of artists, visitors, curators, and technicians in more than twenty exhibitions that have taken place at contemporary art museums, alternative art spaces, and other venues in Germany and the United States since the 1960s. Through archival research, visitor book analysis, interviews, and observations drawing on sensory ethnography, Semmerling brings together their ideas and ideals about aesthetic ambitions, sensory abilities, cultural conventions, and technological standards. In doing so, this book lays the groundwork for rethinking sound in exhibition spaces.