Lolita Chakrabarti – författare

Red Velvet is about the nineteenth century black American actor Ira Aldridge. In a theatre dressing room in Poland an elderly and sick Aldridge prepares to play King Lear. The intrusion of a young female journalist forces him to look back on the defining moment of his illustrious career. Thirty years previously Edmund Kean one of the greatest actors of his generation collapses on the Theatre Royal stage in London and Pierre Laporte theatre manager and friend asks Aldridge to replace him as Othello. At the same time Parliament is preparing to vote in favour of abolishing slavery in all British colonies. Opinions are fiercely divided. Aldridge performs successfully at the Theatre Royal but the reactions of the cast and critics are complex and divisive. He is not allowed to fulfil his engagement and the betrayal of a dear friend changes the course of his life.Red Velvet examines the world of the theatre where comedy and tragedy are synonymous. The play discusses friendship betrayal the art of acting and prejudice.

“An exhilarating, fascinating and eye-opening journey with two of our most inspirational creatives. A must-read for anyone interested in the crafts of acting and writing or considering a career as a self-employed artist. Lolita and Adrian don't shy away from documenting the reality of our profession – the endless multi-tasking, the long unpaid hours, and the peaks and troughs of generating your own work and being a creative-for-hire. Equally though they celebrate the joy and satisfaction when all that sweat and risk finally pays off.” Meera Syal CBEIn this insightful joint working diary, the creative powerhouse of a couple, Lolita Chakrabarti and Adrian Lester, chronicle 16 months of their fascinating working lives, including their experiences working on the stage adaptation of Life of Pi, an original series of monologues about the NHS, the film adaptation of Red Velvet and the TV series The Rook, among many other projects. As readers, we experience, first-hand, their experiences as two of the most proactive and versatile theatre makers today, working across a range of media and exciting collaborations.

“An exhilarating, fascinating and eye-opening journey with two of our most inspirational creatives. A must-read for anyone interested in the crafts of acting and writing or considering a career as a self-employed artist. Lolita and Adrian don''t shy away from documenting the reality of our profession – the endless multi-tasking, the long unpaid hours, and the peaks and troughs of generating your own work and being a creative-for-hire. Equally though they celebrate the joy and satisfaction when all that sweat and risk finally pays off.” Meera Syal CBEIn this insightful joint working diary, the creative powerhouse of a couple, Lolita Chakrabarti and Adrian Lester, chronicle 16 months of their fascinating working lives, including their experiences working on the stage adaptation of Life of Pi, an original series of monologues about the NHS, the film adaptation of Red Velvet and the TV series The Rook, among many other projects. As readers, we experience, first-hand, their experiences as two of the most proactive and versatile theatre makers today, working across a range of media and exciting collaborations.

“An exhilarating, fascinating and eye-opening journey with two of our most inspirational creatives. A must-read for anyone interested in the crafts of acting and writing or considering a career as a self-employed artist. Lolita and Adrian don''t shy away from documenting the reality of our profession – the endless multi-tasking, the long unpaid hours, and the peaks and troughs of generating your own work and being a creative-for-hire. Equally though they celebrate the joy and satisfaction when all that sweat and risk finally pays off.” Meera Syal CBEIn this insightful joint working diary, the creative powerhouse of a couple, Lolita Chakrabarti and Adrian Lester, chronicle 16 months of their fascinating working lives, including their experiences working on the stage adaptation of Life of Pi, an original series of monologues about the NHS, the film adaptation of Red Velvet and the TV series The Rook, among many other projects. As readers, we experience, first-hand, their experiences as two of the most proactive and versatile theatre makers today, working across a range of media and exciting collaborations.

“Chakrabarti has crafted a rich psychological study that’s also a shrewd portrait of the theatre as an institution — its vanities and strange conventions, its politics and sense of community, the opportunities it presents for both progress and blinkered traditionalism.” Evening StandardTheatre Royal, Covent Garden, 1833. Edmund Kean, the greatest actor of his generation, has collapsed on stage while playing Othello. A young Black American actor has been asked to take over the role. But as the public riot in the streets over the abolition of slavery, how will the cast, critics and audience react to the revolution taking place in the theatre?Based on the true story of Ira Aldridge, an African-American actor who, in the 19th century, built an incredible reputation around the world. Red Velvet premiered at the Tricycle Theatre, London, in October 2012. This new Modern Classics edition features an introduction by Kenneth Branagh.

“Chakrabarti has crafted a rich psychological study that''s also a shrewd portrait of the theatre as an institution - its vanities and strange conventions, its politics and sense of community, the opportunities it presents for both progress and blinkered traditionalism.” Evening StandardTheatre Royal, Covent Garden, 1833. Edmund Kean, the greatest actor of his generation, has collapsed on stage while playing Othello. A young Black American actor has been asked to take over the role. But as the public riot in the streets over the abolition of slavery, how will the cast, critics and audience react to the revolution taking place in the theatre?Based on the true story of Ira Aldridge, an African-American actor who, in the 19th century, built an incredible reputation around the world. Red Velvet premiered at the Tricycle Theatre, London, in October 2012. This new Modern Classics edition features an introduction by Kenneth Branagh.

“Chakrabarti has crafted a rich psychological study that''s also a shrewd portrait of the theatre as an institution - its vanities and strange conventions, its politics and sense of community, the opportunities it presents for both progress and blinkered traditionalism.” Evening StandardTheatre Royal, Covent Garden, 1833. Edmund Kean, the greatest actor of his generation, has collapsed on stage while playing Othello. A young Black American actor has been asked to take over the role. But as the public riot in the streets over the abolition of slavery, how will the cast, critics and audience react to the revolution taking place in the theatre?Based on the true story of Ira Aldridge, an African-American actor who, in the 19th century, built an incredible reputation around the world. Red Velvet premiered at the Tricycle Theatre, London, in October 2012. This new Modern Classics edition features an introduction by Kenneth Branagh.

Sometimes it takes a long time to sound like yourself(Miles Davis)Two men meet at a funeral. Gil knew the deceased. Benny did not. Before long their families are close. Soon they’ll be singing the same tune.Benny is a loner anchored by his wife and children. Gil longs to fulfill his potential. They develop a deep bond but as cracks appear in their fragile lives they start to realise that true courage comes in different forms.Featuring music from Gil and Benny's lives, Lolita Chakrabarti’s searching, soulful new play asks what it takes to be a good father, brother or son.This edition was published to coincide with the world premiere at London's Almeida Theatre in February 2021.

Sometimes it takes a long time to sound like yourself(Miles Davis)Two men meet at a funeral. Gil knew the deceased. Benny did not. Before long their families are close. Soon they''ll be singing the same tune.Benny is a loner anchored by his wife and children. Gil longs to fulfill his potential. They develop a deep bond but as cracks appear in their fragile lives they start to realise that true courage comes in different forms.Featuring music from Gil and Benny''s lives, Lolita Chakrabarti''s searching, soulful new play asks what it takes to be a good father, brother or son.This edition was published to coincide with the world premiere at London''s Almeida Theatre in February 2021.

Sometimes it takes a long time to sound like yourself(Miles Davis)Two men meet at a funeral. Gil knew the deceased. Benny did not. Before long their families are close. Soon they''ll be singing the same tune.Benny is a loner anchored by his wife and children. Gil longs to fulfill his potential. They develop a deep bond but as cracks appear in their fragile lives they start to realise that true courage comes in different forms.Featuring music from Gil and Benny''s lives, Lolita Chakrabarti''s searching, soulful new play asks what it takes to be a good father, brother or son.This edition was published to coincide with the world premiere at London''s Almeida Theatre in February 2021.

‘Chakrabarti has crafted a rich psychological study that’s also a shrewd portrait of the theatre as an institution — its vanities and strange conventions, its politics and sense of community, the opportunities it presents for both progress and blinkered traditionalism.’ EVENING STANDARDTheatre Royal, Covent Garden, 1833. Edmund Kean, the greatest actor of his generation, has collapsed on stage while playing Othello. A young Black American actor has been asked to take over the role. But as the public riot in the streets over the abolition of slavery, how will the cast, critics and audience react to the revolution taking place in the theatre?Red Velvet uses imagined experiences based on the true story of Ira Aldridge, a Black American actor who, in the nineteenth century, built an incredible reputation on the stages of London and Europe.This Student Edition contains commentary and notes by Lydia Valentine, Research Fellow and Lecturer at Shakespeare’s Globe.

'Chakrabarti has crafted a rich psychological study that's also a shrewd portrait of the theatre as an institution - its vanities and strange conventions, its politics and sense of community, the opportunities it presents for both progress and blinkered traditionalism.' EVENING STANDARDTheatre Royal, Covent Garden, 1833. Edmund Kean, the greatest actor of his generation, has collapsed on stage while playing Othello. A young Black American actor has been asked to take over the role. But as the public riot in the streets over the abolition of slavery, how will the cast, critics and audience react to the revolution taking place in the theatre?Red Velvet uses imagined experiences based on the true story of Ira Aldridge, a Black American actor who, in the nineteenth century, built an incredible reputation on the stages of London and Europe.This Student Edition contains commentary and notes by Lydia Valentine, Research Fellow and Lecturer at Shakespeare's Globe.

'Chakrabarti has crafted a rich psychological study that's also a shrewd portrait of the theatre as an institution - its vanities and strange conventions, its politics and sense of community, the opportunities it presents for both progress and blinkered traditionalism.' EVENING STANDARDTheatre Royal, Covent Garden, 1833. Edmund Kean, the greatest actor of his generation, has collapsed on stage while playing Othello. A young Black American actor has been asked to take over the role. But as the public riot in the streets over the abolition of slavery, how will the cast, critics and audience react to the revolution taking place in the theatre?Red Velvet uses imagined experiences based on the true story of Ira Aldridge, a Black American actor who, in the nineteenth century, built an incredible reputation on the stages of London and Europe.This Student Edition contains commentary and notes by Lydia Valentine, Research Fellow and Lecturer at Shakespeare's Globe.

"It''s like being at a crossroads - a point of absolute, unequivocal change. It makes the blood rush."The play is set in the Theatre Royal, Covent Garden, in 1833. Edmund Kean, the greatest actor of his generation, has collapsed on stage whilst playing Othello. A young black American actor, Ira Aldridge, has been asked to take over the role. But, as the public riot in the streets, how will the cast, critics and audience react to the revolution taking place in the theatre?Written by the 2012 Most Promising Playwright (Evening Standard Awards) Lolita Chakrabarti, Red Velvet uses imagined experiences based on the often-forgotten, but true, story of Ira Aldridge, an African-American actor who, in the nineteenth century, built an incredible reputation on the stages of London and Europe. It premiered at the Tricycle Theatre in October 2012. Ira Aldridge was played by the Oliver award-winning Adrian Lester, who was named best actor for this role in the Critics'' Circle Theatre Awards.