Luis J Rodriguez – författare

Mientras el boom cultural e industrial de la Segunda Guerra Mundial dio a luz una nueva California, surgió a su vez una poderosa industria de acero, y con ella vino el potencial de cumplir los sueños modestos de los trabajadores dispuestos a arriesgar sus vidas en el calor feroz de la acería. Para los Salcidos, la acería de Nazareth se transformó en una maquina de supervivencia. Luis J. Rodriguez relata la evolución simultánea de esta familia americana y la empresa enorme que los impulsó adelante—desde las unidades optimistas y cohesivas buscando estabilidad y prosperidad a las entidades desintegradas cuyos sueños hace rato habían perdido su brillo. Abarcando seis décadas, la novela transmite el drama, la adaptabilidad y el humor en la vida de la clase obrera durante una época poco conocida en la historia americana.

This chapbook collection offers new poems from the prolific career of a community leader, activist, and healer. Luis J. Rodríguez’s work asks profound questions of us as readers and fellow humans, such as, ""If society cooperates, can we nurture the full / and healthy development of everyone?"" In his introductory remarks, Martín Espada describes the poet as a man engaged in people and places: ""Luis Rodríguez is a poet of many tongues, befitting a city of many tongues. He speaks English, Spanish, ‘Hip Hop,’ ‘the Blues,’ and ‘cool jazz.’ He speaks in ‘mad solos.’ He speaks in ‘People’s Sonnets.’ He speaks in the language of protest. He speaks in the language of praise.

Winner of the Pen Oakland/Josephine Miles Literary Award, The Concrete River’s poems illuminate the gritty idiosyncrasies of immigrant life in urban barrios spanning Los Angeles to Chicago to Harlem. Luis J. Rodríguez lends powerful voices to those struggling to keep the gas on, to find work, and to keep love.  Populated by a vibrant cast of characters, ranging from the drugged, to the eccentric, to the heartbroken, Rodríguez’s poems protest capitalism, violence, and exploitation while reveling in the potential of compassion.

Prison writing has a long and illustrious history in the United States - home of the modern correctional system. In the first decade of the 21st century, this country also garnered the distinction of having more prisoners per capita than any other nation in the world. We need to hear from the incarcerated writings of incarcerated men and women. The largest state prison system is in California with some 175,000 people behind bars in close to 35 facilities. Yet the only approved Honor Yard in the Department of Corrections is at the California State Prison, Los Angeles County, in Lancaster, California. These are the men that despite often-horrendous crimes - many are lifers, with a few going on three decades - have proven their capacity to dream, to create, to write, to change. From poems, to stories, to novel excerpts, to reportage, to personal essays - and a few drawings - ""Honor Comes Hard"" depicts what can happen to people who are given, as Clarence Darrow expressed many years ago, 'a chance to live'. The work is drawn from writing classes that Lucinda Thomas helped organize in the Honor Yard over several years, and from workshops conducted by Luis J. Rodriguez on most Sundays, for eight hours a day, through eight months in 2007-2008.

Tia Chucha Press started twenty-five years ago in Chicago with the publication of Luis J. Rodriguez's first book, Poems Across the Pavement. As founder/editor of the Press, Rodriguez has sincepublished more than fifty poetry collections of quality crosscultural U.S. poets, as well as anthologies, chapbooks, and a CD. Tia Chucha Press is now a project of Tia Chucha's Centro Cultural & Bookstore in the San Fernando Valley section of Los Angeles, which Rodriguez helped create in 2001 with his wife Trini.We are honored to announce the 25th Anniversary Edition of Poems Across the Pavement—close to twenty poems of an emerging poet that began a prolific writing career.

Over twenty-five years ago two Americans, Dr. Diana Frade and her husband, Episcopalian Bishop Leo Frade, founded Our Little Roses Home for Girls in San Pedro Sula, Honduras. Until then abandoned girls were often given to prisoners since no such homes existed. Now Our Little Roses has some 60 rescued or orphaned girls in a city once considered the “murder capital of the world.” Poverty and violence—especially in the past 25 years attributed to deported Los Angeles–based gangs—has affected the lives of all in the poorest Spanish-speaking country of the hemisphere. Unaccompanied youth from Honduras were among the 100,000 refugees, which also included children and youth from El Salvador and Guatemala, arriving to the United States between 2013 and 2015. American poet and Episcopalian priest Spencer Reece spent two years at Our Little Roses teaching poetry to girls who have lost family due to poverty, violence, and disasters like Hurricane Mitch that struck Honduras, Nicaragua, and Guatemala in 1998, resulting in 22,000 people dead or missing, 2.7 million homeless, and $6 billion in damages.This book has essays by Reece and Luis J. Rodríguez as a backdrop to the girls’ voices, and a foreword and afterword by poets Marie Howe and Richard Blanco. Luis and his wife Trini, a poet, teacher, and indigenous healer, also helped teach at Our Little Roses and the Holy Family Bilingual School inside a walled compound in one of the city’s poorest neighborhoods. Here poetry and stories transcend the pain of loss that often goes unexpressed. Here poetry serves as a beacon of hope and inspiration in the shadows. Here poetry can save lives.