Marc L Moskowitz – författare

Examining Internet culture in the People’s Republic of China, Taiwan, Hong Kong, and the US, this book analyzes videos which entertain both English and Chinese-speaking viewers to gain a better understanding of cultural similarities and differences. Each of the chapters in the volume studies streaming videos from YouTube and its Chinese counterparts, Todou and Youku, with the book using a combination of interpretative analysis of content, commentary, and ethnographic interviews. Employing a diverse range of examples, from Michael Jackson musical mash-ups of Cultural Revolution visuals, to short clips of Hitler ranting about twenty-first century issues with Chinese subtitles, this book goes on to explore the ways in which traditional beliefs regarding gender, romance, religion, and politics intersect. Looking at how these issues have changed over the years in response to new technologies and political economies, it also demonstrates how they engage in regional, transnational, and global dialogues. Comparing and incorporating the production of videos with traditional media, such as television and cinema, Internet Video Culture in China will be useful to students and scholars of Internet and digital anthropology, as well as Cultural Studies and Chinese Studies more generally.

Go (Weiqi in Chinese) is one of the most popular games in East Asia, with a steadily increasing fan base around the world. Like chess, Go is a logic game but it is much older, with written records mentioning the game that date back to the 4th century BC. As Chinese politics have changed over the last two millennia, so too has the imagery of the game. In Imperial times it was seen as a tool to seek religious enlightenment and was one of the four noble arts that were a requisite to becoming a cultured gentleman. During the Cultural Revolution it was a stigmatized emblem of the lasting effects of feudalism. Today, it marks the reemergence of cultured gentlemen as an idealized model of manhood. Marc L. Moskowitz explores the fascinating history of the game, as well as providing a vivid snapshot of Chinese Go players today. Go Nation uses this game to come to a better understanding of Chinese masculinity, nationalism, and class, as the PRC reconfigures its history and traditions to meet the future.

The Haunting Fetus focuses on the belief in modern Taiwan that an aborted fetus can return to haunt its family. Although the topic has been researched in Japan and commented on in the Taiwanese press, it has not been studied systematically in relation to Taiwan in either English or Chinese. This fascinating study looks at a range of topics pertaining to the belief in haunting fetuses, including abortion, sexuality, the changing nature of familial power structures, the economy, and traditional and modern views of the spirit world in Taiwan and in traditional Chinese thought. It addresses the mental, moral, and psychological aspects of abortion within the context of modernization processes and how these ramify through historical epistemologies and folk traditions. The author illustrates how images of fetus-ghosts are often used to manipulate women, either through fear or guilt, into paying exorbitant sums of money for appeasement.He argues at the same time, however, that although appeasement can be expensive, it provides important psychological comfort to women who have had abortions as well as a much-needed means to project personal and familial feelings of transgression onto a safely displaced object. In addition to bringing to the surface underlying tensions within a family, appeasing fetus-ghosts, like other dealings with supernatural beings in Chinese religions, allows for atonement through economic avenues. The paradox in which fetus-ghost appeasement simultaneously exploits and assists evinces the true complexity of the issue, and of religious and gender studies as a whole.

The Republic of China on Taiwan is the last nation in the world to be excluded from the United Nations. The world's seventeenth largest economy and Asia's most vibrant democracy, Taiwan has continually to convince the world of its historical independence from the People's Republic of China. At the same time, however, forces of history and contemporary economics make Taiwan's intimate cultural and economic ties to the mainland another crucial reality. Yet somehow under these singular conditions, the people of the island go about their daily affairs, making themselves a remarkable font of creativity and cultural innovation. The Minor Arts of Daily Life is an account of the many ways in which contemporary Taiwanese approach their ordinary existence and activities. It presents a wide range of aspects of day-to-day living to convey something of the world as experienced by the Taiwanese themselves. What does it mean to be Taiwanese? In what way does life in Taiwan impart a different view of Chinese culture? How do Taiwanese envision and participate in global culture in the twenty-first century? What issues (cultural, social, political, economic) seem to matter most? What does ""China"" mean to them today? Focusing on such broadly appealing topics as baseball, movies, gay and lesbian identity, television shows, and night markets, the contributors seek to introduce Taiwanese culture to a broad readership. In lively, non-technical prose, they approach their topics from a variety of disciplines in ways that will not only give students a comprehensive view of Taiwanese life, but also provide them with a range of theoretical perspectives with which to explore this fascinating nation.