Andrew D. Morris – författare

Defections from the People’s Republic of China (PRC) were an important part of the narrative of the Republic of China (ROC) in Taiwan during the Cold War, but their stories have previously barely been told, less still examined, in English.During the 1960s, 70s and 80s, the ROC government paid much special attention to these anti-communist heroes (fangong yishi). Their choices to leave behind the turmoil of the PRC were a propaganda coup for the Nationalist one-party state in Taiwan, proving the superiority of the "Free China" that they had created there. Morris looks at the stories behind these headlines, what the defectors understood about the ROC before they arrived, and how they dealt with the reality of their post-defection lives in Taiwan. He also looks at how these dramatic individual histories of migration were understood to prove essential differences between the two regimes, while at the same time showing important continuities between the two Chinese states.A valuable resource for students and scholars of 20th century China and Taiwan, and of the Cold War and its impact in Asia.

By 1907, staff at the Tianjin YMCA were rallying their Chinese charges with the cry: When will China be able to send a winning athlete to the Olympic contests? When will China be able to invite all the world to Peking for an International Olympic contest? Nearly a century later, on the eve of China's first-ever Olympic games, this innovative book shows for the first time how sporting culture and ideology played a crucial role in the making of the modern nation-state in Republican China. A landmark work on the history of sport in China, Marrow of the Nation tells the dramatic story of how Olympic-style competitions and ball games, as well as militarized forms of training associated with the West and Japan, were adapted to become an integral part of the modern Chinese experience.

In this engrossing cultural history of baseball in Taiwan, Andrew D. Morris traces the game's social, ethnic, political, and cultural significance since its introduction on the island more than one hundred years ago. Introduced by the Japanese colonial government at the turn of the century, baseball was expected to 'civilize' and modernize Taiwan's Han Chinese and Austronesian Aborigine populations. After World War II, the game was tolerated as a remnant of Japanese culture and then strategically employed by the ruling Chinese Nationalist Party (KMT), even as it was also enthroned by Taiwanese politicians, cultural producers, and citizens as their national game. In considering baseball's cultural and historical implications, Morris deftly addresses a number of societal themes crucial to understanding modern Taiwan, the question of Chinese 'reunification', and East Asia as a whole.

The Republic of China on Taiwan is the last nation in the world to be excluded from the United Nations. The world's seventeenth largest economy and Asia's most vibrant democracy, Taiwan has continually to convince the world of its historical independence from the People's Republic of China. At the same time, however, forces of history and contemporary economics make Taiwan's intimate cultural and economic ties to the mainland another crucial reality. Yet somehow under these singular conditions, the people of the island go about their daily affairs, making themselves a remarkable font of creativity and cultural innovation. The Minor Arts of Daily Life is an account of the many ways in which contemporary Taiwanese approach their ordinary existence and activities. It presents a wide range of aspects of day-to-day living to convey something of the world as experienced by the Taiwanese themselves. What does it mean to be Taiwanese? In what way does life in Taiwan impart a different view of Chinese culture? How do Taiwanese envision and participate in global culture in the twenty-first century? What issues (cultural, social, political, economic) seem to matter most? What does ""China"" mean to them today? Focusing on such broadly appealing topics as baseball, movies, gay and lesbian identity, television shows, and night markets, the contributors seek to introduce Taiwanese culture to a broad readership. In lively, non-technical prose, they approach their topics from a variety of disciplines in ways that will not only give students a comprehensive view of Taiwanese life, but also provide them with a range of theoretical perspectives with which to explore this fascinating nation.

Defections from the People’s Republic of China (PRC) were an important part of the narrative of the Republic of China (ROC) in Taiwan during the Cold War, but their stories have previously barely been told, less still examined, in English.During the 1960s, 70s and 80s, the ROC government paid much special attention to these anti-communist heroes (fangong yishi). Their choices to leave behind the turmoil of the PRC were a propaganda coup for the Nationalist one-party state in Taiwan, proving the superiority of the "Free China" that they had created there. Morris looks at the stories behind these headlines, what the defectors understood about the ROC before they arrived, and how they dealt with the reality of their post-defection lives in Taiwan. He also looks at how these dramatic individual histories of migration were understood to prove essential differences between the two regimes, while at the same time showing important continuities between the two Chinese states.A valuable resource for students and scholars of 20th century China and Taiwan, and of the Cold War and its impact in Asia.

Colonial agents worked for fifty years to make a Japanese Taiwan, using technology, culture, statistics, trade, and modern ideologies to remake their new territory according to evolving ideas of Japanese empire. Since the end of the Pacific War, this project has been remembered, imagined, nostalgized, erased, commodified, manipulated, idealized and condemned by different sectors of Taiwan’s population. The volume covers a range of topics, including colonial-era photography, exploration, postwar deportation, sport, film, media, economic planning, contemporary Japanese influences on Taiwanese popular culture, and recent nostalgia for and misunderstandings about the colonial era. Japanese Taiwan provides an interdisciplinary perspective on these related processes of colonization and decolonization, explaining how the memories, scars and traumas of the colonial era have been utilized during the postwar period. It provides a unique critique of the ‘Japaneseness’ of the erstwhile Chinese Taiwan, thus bringing new scholarship to bear on problems in contemporary East Asian politics.