Maria Heim – författare

How did ancient Buddhists read and interpret the Buddha's words? In Voice of the Buddha, Maria Heim reads the early Buddhist scriptures with Buddhaghosa, the principal commentator, editor, and translator of the Theravada intellectual tradition. Buddhaghosa considers the Buddha to be omniscient and his words "oceanic." Every word, passage, bookindeed, the corpus as a wholeis taken to be "endless and immeasurable." Commentarial practice thus requires disciplined methods of expansion, drawing out the endless possibilities for meaning and application. Heim considers Buddhagohsa's theories of scripture and follows his practices of exegesis to yield fresh insight into all three collections of the early Pali texts: Vinaya, the Suttas, and the Abhidhamma.

What would a Buddhist theory of texts look like through the lens of the 5th-century thinker Buddhaghosa? In Voice of the Buddha, Maria Heim reads from the principal commentator, editor, and translator of the Theravada intellectual tradition, yielding fresh insight into all three collections of the early Pali texts: Vinaya, the Suttas, and the Abhidhamma. Buddhaghosa considered the Buddha to be omniscient, the Buddha''s words to be "oceanic." Every word, passage, book--indeed the corpus as a whole--is taken to be "endless and immeasurable" in Buddhaghosa''s view. Commentarial practice thus requires disciplined methods of expansion, drawing out the endless possibilities for meaning and application. Heim considers Buddhaghosa''s theories of texts, and follows his practices of exegesis to discover how he explored scripture''s infinity.By examining the significance of the immeasurability of scripture in commentarial practice and as a general principle, this book offers new tools to understand the huge scriptural and commentarial literature of the Pali tradition. And by taking seriously a traditional commentator''s theory of texts, it beckons us to learn from commentaries themselves how we might read and interpret them and the texts on which they comment.

What would a Buddhist theory of texts look like through the lens of the 5th-century thinker Buddhaghosa? In Voice of the Buddha, Maria Heim reads from the principal commentator, editor, and translator of the Theravada intellectual tradition, yielding fresh insight into all three collections of the early Pali texts: Vinaya, the Suttas, and the Abhidhamma. Buddhaghosa considered the Buddha to be omniscient, the Buddha''s words to be "oceanic." Every word, passage, book--indeed the corpus as a whole--is taken to be "endless and immeasurable" in Buddhaghosa''s view. Commentarial practice thus requires disciplined methods of expansion, drawing out the endless possibilities for meaning and application. Heim considers Buddhaghosa''s theories of texts, and follows his practices of exegesis to discover how he explored scripture''s infinity.By examining the significance of the immeasurability of scripture in commentarial practice and as a general principle, this book offers new tools to understand the huge scriptural and commentarial literature of the Pali tradition. And by taking seriously a traditional commentator''s theory of texts, it beckons us to learn from commentaries themselves how we might read and interpret them and the texts on which they comment.

Scholars have long been intrigued by the Buddha's defining action (karma) as intention. This book explores systematically how intention and agency were interpreted in all genres of early Theravada thought. It offers a philosophical exploration of intention and motivation as they are investigated in Buddhist moral psychology. At stake is how we understand karma, the nature of moral experience, and the possibilities for freedom. In contrast to many studies that assimilate Buddhist moral thinking to Western theories of ethics, the book attends to distinctively Buddhist ways of systematizing and theorizing their own categories. Arguing that meaning is a product of the explanatory systems used to explore it, the book pays particular attention to genre and to the 5th-century commentator Buddhaghosa's guidance on how to read Buddhist texts. The book treats all branches of the Pali canon (the Tipitaka, that is, the Suttas, the Abhidhamma, and the Vinaya), as well as narrative sources (the Dhammapada and the Jataka commentaries). In this sense it offers a comprehensive treatment of intention in the canonical Theravada sources. But the book goes further than this by focusing explicitly on the body of commentarial thought represented by Buddhaghosa. His work is at the center of the book's investigations, both insofar as he offers interpretative strategies for reading canonical texts, but also as he advances particular understandings of agency and moral psychology. The book offers the first book-length study devoted to Buddhaghosa's thought on ethics

Scholars have long been intrigued by the Buddha's defining action (karma) as intention. This book explores systematically how intention and agency were interpreted in all genres of early Theravada thought. It offers a philosophical exploration of intention and motivation as they are investigated in Buddhist moral psychology. At stake is how we understand karma, the nature of moral experience, and the possibilities for freedom. In contrast to many studies that assimilate Buddhist moral thinking to Western theories of ethics, the book attends to distinctively Buddhist ways of systematizing and theorizing their own categories. Arguing that meaning is a product of the explanatory systems used to explore it, the book pays particular attention to genre and to the 5th-century commentator Buddhaghosa's guidance on how to read Buddhist texts. The book treats all branches of the Pali canon (the Tipitaka, that is, the Suttas, the Abhidhamma, and the Vinaya), as well as narrative sources (the Dhammapada and the Jataka commentaries). In this sense it offers a comprehensive treatment of intention in the canonical Theravada sources. But the book goes further than this by focusing explicitly on the body of commentarial thought represented by Buddhaghosa. His work is at the center of the book's investigations, both insofar as he offers interpretative strategies for reading canonical texts, but also as he advances particular understandings of agency and moral psychology. The book offers the first book-length study devoted to Buddhaghosa's thought on ethics

Scholars have long been intrigued by the Buddha''s defining action (karma) as intention. This book explores systematically how intention, agency, and moral psychology were interpreted in all branches of early Theravada thought, paying special attention to the thought of the 5th-century commentator Buddhaghosa.

This book explores the ethical and social implications of unilateral gifts of esteem, offering a perceptive guide to the uniquely South Asian contributors to theoretical work on the gift.

A richly diverse collection of classical Indian terms for expressing the many moods and subtleties of emotional experienceWords for the Heart is a captivating treasury of emotion terms drawn from some of India’s earliest classical languages. Inspired by the traditional Indian genre of a “treasury”—a wordbook or anthology of short texts or poems—this collection features 177 jewellike entries evoking the kinds of phenomena English speakers have variously referred to as emotions, passions, sentiments, moods, affects, and dispositions. These entries serve as beautiful literary and philosophical vignettes that convey the delightful texture of Indian thought and the sheer multiplicity of conversations about emotions in Indian texts. An indispensable collection, Words for the Heart reveals how Indian ways of interpreting human experience can challenge our assumptions about emotions and enrich our lives.Brings to light a rich lexicon of emotion from ancient IndiaUses the Indian genre of a “treasury,” or wordbook, to explore the contours of classical Indian thought in three of the subcontinent’s earliest languages—Sanskrit, Pali, and PrakritFeatures 177 alphabetical entries, from abhaya (“fearlessness”) to yoga (“the discipline of calm”)Draws on a wealth of literary, religious, and philosophical writings from classical IndiaIncludes synonyms, antonyms, related words, and suggestions for further readingInvites readers to engage in the cross-cultural study of emotionsReveals the many different ways of naming and interpreting human experience

A richly diverse collection of classical Indian terms for expressing the many moods and subtleties of emotional experienceWords for the Heart is a captivating treasury of emotion terms drawn from some of India’s earliest classical languages. Inspired by the traditional Indian genre of a “treasury”—a wordbook or anthology of short texts or poems—this collection features 177 jewellike entries evoking the kinds of phenomena English speakers have variously referred to as emotions, passions, sentiments, moods, affects, and dispositions. These entries serve as beautiful literary and philosophical vignettes that convey the delightful texture of Indian thought and the sheer multiplicity of conversations about emotions in Indian texts. An indispensable collection, Words for the Heart reveals how Indian ways of interpreting human experience can challenge our assumptions about emotions and enrich our lives.

Brings to light a rich lexicon of emotion from ancient IndiaUses the Indian genre of a “treasury,” or wordbook, to explore the contours of classical Indian thought in three of the subcontinent’s earliest languages—Sanskrit, Pali, and PrakritFeatures 177 alphabetical entries, from abhaya (“fearlessness”) to yoga (“the discipline of calm”)Draws on a wealth of literary, religious, and philosophical writings from classical IndiaIncludes synonyms, antonyms, related words, and suggestions for further readingInvites readers to engage in the cross-cultural study of emotionsReveals the many different ways of naming and interpreting human experience

A richly diverse collection of classical Indian terms for expressing the many moods and subtleties of emotional experienceWords for the Heart is a captivating treasury of emotion terms drawn from some of India’s earliest classical languages. Inspired by the traditional Indian genre of a “treasury”—a wordbook or anthology of short texts or poems—this collection features 177 jewellike entries evoking the kinds of phenomena English speakers have variously referred to as emotions, passions, sentiments, moods, affects, and dispositions. These entries serve as beautiful literary and philosophical vignettes that convey the delightful texture of Indian thought and the sheer multiplicity of conversations about emotions in Indian texts. An indispensable collection, Words for the Heart reveals how Indian ways of interpreting human experience can challenge our assumptions about emotions and enrich our lives.Brings to light a rich lexicon of emotion from ancient IndiaUses the Indian genre of a “treasury,” or wordbook, to explore the contours of classical Indian thought in three of the subcontinent’s earliest languages—Sanskrit, Pali, and PrakritFeatures 177 alphabetical entries, from abhaya (“fearlessness”) to yoga (“the discipline of calm”)Draws on a wealth of literary, religious, and philosophical writings from classical IndiaIncludes synonyms, antonyms, related words, and suggestions for further readingInvites readers to engage in the cross-cultural study of emotionsReveals the many different ways of naming and interpreting human experience

A new translation of the Buddha’s teachings on mindfulness—and how it can help us to be less controlled by our emotionsTo feel is to suffer. But do we have to suffer as much as we do? Twenty-five hundred years ago, the Buddha discovered that practices of mindfully observing our feelings and emotions can help us gain some distance from them. In How to Feel, Maria Heim provides new translations of essential early Buddhist teachings on mindfulness meditation and connects them to recent findings in psychology and neuroscience. A superb meditation manual and insightful exploration of psychology, the book also provides a brief introduction to Buddhism and features the original Pali-language texts on facing pages.Drawing from the Samyutta Nikaya, an early canonical collection, How to Feel introduces Buddhist practices of mindfulness. Using them, we can watch feelings come and go like winds passing through the sky. We can observe what causes our negative emotions and learn to shift our attention to other things. We can see where emotions lead us and learn to redirect them. We will still feel, but, with practice, emotions will have less control over us.Just as they did in ancient India, the teachings in How to Feel offer today’s readers radically new and more enlightened ways to experience emotions.

An engaging new translation of a timeless fifth-century Buddhist meditation guide that teaches practices for becoming happier and freer by learning how to love everyoneSages and religious teachers the world over have taught us to love one another, extending our love and kindness beyond our immediate family and friends to strangers and even enemies. But such lofty aspirations can seem unrealistic and even perverse given how difficult and annoying other people can be, and how unloving they can be toward us. Why should we love these people? And even if we are convinced that we should, how can we possibly do it? In How to Truly Love, Maria Heim presents an enlightening new translation of an important fifth-century Buddhist text that teaches practical strategies and meditation techniques for becoming happier and freer by loving others.The work introduced here is the important “Sublime Attitudes” chapter from The Path of Purification (Visuddhimagga), a meditation manual by the Theravada Buddhist monk and scholar Buddhaghosa (“Voice of the Buddha”). Based on a subtle understanding of how the mind works, “Sublime Attitudes” teaches powerful cognitive and affective therapies for cultivating lovingkindness, compassion, sympathetic joy, and equanimity by letting go of their opposites, including hatred, anger, and indifference. By radically reconceiving how we see others, we can break down barriers between ourselves and them, and come to seek their happiness and well-being as though it were our own.Featuring an illuminating introduction and commentary, as well as the original Pali text on facing pages, How to Truly Love invites today’s readers to explore ancient Buddhist practices that countless people have found life-changing.

Renunciation is a core value in the Buddhist tradition, but Buddhism is not necessarily austere. Jewels—along with heavenly flowers, rays of rainbow light, and dazzling deities—shape the literature and the material reality of the tradition. They decorate temples, fill reliquaries, are used as metaphors, and sprout out of imagined Buddha fields. Moreover, jewels reflect a particular type of currency often used to make the Buddhist world go round: merit in exchange for wealth. Regardless of whether the Buddhist community has theoretically transcended the need for them or not, jewels—and the paradox they represent—are everywhere. Scholarship has often looked past this splendor, favoring the theory of renunciation instead, but in this volume, scholars from a wide range of disciplines consider the role jewels play in the Buddhist imaginary, putting them front and center for the first time.Following an introduction that relates the colorful story of the Emerald Buddha, one of the most famous jewels in the world, chapters explore the function of jewels as personal identifiers in Buddhist and other Indian religious traditions; Buddhaghosa’s commentary on the Jewel Sutta; the paradox of the Buddha’s bejeweled status before and after renunciation; and the connection in early Buddhism between jewels, magnificence, and virtue. The Newars of Nepal are the focus of a chapter that looks at their gemology and associations between gems and celestial deities. Contributors analyze the Fifth Dalai Lama’s reliquary, known as the "sole ornament of the world"; the transformation of relic jewels into precious substances and their connection to the Piprahwa stupa in Northern India and the Nanjing Porcelain Pagoda. Final chapters offer detailed studies of ritual engagement with the deity known as Wish-Fulfilling Jewel Avalokiteśvara and its role in the new Japanese lay Buddhist religious movement Shinnyo-en.Engaging and accessible, Jewels, Jewelry, and Other Shiny Things in the Buddhist Imaginary will provide readers with an opportunity to look beyond a common misconception about Buddhism and bring its lived tradition into wider discussion.

Countless Sands presents engaging analyses of the diverse relationships between Buddhism and the environment that existed in medieval Asia. Recent years have witnessed a surge in publications across the humanities that advance powerful ethical and political arguments to account for the human failure to respond effectively to global climate change. While the contributors to this volume are attuned to this challenge, rather than present explicit political arguments, they pursue a subtler effort to historicize the environment as a site and subject of Buddhist practice while providing research grounded in rigorous analysis of complex and fragmentary sources. The volume thereby mitigates against the Orientalist, East-West binaries that have long informed the invocation of Buddhism in Euro-American environmental discourses. As the chapters collectively demonstrate, there was no singular, consistently "Buddhist" understanding of the natural world, but innumerable, varied engagements preserved in discrete texts, images, and artifacts. We title the volume Countless Sands to echo the Buddhist metaphor of "sands of the Ganges" that implies an uncountable number. Through specific case studies, the authors consider such questions as: How did premodern Buddhists understand what we today call "the environment"? How did they think about their earth? How, when, and where did the various processes of the earth actually impinge on the practices of historical Buddhists? What kinds of "environmental imaginations" informed specific Buddhist practices? In so doing, the authors explore the connections between the ways in which historical Buddhist communities interacted with their environments and how they understood those environments. In the broader field of Buddhist studies, Countless Sands contributes to ongoing efforts to expand the locus of inquiry from textually based investigations of Buddhist doctrine to a broader examination of the complex and varied place of Buddhism in the lives of historical communities. The book furthers this broader process by casting it in environmental terms and will engage readers looking for models of thought-provoking historical analysis on environmental themes.

''Ethics'' was not developed as a separate branch of philosophy in Buddhist traditions until the modern period, though Buddhist philosophers have always been concerned with the moral significance of thoughts, emotions, intentions, actions, virtues, and precepts. Their most penetrating forms of moral reflection have been developed within disciplines of practice aimed at achieving freedom and peace. This Element first offers a brief overview of Buddhist thought and modern scholarly approaches to its diverse forms of moral reflection. It then explores two of the most prominent philosophers from the main strands of the Indian Buddhist tradition – Buddhaghosa and Śāntideva – in a comparative fashion.

''Ethics'' was not developed as a separate branch of philosophy in Buddhist traditions until the modern period, though Buddhist philosophers have always been concerned with the moral significance of thoughts, emotions, intentions, actions, virtues, and precepts. Their most penetrating forms of moral reflection have been developed within disciplines of practice aimed at achieving freedom and peace. This Element first offers a brief overview of Buddhist thought and modern scholarly approaches to its diverse forms of moral reflection. It then explores two of the most prominent philosophers from the main strands of the Indian Buddhist tradition – Buddhaghosa and Śāntideva – in a comparative fashion.

'Ethics' was not developed as a separate branch of philosophy in Buddhist traditions until the modern period, though Buddhist philosophers have always been concerned with the moral significance of thoughts, emotions, intentions, actions, virtues, and precepts. Their most penetrating forms of moral reflection have been developed within disciplines of practice aimed at achieving freedom and peace. This Element first offers a brief overview of Buddhist thought and modern scholarly approaches to its diverse forms of moral reflection. It then explores two of the most prominent philosophers from the main strands of the Indian Buddhist tradition - Buddhaghosa and Śāntideva - in a comparative fashion.

This book explores the ethical and social implications of unilateral gifts of esteem, offering a perceptive guide to the uniquely South Asian contributors to theoretical work on the gift.

This book explores the ethical and social implications of unilateral gifts of esteem, offering a perceptive guide to the uniquely South Asian contributors to theoretical work on the gift.

This book explores the ethical and social implications of unilateral gifts of esteem, offering a perceptive guide to the uniquely South Asian contributors to theoretical work on the gift.

Drawing on a rich variety of premodern Indian texts across multiple traditions, genres, and languages, this collection explores how emotional experience is framed, evoked, and theorized in order to offer compelling insights into human subjectivity. Rather than approaching emotion through the prism of Western theory, a team of leading scholars of Indian traditions showcases the literary texture, philosophical reflections, and theoretical paradigms that classical Indian sources provide in their own right. The focus is on how the texts themselves approach those dimensions of the human condition we may intuitively think of as being about emotion, without pre-judging what that might be. The result is a collection that reveals the range and diversity of phenomena that benefit from being gathered under the formal term “emotion”, but which in fact open up what such theorisation, representation, and expression might contribute to a cross-cultural understanding of this term. In doing so, these chapters contribute to a cosmopolitan, comparative, and pluralistic conception of human experience.Adopting a broad phenomenological methodology, this handbook reframes debates on emotion within classical Indian thought and is an invaluable resource for researchers and students seeking to understand the field beyond the Western tradition.

Drawing on a rich variety of premodern Indian texts across multiple traditions, genres, and languages, this collection explores how emotional experience is framed, evoked, and theorized in order to offer compelling insights into human subjectivity. Rather than approaching emotion through the prism of Western theory, a team of leading scholars of Indian traditions showcases the literary texture, philosophical reflections, and theoretical paradigms that classical Indian sources provide in their own right. The focus is on how the texts themselves approach those dimensions of the human condition we may intuitively think of as being about emotion, without pre-judging what that might be. The result is a collection that reveals the range and diversity of phenomena that benefit from being gathered under the formal term “emotion”, but which in fact open up what such theorisation, representation, and expression might contribute to a cross-cultural understanding of this term. In doing so, these chapters contribute to a cosmopolitan, comparative, and pluralistic conception of human experience. Adopting a broad phenomenological methodology, this handbook reframes debates on emotion within classical Indian thought and is an invaluable resource for researchers and students seeking to understand the field beyond the Western tradition.

Drawing on a rich variety of premodern Indian texts across multiple traditions, genres, and languages, this collection explores how emotional experience is framed, evoked, and theorized in order to offer compelling insights into human subjectivity. Rather than approaching emotion through the prism of Western theory, a team of leading scholars of Indian traditions showcases the literary texture, philosophical reflections, and theoretical paradigms that classical Indian sources provide in their own right. The focus is on how the texts themselves approach those dimensions of the human condition we may intuitively think of as being about emotion, without pre-judging what that might be. The result is a collection that reveals the range and diversity of phenomena that benefit from being gathered under the formal term “emotion”, but which in fact open up what such theorisation, representation, and expression might contribute to a cross-cultural understanding of this term. In doing so, these chapters contribute to a cosmopolitan, comparative, and pluralistic conception of human experience. Adopting a broad phenomenological methodology, this handbook reframes debates on emotion within classical Indian thought and is an invaluable resource for researchers and students seeking to understand the field beyond the Western tradition.

Drawing on a rich variety of premodern Indian texts across multiple traditions, genres, and languages, this collection explores how emotional experience is framed, evoked, and theorized in order to offer compelling insights into human subjectivity. Rather than approaching emotion through the prism of Western theory, a team of leading scholars of Indian traditions showcases the literary texture, philosophical reflections, and theoretical paradigms that classical Indian sources provide in their own right. The focus is on how the texts themselves approach those dimensions of the human condition we may intuitively think of as being about emotion, without pre-judging what that might be. The result is a collection that reveals the range and diversity of phenomena that benefit from being gathered under the formal term “emotion”, but which in fact open up what such theorisation, representation, and expression might contribute to a cross-cultural understanding of this term. In doing so, these chapters contribute to a cosmopolitan, comparative, and pluralistic conception of human experience.Adopting a broad phenomenological methodology, this handbook reframes debates on emotion within classical Indian thought and is an invaluable resource for researchers and students seeking to understand the field beyond the Western tradition.