Maria Herrera-Sobek - Böcker

". . . provides a valuable service of not only gathering and presenting from 5,000 song texts a wide variety of ballads with full translation but also placing them all in a succinct historical context extending from the Mexican War to the present." —Journal of American Ethnic History" . . . [a] stunning achievement, not only because it is an intelligent and comprehensive study of Mexican immigrant ballads, but because analysis gives way to, steps aside respectfully for, a multitude of immigrants who sing their experiences of crossing the border into the U.S. with astonishing clarity and historical perspicacity." —Western Folklore"Herrera-Sobek's folk-song collection is impressive, as are her English translations—crisp and unstilted." —MultiCultural Review"[Herrera-Sobek's] well-written book provides historians, ethnomusicologists, sociologists, and other scholars with a case study that demonstrates how valuable song lyrics can be in their studies. Strongly recommended to humanists and social scientists." —Choice"Supported with photographs, full documentation and other scholarly devices, this is a solid work on an unusual topic." —Sing Out!Northward Bound traces Mexican emigration to the United States from 1848 to 1991 through the lyrics of Mexican ballads (corridos) and contemporary popular songs (canciones). These autobiographical songs reflect the relationship between individual experience and the history-making process.

Chicanos and Chicanas, or Mexican Americans, are deeply rooted in the cultures of African, European, and Native American groups. The richness of Chicano culture is especially evident in such folklore genres as myths, tales, legends, traditional beliefs, songs, games, and riddles. Written especially for high school students and general readers, this book is an introductory guide to Chicano folklore. It defines and classifies the folklore, provides numerous examples and texts, discusses the presence of Chicano folklore in literature and popular culture, and reviews scholarship and criticism.Written expressly for high school students and general readers, the volume classifies and defines Chicano folklore and provides background information on the historical contexts in which Chicanos have thrived. It also provides numerous examples and texts from various folklore genres and discusses the importance of Chicano folklore to literature and popular culture. In addition, it reviews scholarship and critical approaches and closes with a bibliography and glossary. This book will help students appreciate America's cultural diversity as they learn about the fascinating traditions of this important ethnic group.

This interdisciplinary book explores human rights in the Americas from multiple perspectives and fields. Taking 1492 as a point of departure, the text explores Eurocentric historiographies of human rights and offer a more complete understanding of the genealogy of the human rights discourse and its many manifestations in the Americas. The essays use a variety of approaches to reveal the larger contexts from which they emerge, providing a cross-sectional view of subjects, countries, methodologies and foci explicitly dedicated toward understanding historical factors and circumstances that have shaped human rights nationally and internationally within the Americas. The chapters explore diverse cultural, philosophical, political and literary expressions where human rights discourses circulate across the continent taking into consideration issues such as race, class, gender, genealogy and nationality. While acknowledging the ongoing centrality of the nation, the volume promotes a shift in the study of the Americas as a dynamic transnational space of conflict, domination, resistance, negotiation, complicity, accommodation, dialogue, and solidarity where individuals, nations, peoples, institutions, and intellectual and political movements share struggles, experiences, and imaginaries. It will be of interest to all scholars and students of InterAmerican studies and those from all disciplines interested in Human Rights.

This interdisciplinary book explores human rights in the Americas from multiple perspectives and fields. Taking 1492 as a point of departure, the text explores Eurocentric historiographies of human rights and offer a more complete understanding of the genealogy of the human rights discourse and its many manifestations in the Americas. The essays use a variety of approaches to reveal the larger contexts from which they emerge, providing a cross-sectional view of subjects, countries, methodologies and foci explicitly dedicated toward understanding historical factors and circumstances that have shaped human rights nationally and internationally within the Americas. The chapters explore diverse cultural, philosophical, political and literary expressions where human rights discourses circulate across the continent taking into consideration issues such as race, class, gender, genealogy and nationality. While acknowledging the ongoing centrality of the nation, the volume promotes a shift in the study of the Americas as a dynamic transnational space of conflict, domination, resistance, negotiation, complicity, accommodation, dialogue, and solidarity where individuals, nations, peoples, institutions, and intellectual and political movements share struggles, experiences, and imaginaries. It will be of interest to all scholars and students of InterAmerican studies and those from all disciplines interested in Human Rights.

For as long as Mexicans have emigrated to the United States they have responded creatively to the challenges of making a new home. But although historical, sociological, and other aspects of Mexican immigration have been widely studied, its cultural and artistic manifestations have been largely overlooked by scholars even though Mexico has produced the greatest number of cultural works inspired by the immigration process. And recently Chicana/o artists have addressed immigration as a central theme in their cultural productions and motifs. Culture across Borders is the first and only book-length study to analyze a wide range of cultural manifestations of the immigration experience, including art, literature, cinema, corridos, and humor. It shows how Mexican immigrants have been depicted in popular culture both in Mexico and the United States and how Mexican and Chicano/Chicana artists, intellectuals, and others have used artistic means to protest the unjust treatment of immigrants by U.S. authorities.Established and upcoming scholars from both sides of the border contribute their expertise in art history, literary criticism, history, cultural studies, and other fields, capturing the many facets of the immigrant experience in popular culture. Topics include the difference between Chicano/a and Mexican representation of immigration; how films dealing with immigrants are treated differently by Mexican, Chicano, and Hollywood producers; the rich literary and artistic production on immigration themes; and the significance of immigration in Chicano jokes. As a first step in addressing the cultural dimensions of Mexican immigration to the United States, this book captures how the immigration process has inspired powerful creative responses on both sides of the border.

Among the lasting legacies of the Chicano Movement is the cultural flowering that it inspired--one that has steadily grown from the 1960s to the present. It encompassed all of the arts and continues to earn acclaim both nationally and internationally. Although this Chicano artistic renaissance received extensive scholarly attention in its initial phase, the post-Movimiento years after the late 1970s have been largely overlooked. This book meets that need, demonstrating that, despite the changes that have taken place in all areas of Chicana/o arts, a commitment to community revitalization continues to underlie artistic expression. This collection examines changes across a broad range of cultural forms--art, literature, music, cinema and television, radio, and theater--with an emphasis on the last two decades. Original articles by both established and emerging scholars review such subjects as the growth of Tejano music and the rise of Selena, how films and television have affected the Chicana/o experience, the evolution of Chicana/o art over the last twenty years, and postmodern literary trends.In all of the essays, the contributors emphasize that, contrary to the popular notion that Chicanas/os have succumbed to a victim mentality, they continue to actively struggle to shape the conditions of their lives and to influence the direction of American society through their arts and social struggle. Despite decades usually associated with self-interest in the larger society, the spirit of commitment and empowerment has continued to infuse Chicana/o cultural expression and points toward a vibrant future. CONTENTSAll Over the Map: La Onda Tejana and the Making of Selena, Roberto R. CalderonOutside Inside-The Immigrant Workers: Creating Popular Myths, Cultural Expressions, and Personal Politics in Borderlands Southern California, Juan Gomez-Quinones"Yo soy chicano": The Turbulent and Heroic Life of Chicanas/os in Cinema and Television, David R. Maciel and Susan Racho The Politics of Chicano Representation in the Media, Virginia EscalanteChicana/o and Latina/o Gazing: Audiences of the Mass Media, Diana I.Rios An Historical Overview/Update on the State of Chicano Art, George VargasContemporary Chicano Theater, Arturo RamirezBreaking the Silence: Developments in the Publication and Politics of Chicana Creative Writing, 1973-1998, Edwina Barvosa-Carter Trends and Themes in Chicana/o Writings in Postmodern Times, Francisco A. Lomeli, Teresa Marquez, and Maria Herrera-Sobek