Marion Faber – författare

`What is done out of love always takes place beyond good and evil.' Always provocative, the Friedrich Nietzsche of Beyond Good and Evil (1886) is at once sceptical psychologist and philosopher-seer, passionately unmasking European society with his piercing insights and uncanny prescience. This masterpiece of his maturity considers quintessential Nietzschean topics such as the origins and nature of Judeo-Christian morality; the end of philosophical dogmatism and beginning of perspectivism; the questionable virtues of science and scholarship; liberal democracy, nationalism, and women's emancipation. Written in his most masterful style, full of irreverence and brio, Nietzsche dissects self-deluding human behaviour, bankrupt intellectual traditions, and the symptoms of social decadence, while at the same time advancing an extra-moral wisdom to be shared by those kindred soul who think 'beyond good and evil'. This new translation of Beyond Good and Evil provides readers with a true classic of modernity that sums up those forces and counterforces in nineteenth-century Western Civilisation that to an astonishing degree have also determined and continue to inform the course of our own century. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This book is the first biography of 20th-century pianist Rudolf Serkin, providing a narrative of Serkin''s life with emphasis on his European roots and the impact of his move to America. Based on his personal papers and correspondence, as well as extensive interviews with friends, family, and colleagues, the authors focus on three key aspects of Serkin''s work, particularly as it unfolded in America: his art and career as a pianist, his activities as a pedagogue, including his long association with the Curtis Institute in Philadelphia, and his key role in institutionalizing a redefinition of musical values in America through his work as artistic director of the Marlboro Music School and Festival in Vermont. A candid and colorful blend of narrative and interviews, it offers a probing look into the life and character of this very private man and powerful musical personality.

Like Heifitz and Horowitz, Rudolf Serkin was a virtuosic solo performer who made European classical music an important part of American middle class culture in the mid-20th century. This book, the first biography of this influential pianist, chronicles Serkin's life and career and assesses his impact on classical music in America.Beginning with Serkin's upbringing and early adulthood in Europe, the book reveals the story of a religious Czech Jew's assimilation into Austro-German society and particularly into the profoundly German household of Adolf Busch. When Serkin immigrated to the United States, he imported with him a particularly German perspective on classical music performance. Best known for his recordings of Beethoven sonatas, Serkin also performed Brahms, Mozart, Bach, and other composers' works. Later in his career, he became an active teacher, embarking on a long association with the Curtis Institute in Philadelphia. As artistic director of the Marlboro Music School and Festival in Vermont, Serkin played a key role in institutionalizing a redefinition of musical values in America.Extensive interviews with Serkin's friends and students are an important fixture of the book. The book concludes with a discography by Paul Farber that documents an essential part of Serkin's achievement.