Mark Shechner – författare

These 14 essays on the philosophy of the law address topics which include legislative intent and negative and positive freedom.

The culmination of 30 years of writing about Philip Roth. This collection of essays, reviews, fulminations and daydreams, combines first impressions with conclusions that have been percolating for decades - the record of a restless reader coming to terms with a turbulent and mercurial writer.

This book contains deeply personal dialogues with Jewish American writers, from Mark Krupnick in his final work. When he learned he had ALS and roughly two years to live, literary critic Mark Krupnick returned to the writers who had been his lifelong conversation partners and asked with renewed intensity: how do you live as a Jew, when, mostly, you live in your head? The evocative and sinuous essays collected here are the products of this inquiry. In his search for durable principles, Krupnick follows Lionel Trilling, Cynthia Ozick, Geoffrey Hartman, Philip Roth, Saul Bellow, and others into the elemental matters of life and death, sex and gender, power and vulnerability. The editors - Krupnick's wife, Jean K. Carney, and literary critic Mark Shechner - have also included earlier essays and introductions that link Krupnick's work with the ""deep places"" of his own imagination.

Joyce in Nighttown offers a compelling psychoanalytic examination of James Joyce's Ulysses, positioning the novel as a complex psychological gesture both deeply personal and universally resonant. This book capitalizes on the maturity of psychoanalytic literary criticism, foregoing justifications for its method to focus on elucidating the intricate interplay between Joyce’s life, his creative process, and his magnum opus. By analyzing the recurring motifs of familial relationships, identity, and symbolic action, the text uncovers the latent conflicts underpinning Joyce's narrative innovations. It highlights how Ulysses serves as a stage for Joyce's internal struggles, particularly through its protean protagonist, Leopold Bloom, and his interwoven dynamics with Stephen Dedalus, the author’s literary alter ego.Drawing on Freud's theories of artistic creation as sublimated personal conflicts, Joyce in Nighttown frames Ulysses as an intricate "family romance," reflecting unresolved tensions and repressed desires. The author explores Joyce's portrayal of Shakespeare through Stephen’s monologue in "Scylla and Charybdis" as a mirror of Joyce’s own creative dilemmas: art as both revelation and concealment. This psychoanalytic inquiry not only interprets Joyce’s gestures toward his Irish identity and familial legacy but also situates Ulysses as a text that engages in self-reflective dialogue. Bridging the gap between personal neuroses and public artistry, this book offers scholars an innovative lens to explore how Joyce’s life and art are inextricably bound, providing fresh insights into the emotional and intellectual architecture of one of the 20th century’s greatest literary achievements.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

Joyce in Nighttown offers a compelling psychoanalytic examination of James Joyce's Ulysses, positioning the novel as a complex psychological gesture both deeply personal and universally resonant. This book capitalizes on the maturity of psychoanalytic literary criticism, foregoing justifications for its method to focus on elucidating the intricate interplay between Joyce’s life, his creative process, and his magnum opus. By analyzing the recurring motifs of familial relationships, identity, and symbolic action, the text uncovers the latent conflicts underpinning Joyce's narrative innovations. It highlights how Ulysses serves as a stage for Joyce's internal struggles, particularly through its protean protagonist, Leopold Bloom, and his interwoven dynamics with Stephen Dedalus, the author’s literary alter ego.Drawing on Freud's theories of artistic creation as sublimated personal conflicts, Joyce in Nighttown frames Ulysses as an intricate "family romance," reflecting unresolved tensions and repressed desires. The author explores Joyce's portrayal of Shakespeare through Stephen’s monologue in "Scylla and Charybdis" as a mirror of Joyce’s own creative dilemmas: art as both revelation and concealment. This psychoanalytic inquiry not only interprets Joyce’s gestures toward his Irish identity and familial legacy but also situates Ulysses as a text that engages in self-reflective dialogue. Bridging the gap between personal neuroses and public artistry, this book offers scholars an innovative lens to explore how Joyce’s life and art are inextricably bound, providing fresh insights into the emotional and intellectual architecture of one of the 20th century’s greatest literary achievements.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

The Edward Lewis Wallant Award was founded by the family of Dr. Irving and Fran Waltman in 1963 and is supported by the University of Hartford’s Maurice Greenberg Center for Judaic Studies. It is given annually to an American writer, preferably early in his or her career, whose fiction is considered significant for American Jews. In The New Diaspora: The Changing Landscape of American Jewish Fiction, editors Victoria Aarons, Avinoam J. Patt, and Mark Shechner who have all served as judges for the award, present vital, original, and wide-ranging fiction by writers whose work has been considered or selected for the award. The resulting collection highlights the exemplary place of the Wallant Award in Jewish literature.With a mix of stories and novel chapters, The New Diaspora reprints selections of short fiction from such well-known writers as Rebecca Goldstein, Nathan Englander, Jonathan Safran Foer, Dara Horn, Julie Orringer, and Nicole Krauss. The first half of the anthology presents pieces by winnners of the Wallant award, focusing on the best work of recent winners. The New Diaspora’s second half reflects the evolving landscape of American Jewish fiction over the last fifty years, as many authors working in America are not American by birth, and their fiction has become more experimental in nature. Pieces in this section represent authors with roots all over the world - including Russia (Maxim Shrayer, Nadia Kalman, and Lara Vapnyar), Latvia (David Bezmozgis), South Africa (Tony Eprile), Canada (Robert Majzels), and Israel (Avner Mandelman, who now lives in Canada).This collection offers an expanded canon of Jewish writing in North America and foregrounds a vision of its variety, its uniqueness, its cosmopolitanism, and its evolving perspectives on Jewish life. It celebrates the continuing vitality and fresh visions of contemporary Jewish writing, even as it highlights its debt to history and embrace of collective memory. Readers of contemporary American fiction and Jewish cultural history will find The New Diaspora enlightening and deeply engaging.Contributors Include: Edith Pearlman, Sara Houghteling, Eileen Pollack, Ehud Havazelet, Nicole Krauss, Jonathan Rosen, Joan Leegant, Dara Horn, Myla Goldberg, Harvey Grossinger, Thane Rosenbaum, Rebecca Goldstein, Melvin Bukiet, Tova Reich, Steve Stern, Francine Prose, Nadia Kalman, Maxim Shrayer, David Bezmozgis, Avner Mandelman, Joseph Epstein, Scott Nadelson, Margot Singer, Jonathan Safran Foer, Aryeh Lev Stollman, Gerald Shapiro, Joshua Henkin, Curt Leviant, Robert Majzels, Tony Eprile, Rachel Kadish, Nathan Englander, Lara Vapnyar, Julie Orringer, Joseph Skibell, Peter Orner, Jonathon Keats.