Marlene Kadar – författare

Life writing is the most flexible and open term available for autobiographical fragments and other kinds of autobiographical-seeming texts. It includes the conventional genres of autobiography, journals, memoirs, letters, testimonies, and metafiction, and in earlier definitions it included biography. It is a way of seeing literary and other texts that neither objectifies nor subjectifies the nature of a particular cultural truth.Marlene Kadar has brought together an interdisciplinary and comparative collection of critical and theoretical essays by diverse Canadian scholars, most of whom are women engaged in larger projects in life writing or in archival research. In the more practical pieces the author has discerned a pattern in autobiographical text, or subtext, that has come to revolutionize the life, the critic’s approach, or the discipline itself. In the theoretical pieces, authors make cogent proposals to view a body of literature in a new way, often in order to incorporate feminist visions or humanistic interpretations.The contributors represent a broad range of scholars from disciplines within the humanities and beyond. Collectively they provide an impressive overview of a growing field of scholarship.

""Ruby wrote letters home almost every week....She wrote anything that came into her head: about her children and Fred, her housekeeping, food, clothes, her friends, activities, schemes for making money, her dreams for the future....Her letters, nave, intimate and lively, were always optimistic or poignant. We'd read them to each other on the phone or pass them around. Often we saved them."" So writes Edna Staebler in her introduction to this edited collection of her sister Ruby's letters from the fifties. In 1957 when Edna first began to collect and edit these letters she did so simply because she was sure that others would enjoy reading them as much as her own family did. Over fifty years later, the letters remain a joy to read and reclaim the ordinary voice of a housewife. Remarkably, these letters echo themes academics want to isolate in order to analyze women's roles in the modern world - drifting (""life just happened to me"") and contingency (""women's lives depend on relationships""), for example, as well as the balance between family and work. As a fine example of women's life writing they also illustrate the literary patterns of overt and covert stories and of textual and subtextual meaning. Haven't Any News: Ruby's Letters from the Fifties includes an Afterword by Marlene Kadar, Associate Professor of Humanities at York University and a leading expert on women's life writing. All those concerned with women's studies and with the social history of twentieth-century Canada will find this book of enormous interest and it will delight Edna Staebler fans everywhere.

Life writing is the most flexible and open term available for autobiographical fragments and other kinds of autobiographical-seeming texts. It includes the conventional genres of autobiography, journals, memoirs, letters, testimonies, and metafiction, and in earlier definitions it included biography. It is a way of seeing literary and other texts that neither objectifies nor subjectifies the nature of a particular cultural truth.Marlene Kadar has brought together an interdisciplinary and comparative collection of critical and theoretical essays by diverse Canadian scholars, most of whom are women engaged in larger projects in life writing or in archival research. In the more practical pieces the author has discerned a pattern in autobiographical text, or subtext, that has come to revolutionize the life, the critic’s approach, or the discipline itself. In the theoretical pieces, authors make cogent proposals to view a body of literature in a new way, often in order to incorporate feminist visions or humanistic interpretations.The contributors represent a broad range of scholars from disciplines within the humanities and beyond. Collectively they provide an impressive overview of a growing field of scholarship.