When we think of the American West, we tend to conjure up images that are known the world over: bearded forty-niners leading pack mules up a mountain trail, the Oklahoma land stampede, Custer's Last Stand, and especially the range-riding, quick-shooting cowboy. But these familiar images are only a small part of western history. From the arrival of the Navajos in the Southwest more than seven hundred years ago, to the first Spanish settlements in New Mexico in the late sixteenth century, to the large Mormon migration to the Great Salt Lake, to the tourists flocking to the neon landscape of modern Las Vegas, the complex story of the West stretches across centuries, embracing many voices and contrasting cultures. The West is in fact as varied as America itself. Indeed, to enlarge on Wallace Stegner's singular phrase, the West is America, only more so.Lavishly illustrated and based on the finest scholarship, The Oxford History of the American West is the first comprehensive study to do full justice to the rich complexity of this region. It brings together the work of twenty-eight leading western historians who explore this area from a dazzling number of perspectives. They provide insightful portraits of the West as a distinctive place of varied peoples - native and non-native, European and Asian, African and Latino - and of varied terrain - from the timbered Pacific Northwest to the Dakota Badlands, and from the fires of Kilauea to the ice cliffs of Glacier Bay, Alaska. They describe the great wealth generated by a series of spectacular bonanzas, such as gold at Sutter's Mill, copper in Butte, Montana, and oil on Alaska's north shore; illuminate the role of the West in the national and global economy; and consider the environmental challenges created by replacing buffalo with cattle or by designating national parks and military test sites. The book also examines the social forces behind the violence of the West, the great political movements that affected the region (most notably, the Populist Party), and the importance of families in settling the West (for instance, tracing one family's westward migration over 150 years). The authors provide important insights about many longstanding controversies, and they offer not only the fruits of the latest thinking about the West, but also a vivid sense of how people actually lived. For instance, we read of pioneers who grated green corn to make pudding they flavored with berries and grasshoppers, and who ate the culms (the soft inner linings of the stalks) like asparagus. Finally, each chapter concludes with an extensive annotated bibliography, offering a full review of related material, and there is a comprehensive index to guide readers to topics of special interest.Ranging from a thoughtful analysis of John Ford's classic My Darling Clementine, to a revisionist look at cattle grandee Granville Stuart (once Montana's most revered pioneer), to a survey of Western art and literature (including figures as diverse as Francis Parkman, Frederic Remington, Willa Cather, Georgia O'Keeffe, and N. Scott Momaday), this lively, authoritative volume continually challenges the familiar as it broadens the reader's understanding of a vast and varied region.

A compelling story of how the new medium of photography and the new American frontier came of age together—illustrated with scores of stunning imagesThis prize-winning book tells the intertwined stories of photography and the American West—a new medium and a new place that came of age together in the nineteenth century.“Excellent . . . rewarding . . . a provocative look at the limits of photography as recorder of history—and its role in perpetuating myth.”—Chris Vognar, Dallas Morning News“A sophisticated and engaging exploration of photography and the West . . . A really handsome work.”—James McWilliams, Austin Chronicle“A wonderful book.”—Vernon Peter, Sunday Oregonian“A deliciously intelligent new book . . . so engrossing you can’t stop reading.”—Michael More, Albuquerque Journal“Print the Legend belongs on that short shelf of essential books about the American West.”—James P. Ronda, University of Tulsa

Shortlisted for the Cundill History PrizeA haunting image of an unnamed child and the power of a forgotten lifeIn 1868, celebrated Civil War photographer Alexander Gardner traveled to Fort Laramie to document the federal government’s treaty negotiations with the Lakota and other tribes of the northern plains. Gardner, known for his battlefield pictures and his iconic portrait of Abraham Lincoln, posed six federal peace commissioners with a young Native girl wrapped in a blanket. His hand-labeled prints carefully name each of the men, but never identify the child. As The Girl in the Middle goes in search of her, it draws readers into the entangled lives of the photographer and his subjects.Martha A. Sandweiss paints a riveting portrait of the turbulent age of Reconstruction and westward expansion. She follows Gardner from his birthplace in Scotland to the American frontier, as his dreams of a utopian future across the Atlantic fall to pieces. She recounts the lives of William S. Harney, a slave-owning Union general who earned the Lakota name “Woman Killer,” and Samuel F. Tappan, an abolitionist who led the investigation into the Sand Creek massacre. And she identifies Sophie Mousseau, the girl in Gardner’s photograph, whose life swerved in unexpected directions as American settlers pushed into Indian Country and the federal government confined Native peoples to reservations.Spinning a spellbinding historical tale from a single enigmatic image, The Girl in the Middle reveals how the American nation grappled with what kind of country it would be as it expanded westward in the aftermath of the Civil War.

Shortlisted for the Cundill History PrizeA haunting image of an unnamed Native child and a recovered story of the American WestIn 1868, celebrated Civil War photographer Alexander Gardner traveled to Fort Laramie to document the federal government’s treaty negotiations with the Lakota and other tribes of the northern plains. Gardner, known for his battlefield pictures and his iconic portrait of Abraham Lincoln, posed six federal peace commissioners with a young Native girl wrapped in a blanket. His hand-labeled prints carefully name each of the men, but never identify the child. As The Girl in the Middle goes in search of her, it draws readers into the entangled lives of the photographer and his subjects.Martha A. Sandweiss paints a riveting portrait of the turbulent age of Reconstruction and westward expansion. She follows Gardner from his birthplace in Scotland to the American frontier, as his dreams of a utopian future across the Atlantic fall to pieces. She recounts the lives of William S. Harney, a slave-owning Union general who earned the Lakota name “Woman Killer,” and Samuel F. Tappan, an abolitionist who led the investigation into the Sand Creek massacre. And she identifies Sophie Mousseau, the girl in Gardner’s photograph, whose life swerved in unexpected directions as American settlers pushed into Indian Country and the federal government confined Native peoples to reservations.Spinning a spellbinding historical tale from a single enigmatic image, The Girl in the Middle reveals how the American nation grappled with what kind of country it would be as it expanded westward in the aftermath of the Civil War.

When we think of the American West, we tend to conjure up images that are known the world over: bearded forty-niners leading pack mules up a mountain trail, the Oklahoma land stampede, Custer's Last Stand, and especially the range-riding, quick-shooting cowboy. But these familiar images are only a small part of western history. From the arrival of the Navajos in the Southwest more than seven hundred years ago, to the first Spanish settlements in New Mexico in the late sixteenth century, to the large Mormon migration to the Great Salt Lake, to the tourists flocking to the neon landscape of modern Las Vegas, the complex story of the West stretches across centuries, embracing many voices and contrasting cultures. The West is in fact as varied as America itself. Indeed, to enlarge on Wallace Stegner's singular phrase, the West is America, only more so.Lavishly illustrated and based on the finest scholarship, The Oxford History of the American West is the first comprehensive study to do full justice to the rich complexity of this region. It brings together the work of twenty-eight leading western historians who explore this area from a dazzling number of perspectives. They provide insightful portraits of the West as a distinctive place of varied peoples - native and non-native, European and Asian, African and Latino - and of varied terrain - from the timbered Pacific Northwest to the Dakota Badlands, and from the fires of Kilauea to the ice cliffs of Glacier Bay, Alaska. They describe the great wealth generated by a series of spectacular bonanzas, such as gold at Sutter's Mill, copper in Butte, Montana, and oil on Alaska's north shore; illuminate the role of the West in the national and global economy; and consider the environmental challenges created by replacing buffalo with cattle or by designating national parks and military test sites. The book also examines the social forces behind the violence of the West, the great political movements that affected the region (most notably, the Populist Party), and the importance of families in settling the West (for instance, tracing one family's westward migration over 150 years). The authors provide important insights about many longstanding controversies, and they offer not only the fruits of the latest thinking about the West, but also a vivid sense of how people actually lived. For instance, we read of pioneers who grated green corn to make pudding they flavored with berries and grasshoppers, and who ate the culms (the soft inner linings of the stalks) like asparagus. Finally, each chapter concludes with an extensive annotated bibliography, offering a full review of related material, and there is a comprehensive index to guide readers to topics of special interest.Ranging from a thoughtful analysis of John Ford's classic My Darling Clementine, to a revisionist look at cattle grandee Granville Stuart (once Montana's most revered pioneer), to a survey of Western art and literature (including figures as diverse as Francis Parkman, Frederic Remington, Willa Cather, Georgia O'Keeffe, and N. Scott Momaday), this lively, authoritative volume continually challenges the familiar as it broadens the reader's understanding of a vast and varied region.

A compelling story of how the new medium of photography and the new American frontier came of age together—illustrated with scores of stunning imagesThis prize-winning book tells the intertwined stories of photography and the American West—a new medium and a new place that came of age together in the nineteenth century.“Excellent . . . rewarding . . . a provocative look at the limits of photography as recorder of history—and its role in perpetuating myth.”—Chris Vognar, Dallas Morning News“A sophisticated and engaging exploration of photography and the West . . . A really handsome work.”—James McWilliams, Austin Chronicle“A wonderful book.”—Vernon Peter, Sunday Oregonian“A deliciously intelligent new book . . . so engrossing you can’t stop reading.”—Michael More, Albuquerque Journal“Print the Legend belongs on that short shelf of essential books about the American West.”—James P. Ronda, University of Tulsa

Shortlisted for the Cundill History PrizeA haunting image of an unnamed child and the power of a forgotten lifeIn 1868, celebrated Civil War photographer Alexander Gardner traveled to Fort Laramie to document the federal government’s treaty negotiations with the Lakota and other tribes of the northern plains. Gardner, known for his battlefield pictures and his iconic portrait of Abraham Lincoln, posed six federal peace commissioners with a young Native girl wrapped in a blanket. His hand-labeled prints carefully name each of the men, but never identify the child. As The Girl in the Middle goes in search of her, it draws readers into the entangled lives of the photographer and his subjects.Martha A. Sandweiss paints a riveting portrait of the turbulent age of Reconstruction and westward expansion. She follows Gardner from his birthplace in Scotland to the American frontier, as his dreams of a utopian future across the Atlantic fall to pieces. She recounts the lives of William S. Harney, a slave-owning Union general who earned the Lakota name “Woman Killer,” and Samuel F. Tappan, an abolitionist who led the investigation into the Sand Creek massacre. And she identifies Sophie Mousseau, the girl in Gardner’s photograph, whose life swerved in unexpected directions as American settlers pushed into Indian Country and the federal government confined Native peoples to reservations.Spinning a spellbinding historical tale from a single enigmatic image, The Girl in the Middle reveals how the American nation grappled with what kind of country it would be as it expanded westward in the aftermath of the Civil War.

Shortlisted for the Cundill History PrizeA haunting image of an unnamed Native child and a recovered story of the American WestIn 1868, celebrated Civil War photographer Alexander Gardner traveled to Fort Laramie to document the federal government’s treaty negotiations with the Lakota and other tribes of the northern plains. Gardner, known for his battlefield pictures and his iconic portrait of Abraham Lincoln, posed six federal peace commissioners with a young Native girl wrapped in a blanket. His hand-labeled prints carefully name each of the men, but never identify the child. As The Girl in the Middle goes in search of her, it draws readers into the entangled lives of the photographer and his subjects.Martha A. Sandweiss paints a riveting portrait of the turbulent age of Reconstruction and westward expansion. She follows Gardner from his birthplace in Scotland to the American frontier, as his dreams of a utopian future across the Atlantic fall to pieces. She recounts the lives of William S. Harney, a slave-owning Union general who earned the Lakota name “Woman Killer,” and Samuel F. Tappan, an abolitionist who led the investigation into the Sand Creek massacre. And she identifies Sophie Mousseau, the girl in Gardner’s photograph, whose life swerved in unexpected directions as American settlers pushed into Indian Country and the federal government confined Native peoples to reservations.Spinning a spellbinding historical tale from a single enigmatic image, The Girl in the Middle reveals how the American nation grappled with what kind of country it would be as it expanded westward in the aftermath of the Civil War.