Michael Washburn – författare

In this book, Michael Washburn provides a psychoanalytic foundation for transpersonal psychology. Using psychoanalytic theory, Washburn explains how ego development both prepares for and creates obstacles to ego transcendence. Spiritual development, he proposes, can be properly understood only in terms of the ego development that precedes it. For example, many difficulties encountered in spiritual development can be traced to repressive underpinnings of ego development, and significant gender differences in spiritual development can be traced to corresponding gender differences that emerge during ego development.Washburn draws on a wide range of psychoanalytic perspectives in discussing ego development and uses both Eastern and Western sources in discussing spiritual development. In rethinking transpersonal psychology in psychoanalytic terms, he explains how essential elements of Jungian thought can be grounded in psychoanalytic theory.

Maps the course of human development from the earliest stages of ego development to the highest stages of ego transcendence.This new edition is a thorough revision of the first edition. Drawing on both psychoanalysis and analytical psychology and on both Eastern and Western spiritual sources, the book maps the course of human development from the earliest stages of ego development to the highest stages of ego transcendence. Washburn formulates an important paradigm for transpersonal psychology and clearly distinguishes it from the other major paradigm in the field, the structural-hierarchical paradigm of Ken Wilber.In Washburn's view, human development is a spiral movement played out between the ego and its ultimate source: the Dynamic Ground. Ego development in the first half of life moves in a direction away from the Dynamic Ground; ego transcendence in the second half of life spirals back to the Ground on the way to a higher union with the Ground-whole-psyche integration.Washburn's spiral paradigm helps explain why human development has the character of a journey of departure and higher return, of setting out into the world and then finding one's way "home."This new edition more effectively integrates key psychoanalytic and Jungian ideas by placing them within a developmental framework that resolves their contradictions. Washburn's paradigm stresses both the biological roots and the spiritual potentialities of the psyche and is sensitive to the ambivalences, dualisms, transvaluations, and higher syntheses of life.

Presents an account of human development from a depth-psychological, transpersonal perspective.Anyone seeking a deeper understanding of human spirituality will find something of value in Michael Washburn's new book. Drawing on a rich variety of psychoanalytic, Jungian, and existential-phenomenological sources and on both Western and Asian spiritual texts, Embodied Spirituality in a Sacred World provides a theoretical foundation for the idea that human development follows a spiral path. Washburn shows that ego development early in life requires us to turn our backs on original sources of our existence and, therefore, that spiritual development later in life requires us to spiral back to these sources on the way to whole-psyche integration. He elucidates the underlying causes and pivotal events that set development on its spiral course and traces six major dimensions of experience as they unfold along the spiral path: the unconscious, the energy system, the ego system, the perceived other, the experiential body, and the life-world. In providing a theoretical foundation for the idea of the spiral path, Washburn defends the idea against its critics and helps explain why the idea has been compelling to so many people in diverse traditions.

Reformulates the notion of the ego and provides a new perspective for understanding ego development and the role of the ego in spiritual life.In Recentering the Self, Michael Washburn presents a new account of the ego, ego development, and the role of the ego in spiritual life. He starts by tracing the premodern antecedents of the notion of the ego in Greek philosophy and Christian theology and then explains the seventeenth-century emergence of the notion in Descartes's radically new account of the soul's relation to the body. Reviewing subsequent criticisms of the notion, the author formulates a revised conception of the ego that highlights the ego's inherently two-sided nature, as a subject and agency that, although rooted within interior consciousness, lives originally and primarily in the material, social world. Washburn uses this revised conception of the ego to explain how the two sides of the ego develop in concert over major stages of the human lifespan and why the ego, despite widespread belief to the contrary, plays primarily a positive role in spiritual life. Recentering the Self makes important contributions to the history of philosophy, consciousness studies, phenomenology, developmental psychology, and spiritual or transpersonal psychology.

Reformulates the notion of the ego and provides a new perspective for understanding ego development and the role of the ego in spiritual life.In Recentering the Self, Michael Washburn presents a new account of the ego, ego development, and the role of the ego in spiritual life. He starts by tracing the premodern antecedents of the notion of the ego in Greek philosophy and Christian theology and then explains the seventeenth-century emergence of the notion in Descartes's radically new account of the soul's relation to the body. Reviewing subsequent criticisms of the notion, the author formulates a revised conception of the ego that highlights the ego's inherently two-sided nature, as a subject and agency that, although rooted within interior consciousness, lives originally and primarily in the material, social world. Washburn uses this revised conception of the ego to explain how the two sides of the ego develop in concert over major stages of the human lifespan and why the ego, despite widespread belief to the contrary, plays primarily a positive role in spiritual life. Recentering the Self makes important contributions to the history of philosophy, consciousness studies, phenomenology, developmental psychology, and spiritual or transpersonal psychology.

Why cant we all just get along? Rodney King famously asked as Los Angeles burned. A quarter of a century later, the question has more power and resonance than ever. The tales in Scenes from the Catastrophe reflect our fractured world, capturing the misadventures and travails of the marginal and the displaced, of people aching for an affirmation of who they are and where they belong. These short stories examine the fault lines of citizens personal and professional lives in the twenty-first century and the causes of the subterranean rumblings that so often herald violence. In The Reckoning, a revolutionary ideology gone berserk leads to mass killings of financial sector professionals. In The Forgotten Case, a cruel prank exposes the politically correct machinations behind life on a remote college campus. Another Manhattan relates the abduction of an editor of a once fiercely anti-corporate alternative weekly newspaper. The Ordeal depicts the consequences of a failed comedians unraveling in a city on the verge of riots. The violent and shocking tales in this book depict the death of civilization.

By 1985 Tom Petty had already obtained legendary status. He had fame. He had money. But he was restless, hoping to stretch his artistry beyond the confining format of songs like “The Waiting” and “Refugee.” Petty’s response to his restlessness was Southern Accents. Initially conceived as a concept album about the American South, Southern Accents’s marathon recording sessions were marred by aesthetic and narcotic excess. The result is a hodgepodge of classic rock songs mixed with nearly unlistenable 80s music. Then, while touring for the album, Petty made extensive use of the iconography of the American Confederacy, something he soon came to regret. Despite its artistic failure and public controversy, Southern Accents was a pivot point for Petty. Reeling from the defeat, Petty reimagined himself as deeply, almost mythically, Californian, obtaining his biggest success with Full Moon Fever.Michael Washburn explores the history of Southern Accents and how it sparked Petty’s reinvention. Washburn also examines how the record both grew out of and reinforced enduring but flawed assumptions about Southern culture and the Lost Cause of the Confederacy.

By 1985 Tom Petty had already obtained legendary status. He had fame. He had money. But he was restless, hoping to stretch his artistry beyond the confining format of songs like “The Waiting” and “Refugee.” Petty's response to his restlessness was Southern Accents. Initially conceived as a concept album about the American South, Southern Accents's marathon recording sessions were marred by aesthetic and narcotic excess. The result is a hodgepodge of classic rock songs mixed with nearly unlistenable 80s music. Then, while touring for the album, Petty made extensive use of the iconography of the American Confederacy, something he soon came to regret. Despite its artistic failure and public controversy, Southern Accents was a pivot point for Petty. Reeling from the defeat, Petty reimagined himself as deeply, almost mythically, Californian, obtaining his biggest success with Full Moon Fever. Michael Washburn explores the history of Southern Accents and how it sparked Petty's reinvention. Washburn also examines how the record both grew out of and reinforced enduring but flawed assumptions about Southern culture and the Lost Cause of the Confederacy.

By 1985 Tom Petty had already obtained legendary status. He had fame. He had money. But he was restless, hoping to stretch his artistry beyond the confining format of songs like “The Waiting” and “Refugee.” Petty's response to his restlessness was Southern Accents. Initially conceived as a concept album about the American South, Southern Accents's marathon recording sessions were marred by aesthetic and narcotic excess. The result is a hodgepodge of classic rock songs mixed with nearly unlistenable 80s music. Then, while touring for the album, Petty made extensive use of the iconography of the American Confederacy, something he soon came to regret. Despite its artistic failure and public controversy, Southern Accents was a pivot point for Petty. Reeling from the defeat, Petty reimagined himself as deeply, almost mythically, Californian, obtaining his biggest success with Full Moon Fever. Michael Washburn explores the history of Southern Accents and how it sparked Petty's reinvention. Washburn also examines how the record both grew out of and reinforced enduring but flawed assumptions about Southern culture and the Lost Cause of the Confederacy.