Milton Hindus – författare

This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

This book, originally published as The Old East Side, is a collection of literature and documents ranging from the autobiography of the sculptor Jacob Epstein and the novels of Abraham Cahan to the reporting of William Dean Howells and the fictional reconstruction of a vanished world by Henry Roth. The world is that of the old shtetl transplanted to a new, growing country, where "the ghetto" (in the years 1881-1924) was an unstable mixture of nostalgic elements and the pressures of American economic and social reality.

The productivity, both intellectual and material, of the section of New York known as the East Side during those forty years around the turn of the twentieth century has become a legend among many Jews in this country and deserves to become better known to many more of other ethnic origins. The lower East Side was paradoxically a wilderness to be traversed and a portion of that "promised land" which had been glimpsed with so much hope from afar. To wonderfully talented and observant children, like Jacob Epstein, the streets there in the 1880s were as filled with excitement as those of the Arabian Nights. To serious philosophic young men like Morris Raphael Cohen, they were as challenging as the marketplace of Athens had once been to Socrates to achieve intellectual enlightenment and the improvement of the social order.

The conditions of abominable crowding and poverty described in the sociological tracts of Jacob Riis, Lillian Wald, and others are better known perhaps to the average reader than the accounts of such pleasures as the dancing schools, the Yiddish theaters, the cafes, the lectures, the literary ferment and activities, described in the pages of Abraham Cahan and Hutchins Hapgood. But all the views presented in The Jewish East Side, both dark and bright, are recognizably parts of the same picture. This book will be of value to sociologists, historians, researchers specializing in Judaic studies, and students of literature.

This book, originally published as The Old East Side, is a collection of literature and documents ranging from the autobiography of the sculptor Jacob Epstein and the novels of Abraham Cahan to the reporting of William Dean Howells and the fictional reconstruction of a vanished world by Henry Roth. The world is that of the old shtetl transplanted to a new, growing country, where "the ghetto" (in the years 1881-1924) was an unstable mixture of nostalgic elements and the pressures of American economic and social reality.

The productivity, both intellectual and material, of the section of New York known as the East Side during those forty years around the turn of the twentieth century has become a legend among many Jews in this country and deserves to become better known to many more of other ethnic origins. The lower East Side was paradoxically a wilderness to be traversed and a portion of that "promised land" which had been glimpsed with so much hope from afar. To wonderfully talented and observant children, like Jacob Epstein, the streets there in the 1880s were as filled with excitement as those of the Arabian Nights. To serious philosophic young men like Morris Raphael Cohen, they were as challenging as the marketplace of Athens had once been to Socrates to achieve intellectual enlightenment and the improvement of the social order.

The conditions of abominable crowding and poverty described in the sociological tracts of Jacob Riis, Lillian Wald, and others are better known perhaps to the average reader than the accounts of such pleasures as the dancing schools, the Yiddish theaters, the cafes, the lectures, the literary ferment and activities, described in the pages of Abraham Cahan and Hutchins Hapgood. But all the views presented in The Jewish East Side, both dark and bright, are recognizably parts of the same picture. This book will be of value to sociologists, historians, researchers specializing in Judaic studies, and students of literature.

Louis Ferdinand Céline (the pseudonym of Louis Destouches) was a famous novelist and ferocious anti-Semitic pamphleteer who rose to fame before Hitler, but perfectly represented the fascist mind-set that swept across Europe between 1932 and 1944. Never a Nazi himself, he was author of Journey to the End of the Night, Death on the Installment Plan, Guignol''s Band, Homage to Zola, and a series of "pamphlets." The latter are a potpourri of racist editorials, ballet scenarios, and anti-Semitic confessions so violent that an aesthete like Andre Gide thought them parodies of other anti-Semitic literature. Little wonder the Nazis regarded Céline as a fellow-traveler. He retreated with the Nazis across the Rhine and sought refuge with them, first in Germany and then in Denmark. In 1951, he benefitted from an amnesty as a wounded veteran of both World Wars. Before his death in 1961 he had regained his popularity with the public and was regarded as a classic writer. Now that the body of his work is in translation, Céline''s fame in the literary world circles the globe.Céline, perhaps more than any other analysis, helps shed some light on this enigmatic figure. It establishes his literary importance, and, at the same time, examines his anti-Semitism. After a final meeting, Hindus declared that "Celine is a splinter in my mind that I''ve got either to absorb completely or eject completely." The reader of this fascinating critical memoir of one of the twentieth century''s most controversial literary figures is apt to be left with a similar dilemma.

Louis Ferdinand Céline (the pseudonym of Louis Destouches) was a famous novelist and ferocious anti-Semitic pamphleteer who rose to fame before Hitler, but perfectly represented the fascist mind-set that swept across Europe between 1932 and 1944. Never a Nazi himself, he was author of Journey to the End of the Night, Death on the Installment Plan, Guignol''s Band, Homage to Zola, and a series of "pamphlets." The latter are a potpourri of racist editorials, ballet scenarios, and anti-Semitic confessions so violent that an aesthete like Andre Gide thought them parodies of other anti-Semitic literature. Little wonder the Nazis regarded Céline as a fellow-traveler. He retreated with the Nazis across the Rhine and sought refuge with them, first in Germany and then in Denmark. In 1951, he benefitted from an amnesty as a wounded veteran of both World Wars. Before his death in 1961 he had regained his popularity with the public and was regarded as a classic writer. Now that the body of his work is in translation, Céline''s fame in the literary world circles the globe.Céline, perhaps more than any other analysis, helps shed some light on this enigmatic figure. It establishes his literary importance, and, at the same time, examines his anti-Semitism. After a final meeting, Hindus declared that "Celine is a splinter in my mind that I''ve got either to absorb completely or eject completely." The reader of this fascinating critical memoir of one of the twentieth century''s most controversial literary figures is apt to be left with a similar dilemma.

C’est dans l’immédiat après-guerre, à l’ombre d’une prison danoise, que s’est nouée une relation improbable entre deux esprits que tout semblait opposer ; Louis-Ferdinand Céline, écrivain français controversé, et Milton Hindus, universitaire américain de confession juive. Au cours d’un dialogue sans compromis, la confrontation entre les convictions de Céline et la perspicacité critique de Hindus révèle la complexité des individus et de leurs préjugés. Ces pages, composées du récit minutieux de Milton Hindus et de l’abondante correspondance de Louis-Ferdinand Céline, nous offrent une plongée saisissante au coeur de cette rencontre insolite.