Mitchell Cohen – författare

This study explores the struggle between left-and right-wing factions within the Zionist movement, tracing the emergence of modern Jewish nationalism from its origins in the mid-19th century, through the vision of Theodor Herzl, and up to the first 15 years of Israeli statehood. Concentrating on the 1920s and 1930s, Mitchell Cohen discusses the victory of the Zionist Labour movement over the right-wing revisionists, and shows how the growing dominance of Labour in the 1930s made the birth of the Jewish state possible. He shows how Labour's long-term policies were self-defeating, helping to foster a political culture that was more open to individuals on the right, such as Menachem Begin, and made it vulnerable to the more strident nationalism of the 1970s. When the Israel Workers' Party could not win a plurality in the World Jewish Congress after 1933, it formed coalitions with religious and bourgeois parties, which transformed it into a party that considered class, nation and state as separate entities.

A thoroughly updated and substantially expanded edition of an acclaimed anthologyThis is a thoroughly updated and substantially expanded new edition of one of the most popular, wide-ranging, and engaging anthologies of Western political thinking, one that spans from antiquity to the twenty-first century. In addition to the majority of the pieces that appeared in the original edition, this new edition features exciting new selections from more recent thinkers who address vital contemporary issues, including identity, cosmopolitanism, global justice, and populism. Organized chronologically, the anthology brings together a fascinating array of writings—including essays, book excerpts, speeches, and other documents—that have indelibly shaped how politics and society are understood. Each chronological section and thinker is presented with a brief, lucid introduction, making this a valuable reference as well as an essential reader.A thoroughly updated and substantially expanded edition of an acclaimed anthology of political thoughtFeatures a wide range of thinkers, including Thucydides, Plato, Aristotle, Cicero, Augustine, Aquinas, Christine de Pizan, Machiavelli, Luther, Calvin, Hobbes, Spinoza, Locke, Swift, Hume, Rousseau, Adam Smith, Jefferson, Burke, Olympes de Gouges, Wollstonecraft, Kant, Hegel, Bentham, Mill, de Tocqueville, Frederick Douglass, Lincoln, Marx, Nietzsche, Lenin, John Dewey, Gaetano Mosca, Roberto Michels, Weber, Emma Goldman, Freud, Einstein, Mussolini, Arendt, Hayek, Franklin D. Roosevelt, T. H. Marshall, Orwell, Leo Strauss, de Beauvoir, Fanon, Martin Luther King Jr., Malcolm X, Havel, Fukuyama, Habermas, Foucault, Rawls, Nozick, Walzer, Iris Marion Young, Martha Nussbaum, Peter Singer, Amartya Sen, and Jan-Werner MüllerIncludes brief introductions for each thinker

A wide-ranging look at the interplay of opera and political ideas through the centuries The Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and an array of music by such greats as Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics--through story lines, symbols, harmonies, and musical motifs--has played an operatic role both robust and sotto voce. Cohen begins with opera's emergence under Medici absolutism in Florence during the late Renaissance--where debates by humanists, including Galileo's father, led to the first operas in the late sixteenth century. Taking readers to Mantua and Venice, where composer Claudio Monteverdi flourished, Cohen examines how early operatic works like Orfeo used mythology to reflect on governance and policy issues of the day, such as state jurisdictions and immigration.Cohen explores France in the ages of Louis XIV and the Enlightenment and Vienna before and during the French Revolution, where the deceptive lightness of Mozart's masterpieces touched on the havoc of misrule and hidden abuses of power. Cohen also looks at smaller works, including a one-act opera written and composed by philosopher Jean-Jacques Rousseau. Essential characters, ancient and modern, make appearances throughout: Nero, Seneca, Machiavelli, Mazarin, Fenelon, Metastasio, Beaumarchais, da Ponte, and many more. An engrossing book that will interest all who love opera and are intrigued by politics, The Politics of Opera offers a compelling investigation into the intersections of music and the state.

A wide-ranging look at the interplay of opera and political ideas through the centuriesThe Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and music by such greats as Monteverdi, Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics—through story lines, symbols, harmonies, and musical motifs—has played an operatic role both robust and sotto voce. This is an engrossing book that will interest all who love opera and are intrigued by politics.

In The Wager of Lucien Goldmann, Mitchell Cohen provides the first full-length study of this major figure of postwar French intellectual life and champion of socialist humanism. While many Parisian leftists staunchly upheld Marxism's "scientificity" in the 1950s and 1960s, Lucien Goldmann insisted that Marxism was by then in severe crisis and had to reinvent itself radically if it were to survive. He rejected the traditional Marxist view of the proletariat and contested the structuralist and antihumanist theorizing that infected French left-wing circles in the tumultuous 1960s. Highly regarded by thinkers as diverse as Jean Piaget and Alasdair MacIntyre, Goldmann is shown here as a socialist who, unlike many others of his time, refused to portray his aspirations for humanity's future as an inexorable unfolding of history's laws. He saw these aspirations instead as a wager akin to Pascal's in the existence of God. "Risk," Goldmann wrote in his classic study of Pascal and Racine, The Hidden God, "possibility of failure, hope of success, and the synthesis of the three in a faith which is a wager are the essential constituent elements of the human condition."In The Wager of Lucien Goldmann, Cohen retrieves Goldmann's achievement--his "genetic structuralist" method, his sociology of literature, his libertarian socialist politics. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In The Wager of Lucien Goldmann, Mitchell Cohen provides the first full-length study of this major figure of postwar French intellectual life and champion of socialist humanism. While many Parisian leftists staunchly upheld Marxism's "scientificity" in the 1950s and 1960s, Lucien Goldmann insisted that Marxism was by then in severe crisis and had to reinvent itself radically if it were to survive. He rejected the traditional Marxist view of the proletariat and contested the structuralist and antihumanist theorizing that infected French left-wing circles in the tumultuous 1960s. Highly regarded by thinkers as diverse as Jean Piaget and Alasdair MacIntyre, Goldmann is shown here as a socialist who, unlike many others of his time, refused to portray his aspirations for humanity's future as an inexorable unfolding of history's laws. He saw these aspirations instead as a wager akin to Pascal's in the existence of God. "Risk," Goldmann wrote in his classic study of Pascal and Racine, The Hidden God, "possibility of failure, hope of success, and the synthesis of the three in a faith which is a wager are the essential constituent elements of the human condition."In The Wager of Lucien Goldmann, Cohen retrieves Goldmann's achievement--his "genetic structuralist" method, his sociology of literature, his libertarian socialist politics. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

How sexual risk is negotiated betwen partners is an area of considerable theoretical interest, with the dominant models of analysis focusing on individual decisions to engage in sexual behaviour and relying on "rational" decision-making. This work, based on the findings from work coordinated by the Centre d'Etudes Sociologiques in Brussels, offers a social critique of the theories and perspectives which have currently been brought to bear in the study of sexual risk behaviour and HIV. Leading European researchers offer a conceptual framework for analysis based on sexual interactions and their social context. The practical relevance of new perspectives on sexual behaviour in the context of HIV/AIDS prevention is also discussed.

How sexual risk is negotiated betwen partners is an area of considerable theoretical interest, with the dominant models of analysis focusing on individual decisions to engage in sexual behaviour and relying on "rational" decision-making. This work, based on the findings from work coordinated by the Centre d'Etudes Sociologiques in Brussels, offers a social critique of the theories and perspectives which have currently been brought to bear in the study of sexual risk behaviour and HIV. Leading European researchers offer a conceptual framework for analysis based on sexual interactions and their social context. The practical relevance of new perspectives on sexual behaviour in the context of HIV/AIDS prevention is also discussed.

How sexual risk is negotiated betwen partners is an area of considerable theoretical interest, with the dominant models of analysis focusing on individual decisions to engage in sexual behaviour and relying on "rational" decision-making. This work, based on the findings from work coordinated by the Centre d''Etudes Sociologiques in Brussels, offers a social critique of the theories and perspectives which have currently been brought to bear in the study of sexual risk behaviour and HIV. Leading European researchers offer a conceptual framework for analysis based on sexual interactions and their social context. The practical relevance of new perspectives on sexual behaviour in the context of HIV/AIDS prevention is also discussed.

How sexual risk is negotiated betwen partners is an area of considerable theoretical interest, with the dominant models of analysis focusing on individual decisions to engage in sexual behaviour and relying on "rational" decision-making. This work, based on the findings from work coordinated by the Centre d''Etudes Sociologiques in Brussels, offers a social critique of the theories and perspectives which have currently been brought to bear in the study of sexual risk behaviour and HIV. Leading European researchers offer a conceptual framework for analysis based on sexual interactions and their social context. The practical relevance of new perspectives on sexual behaviour in the context of HIV/AIDS prevention is also discussed.

“The most trusted opinion in rock music” (Billy Corgan, The Smashing Pumpkins) Matt Pinfield offers the ultimate music fan’s memoir, an “entertaining and insightful” (Clive Davis) chronicle of the songs and artists that inspired his improbable career alongside some of the all-time greats, from The Beatles to KISS to U2 to The Killers.Matt Pinfield “makes rock ‘n’ roll fandom sound like a lifelong heroic quest—which it is” (Rob Sheffield). He’s the guy who knows every song, artist, and musical riff ever recorded, down to the most obscure band’s B-side single on its vinyl-only import EP. As a child, Pinfield made sense of the world through music. Later, as a teenager, Pinfield would approach his music idols after concerts and explain why he loved their songs. As an adult, rock music inspired his career, fueled his relationships, and, at times, became a life raft. In this “charming, rambling account of a life saved by rock ’n’ roll...Pinfield is a disarmingly likable guide” (Kirkus Reviews) through his lifelong music obsession—from the heavy metal that infused his teenage years, to his first encounters with legends like Lou Reed and the Ramones and how, through his MTV years, he played a major role in bringing nineties alt rock mainstream. Over his long career Pinfield has interviewed everyone from Paul McCartney to Nirvana to Jay-Z, earning the trust and admiration of artists and fans alike. Now, for the first time, he shares his five decades of stories from the front lines of rock ‘n’ roll, exploring how, with nothing more than passion and moxy, he became a sought-after reporter, unlikely celebrity, and the last word in popular music. Featuring a rousing collection of best-of lists, favorite tracks, and artist profiles, All These Things That I’ve Done “is an excellent read” (Publishers Weekly) about how a born outsider wound up in the inner circle.

This history of Arista Records, from its 1960s roots in Bell Records through the transformative success of Whitney Houston in the mid-'80s, tells the story of a record label, its visionary leader, Clive Davis, and the artists and genres it embraced and promoted: Barry Manilow, Lou Reed, Patti Smith, the Kinks and many others.Author Mitchell Cohen, a well-known music journalist who served as an A&R executive at Arista, interviewed dozens of artists and former colleagues to produce this detailed and thoughtful account of how Arista Records reflected its place and time: New York in the 1970s and early 1980s.

New York City in the 1960s was a musical melting pot, in which folk, R&B, rock and roll, blues, girl groups and Brill Building pop produced a wealth of great artists and records. This book tells their story.Using numerous new interviews with major figures from the time as well as contemporaneous trade magazines and other sources, author Mitchell Cohen captures this rich (but often underestimated) musical era's history and sounds. He chronicles the arrival of new artists on the scene — bands like the Lovin' Spoonful, the Young Rascals, the Blues Project, the Shangri-Las and the Vagrants — as well as solo artists from Dion to Darin to Dylan and the local producers, songwriters and label executives who all helped shape the music. He also explores the role TV, radio and the press all played to show not only what was going on, but how it was being promoted, exploited and attacked.An acclaimed music journalist and former record company talent scout, Cohen lived in New York when all this was happening and adds his own memories to those he interviewed. The result is illuminating, entertaining and sure to be both informative and nostalgic for anyone who remembers songs like “Do You Believe in Magic,” “Groovin’,” “Good Lovin’,” “Like a Rolling Stone,” “Summer in the City,” “Chapel of Love” and “In the Midnight Hour.”Includes an extensive, annotated discography of albums and 45s and a bibliography.Fans will find that this book details a lot of what they might have long forgotten about one of the most vibrant and influential eras in American rock and roll. It adds to the scholarship regarding New York culture and will send readers scurrying to play these old songs.“It was such an exciting time for music, and Mitchell brings it vividly to life.” —Clive Davis. author of The Soundtrack of My Life“Mitchell Cohen, as always, connects the dots from the perspective of a true believer in rock and roll … Wake Me, Shake Me is music history told with much insight and detail.” —Dion DiMucci, Rock & Roll Hall of Famer and author of Dion: The Rock and Roll Philosopher“Cohen puts a decade of profound musical change into celebratory perspective … A bravura accomplishment.” —Lenny Kaye, rock guitarist, author of Lightning Striking: Ten Transformative Moments in Rock & Roll“Cohen writes about the breadth of New York’s music with all the noise, animation and attitude of the city itself.” —Jim Farber, music journalist (New York Times, The Guardian)“Cohen conjures the hustle, magic and ecstasy of Gotham’s groove during one of its most happening eras with a helping of context that makes it all come alive.” —Dennis Diken of the Smithereens“A wonderful love letter to the chaos, craft and blind faith behind the music of ‘60s New York.” —Sam Hollander, songwriter, author of 21 Hit Wonder: Flopping My Way to the Top of the Charts