A Grammy nominee, Mitchell Cohen has written about music and film for such publications as Creem, High Fidelity, Film Comment, the Village Voice, Musician and Phonograph Record. He began working at Arista Records in the late ’70s, as a publicity and advertising copywriter, and then as one of the label’s A&R executives, until leaving the label in 1993. He has won a Clio Award and is the co-author of the books All These Things That I’ve Done (with Matt Pinfield) and two volumes of The White Label Promo Preservation Society (with Sal Maida).

A Grammy nominee, Mitchell Cohen has written about music and film for such publications as Creem, High Fidelity, Film Comment, the Village Voice, Musician and Phonograph Record. He began working at Arista Records in the late ’70s, as a publicity and advertising copywriter, and then as one of the label’s A&R executives, until leaving the label in 1993. He has won a Clio Award and is the co-author of the books All These Things That I’ve Done (with Matt Pinfield) and two volumes of The White Label Promo Preservation Society (with Sal Maida).

A Grammy nominee, Mitchell Cohen has written about music and film for such publications as Creem, High Fidelity, Film Comment, the Village Voice, Musician and Phonograph Record. He began working at Arista Records in the late ’70s, as a publicity and advertising copywriter, and then as one of the label’s A&R executives, until leaving the label in 1993. He has won a Clio Award and is the co-author of the books All These Things That I’ve Done (with Matt Pinfield) and two volumes of The White Label Promo Preservation Society (with Sal Maida).