Monique Skidmore – författare

Throughout South and Southeast Asia, groups battle over definitions of identity—in direction and character—for their state, a struggle complicated by the legacy of colonialism. The contributors to this volume explore the intricate, dynamic relationships that pertain between women's agency and the state-making institutions and armed forces of Kashmir, India, Sri Lanka, Bangladesh, and Burma (Myanmar). They also address the complex roles of Islam, Hinduism, and Theravada Buddhism in these postcolonial dynamics.In particular, the contributors examine religion as a way of understanding how women's agency is constituted, created, and constrained during times of conflict with the state and other armed actors, such as guerilla groups and paramilitaries. These essays at the intersection of gender, religion, and peace studies will be of interest to a wide range of scholars and students who study conflict and hope for peace in South and Southeast Asia.Contributors: Monique Skidmore, Peter van der Veer, Veena Das, Betty Joseph, Yasmin Saikia, Patricia Lawrence, Alexandra Argenti-Pillen, Mangalika de Silva, Ingrid Jordt, and Bénédicte Brac de la Perrière.

Throughout South and Southeast Asia, groups battle over definitions of identity—in direction and character—for their state, a struggle complicated by the legacy of colonialism. The contributors to this volume explore the intricate, dynamic relationships that pertain between women's agency and the state-making institutions and armed forces of Kashmir, India, Sri Lanka, Bangladesh, and Burma (Myanmar). They also address the complex roles of Islam, Hinduism, and Theravada Buddhism in these postcolonial dynamics.In particular, the contributors examine religion as a way of understanding how women's agency is constituted, created, and constrained during times of conflict with the state and other armed actors, such as guerilla groups and paramilitaries. These essays at the intersection of gender, religion, and peace studies will be of interest to a wide range of scholars and students who study conflict and hope for peace in South and Southeast Asia.Contributors: Monique Skidmore, Peter van der Veer, Veena Das, Betty Joseph, Yasmin Saikia, Patricia Lawrence, Alexandra Argenti-Pillen, Mangalika de Silva, Ingrid Jordt, and Bénédicte Brac de la Perrière.

To come to Burma, one of the few places where despotism still dominates, is to take both a physical and an emotional journey and, like most Burmese, to become caught up in the daily management of fear. Based on Monique Skidmore's experiences living in the capital city of Rangoon, Karaoke Fascism is the first ethnography of fear in Burma and provides a sobering look at the psychological strategies employed by the Burmese people in order to survive under a military dictatorship that seeks to invade and dominate every aspect of life.Skidmore looks at the psychology and politics of fear under the SLORC and SPDC regimes. Encompassing the period of antijunta student street protests, her work describes a project of authoritarian modernity, where Burmese people are conscripted as army porters and must attend mass rallies, chant slogans, construct roads, and engage in other forms of forced labor. In a harrowing portrayal of life deep within an authoritarian state, recovering heroin addicts, psychiatric patients, girl prostitutes, and poor and vulnerable women in forcibly relocated townships speak about fear, hope, and their ongoing resistance to four decades of oppression."Karaoke fascism" is a term the author uses to describe the layers of conformity that Burmese people present to each other and, more important, to the military regime. This complex veneer rests on resistance, collaboration, and complicity, and describes not only the Burmese form of oppression but also the Burmese response to a life of domination. Providing an inside look at the madness and the militarization of the city, Skidmore argues that the weight of fear, the anxiety of constant vulnerability, and the numbing demands of the State upon individuals force Burmese people to cast themselves as automata; they deliberately present lifeless hollow bodies for the State's use, while their minds reach out into the cosmos for an array of alternate realities. Skidmore raises ethical and methodological questions about conducting research on fear when doing so evokes the very emotion in question, in both researcher and informant.

To come to Burma, one of the few places where despotism still dominates, is to take both a physical and an emotional journey and, like most Burmese, to become caught up in the daily management of fear. Based on Monique Skidmore's experiences living in the capital city of Rangoon, Karaoke Fascism is the first ethnography of fear in Burma and provides a sobering look at the psychological strategies employed by the Burmese people in order to survive under a military dictatorship that seeks to invade and dominate every aspect of life.Skidmore looks at the psychology and politics of fear under the SLORC and SPDC regimes. Encompassing the period of antijunta student street protests, her work describes a project of authoritarian modernity, where Burmese people are conscripted as army porters and must attend mass rallies, chant slogans, construct roads, and engage in other forms of forced labor. In a harrowing portrayal of life deep within an authoritarian state, recovering heroin addicts, psychiatric patients, girl prostitutes, and poor and vulnerable women in forcibly relocated townships speak about fear, hope, and their ongoing resistance to four decades of oppression."Karaoke fascism" is a term the author uses to describe the layers of conformity that Burmese people present to each other and, more important, to the military regime. This complex veneer rests on resistance, collaboration, and complicity, and describes not only the Burmese form of oppression but also the Burmese response to a life of domination. Providing an inside look at the madness and the militarization of the city, Skidmore argues that the weight of fear, the anxiety of constant vulnerability, and the numbing demands of the State upon individuals force Burmese people to cast themselves as automata; they deliberately present lifeless hollow bodies for the State's use, while their minds reach out into the cosmos for an array of alternate realities. Skidmore raises ethical and methodological questions about conducting research on fear when doing so evokes the very emotion in question, in both researcher and informant.

This is the first study in a half century of one of the least known societies in the contemporary world. Burma at the Turn of the Twenty-First Century provides insight into the everyday lives, concerns, and values of the people of this reclusive nation. Prominent anthropologists and religion scholars with in-depth, long-term knowledge of central Burma offer detailed analyses of the ways in which Burmese actively manage and create lives for themselves in the shadow of a military dictatorship. Their research crosses the domains of religious, political, and social life, examining public festivals and performance, local-state relations, literary life, lottery frenzies, mass meditators, political rumors and black humor, the value of children, changing male identities, and more in this impressive, wide-ranging collection.

This is the first study in a half century of one of the least known societies in the contemporary world. Burma at the Turn of the Twenty-First Century provides insight into the everyday lives, concerns, and values of the people of this reclusive nation. Prominent anthropologists and religion scholars with in-depth, long-term knowledge of central Burma offer detailed analyses of the ways in which Burmese actively manage and create lives for themselves in the shadow of a military dictatorship. Their research crosses the domains of religious, political, and social life, examining public festivals and performance, local-state relations, literary life, lottery frenzies, mass meditators, political rumors and black humor, the value of children, changing male identities, and more in this impressive, wide-ranging collection.