Patricia Lawrence – författare

Throughout South and Southeast Asia, groups battle over definitions of identity—in direction and character—for their state, a struggle complicated by the legacy of colonialism. The contributors to this volume explore the intricate, dynamic relationships that pertain between women's agency and the state-making institutions and armed forces of Kashmir, India, Sri Lanka, Bangladesh, and Burma (Myanmar). They also address the complex roles of Islam, Hinduism, and Theravada Buddhism in these postcolonial dynamics.In particular, the contributors examine religion as a way of understanding how women's agency is constituted, created, and constrained during times of conflict with the state and other armed actors, such as guerilla groups and paramilitaries. These essays at the intersection of gender, religion, and peace studies will be of interest to a wide range of scholars and students who study conflict and hope for peace in South and Southeast Asia.Contributors: Monique Skidmore, Peter van der Veer, Veena Das, Betty Joseph, Yasmin Saikia, Patricia Lawrence, Alexandra Argenti-Pillen, Mangalika de Silva, Ingrid Jordt, and Bénédicte Brac de la Perrière.

Throughout South and Southeast Asia, groups battle over definitions of identity—in direction and character—for their state, a struggle complicated by the legacy of colonialism. The contributors to this volume explore the intricate, dynamic relationships that pertain between women's agency and the state-making institutions and armed forces of Kashmir, India, Sri Lanka, Bangladesh, and Burma (Myanmar). They also address the complex roles of Islam, Hinduism, and Theravada Buddhism in these postcolonial dynamics.In particular, the contributors examine religion as a way of understanding how women's agency is constituted, created, and constrained during times of conflict with the state and other armed actors, such as guerilla groups and paramilitaries. These essays at the intersection of gender, religion, and peace studies will be of interest to a wide range of scholars and students who study conflict and hope for peace in South and Southeast Asia.Contributors: Monique Skidmore, Peter van der Veer, Veena Das, Betty Joseph, Yasmin Saikia, Patricia Lawrence, Alexandra Argenti-Pillen, Mangalika de Silva, Ingrid Jordt, and Bénédicte Brac de la Perrière.

In the first section of this book, Amyx catalogues and discusses more than 200 fragments of Archaic Corinthian pottery with figure decoration, selected from those previously unpublished or inadequately published. The authors have also given attention to vase-painters of the Protocorinthian and Corinthian periods who were previously known chiefly from works exported in antiquity, and have succeeded in establishing the importance of the Corinth Museum as a center for the study of the Corinthian Style. In the second section, Lawrence presents the contents of a well dug and filled in the Archaic period. The material ranges from Early Protocorinthian to Late Corinthian and includes an important body of material from a potters' dump, here treated separately. Shape development and chronology have been established, especially for oinochoai and kotylai, based on the long series of stratified examples. Other material in the fill includes coarse ware and fragmentary fine ware. The authors attribute a number of pieces to known and newly identified vase-painters.

Two important contributions to Greek pottery studies. Aftermath, by D. A. Amyx, is a catalogue of material supplementing his work in Corinth VII.2 but found after the cutoff of 1969 or omitted for some other reason. This article and Corinth VII.2 together stand as a full compilation of painters at present represented in the collection of the Corinth Excavations. The Chimaera Group at Corinth and Dodwellians in the Potters' Quarter are both by Patricia Lawrence. The first is a thoughtful analysis of this group of painters, based on a close examination of material found in the excavations at Corinth but including attributed pieces from other sites. The second studies 15 new fragments and reexamines material previously published in Corinth XV.3, demonstrating that the Geladakis Painter, as well as several Dodwellians, are represented there.