Nadia Kiwan – författare

This book is about South-North, North-South relations between Africa and Europe, presenting the personal narratives of musicians in different locations across Africa and Europe, and those of the people who constitute their networks within the wider artistic, cultural, and civil society milieus of globalizing societies.

This book is about South-North, North-South relations between Africa and Europe, presenting the personal narratives of musicians in different locations across Africa and Europe, and those of the people who constitute their networks within the wider artistic, cultural, and civil society milieus of globalizing societies.

The 2005 rioting in France’s suburbs caught the world’s attention and exposed the limits of the Republic’s policies on the integration of ‘immigrant-origin’ populations.This book examines academic and public discourses about young people of North African origin in France. The resurgence of such discussions in France, focusing on sensational questions of urban unrest, Islamic fundamentalism and the challenges of increasingly assertive cultural identities, means that it is all the more necessary not to overlook the ‘ordinary’ majority of young French-North Africans. Their own preoccupations often go unnoticed in a context where issues such as violence in the banlieues and the threat of terrorism are pushed to the fore, sometimes with devastating consequences in terms of discrimination and exclusion.The book rebalances and nuances the debates about post-migrant North-African youth by drawing on extensive empirical research carried out in those suburbs of north-east Paris affected by the riots. It studies the construction of identity amongst this invisible majority and, by adopting an ethnographic approach, addresses the disjuncture between the sometimes inflammatory discourses about this population and their own experiences.

The 2005 rioting in France’s suburbs caught the world’s attention and exposed the limits of the Republic’s policies on the integration of ‘immigrant-origin’ populations.This book, newly available in paperback, examines academic and public discourses about young people of North African origin in France. The resurgence of such discussions in France, focusing on sensational questions of urban unrest, Islamic fundamentalism and the challenges of increasingly assertive cultural identities, means that it is all the more necessary not to overlook the ‘ordinary’ majority of young French-North Africans. Their own preoccupations often go unnoticed in a context where issues such as violence in the banlieues and the threat of terrorism are pushed to the fore, sometimes with devastating consequences in terms of discrimination and exclusion.The book rebalances and nuances the debates about post-migrant North African youth by drawing on extensive empirical research carried out in those suburbs of north-east Paris affected by the riots. It studies the construction of identity amongst this invisible majority and, by adopting an ethnographic approach, addresses the disjuncture between the sometimes inflammatory discourses about this population and their own experiences.

This book is about South-North, North-South relations between Africa and Europe, presenting the personal narratives of musicians in different locations across Africa and Europe, and those of the people who constitute their networks within the wider artistic, cultural, and civil society milieus of globalizing societies.

Islam in France is often regarded as a political ‘issue’ and much of the scholarly and public debates about Islam in contemporary France over the last three decades have concentrated on the supposedly ‘antagonistic’ relationship between France, Islam and its Muslims. Against such a troubled backdrop, however, this book looks at the ways in which certain prominent French Muslim intellectuals seek to articulate a vision of multi-faith co-existence, which embraces a critical secularism, and which simultaneously draw on religious and secular humanist traditions. Intellectuals have historically played a major part in French public life, yet relatively little is known about the work of Abdelwahab Meddeb, Malek Chebel, Leïla Babès, Dounia Bouzar and Abdennour Bidar, whose writings and public interventions this book examines. Secularism, Islam and public intellectuals in contemporary France will be of particular interest to specialists, undergraduate and post-graduate students working across the Humanities and Social Sciences from disciplines such as Francophone Studies, Anthropology, Religious Studies or Sociology.