Natasha Trethewey – författare

An exquisite meditation on the geographies we inherit and the metaphors we inhabit, from Pulitzer Prize winner and nineteenth U.S. poet laureate Natasha Trethewey  “Trethewey doesn’t just explore the reasons why she writes. She also offers a compassionate argument for why we must all be the authors of our own stories.”—Shannon Carlin, Time  “Searching and intimate, this impresses.”—Publishers Weekly  In a shotgun house in Gulfport, Mississippi, at the crossroads of Highway 49, the legendary highway of the Blues, and Jefferson Street, Natasha Trethewey learned to read and write. Before the land was a crossroads, however, it was a pasture: a farming settlement where, after the Civil War, a group of formerly enslaved women, men, and children made a new home.  In this intimate and searching meditation, Trethewey revisits the geography of her childhood to trace the origins of her writing life, born of the need to create new metaphors to inhabit “so that my story would not be determined for me.” She recalls the markers of history and culture that dotted the horizons of her youth: the Confederate flags proudly flown throughout Mississippi; her gradual understanding of her own identity as the child of a Black mother and a white father; and her grandmother’s collages lining the hallway, offering glimpses of the world as it could be. With the clarity of a prophet and the grace of a poet, Trethewey offers up a vision of writing as reclamation: of our own lives and the stories of the vanished, forgotten, and erased.

Monument, Trethewey’s first retrospective, draws together verse that delineates the stories of working class African American women, a mixed-race prostitute, one of the first black Civil War regiments, mestizo and mulatto figures in Casta paintings, Gulf coast victims of Katrina. Through the collection, inlaid and inextricable, winds the poet’s own family history of trauma and loss, resilience and love.In this setting, each section, each poem drawn from an “opus of classics both elegant and necessary,”* weaves and interlocks with those that come before and those that follow. As a whole, Monument casts new light on the trauma of our national wounds, our shared history. This is a poet’s remarkable labor to source evidence, persistence, and strength from the past in order to change the very foundation of the vocabulary we use to speak about race, gender, and our collective future.

Winner of the 2007 Pulitzer Prize for Poetry Former U.S. Poet Laureate, Natasha Trethewey’s Native Guard is a deeply personal volume that brings together two legacies of the Deep South.Through elegaic verse that honors her mother and tells of her own fraught childhood, Natasha Trethewey confronts the racial legacy of her native Deep South—where one of the first black regiments, The Louisiana Native Guards, was called into service during the Civil War.The title of the collection refers to the black regiment whose role in the Civil War has been largely overlooked by history. As a child in Gulfport, Mississippi, in the 1960s, Trethewey could gaze across the water to the fort on Ship Island where Confederate captives once were guarded by black soldiers serving the Union cause.The racial legacy of the South touched Trethewey’s life on a much more immediate level, too. Many of the poems in Native Guard pay loving tribute to her mother, whose marriage to a white man was illegal in her native Mississippi in the 1960s. Years after her mother’s tragic death, Trethewey reclaims her memory, just as she reclaims the voices of the black soldiers whose service has been all but forgotten.Trethewey's resonant and beguiling collection is a haunting conversation between personal experience and national history.

Beyond Katrina is poet Natasha Trethewey’s very personal profile of the Mississippi Gulf Coast and of the people there whose lives were forever changed by hurricane Katrina.Trethewey spent her childhood in Gulfport, where much of her mother’s extended family, including her younger brother, still lives. As she worked to understand the devastation that followed the hurricane, Trethewey found inspiration in Robert Penn Warren’s book Segregation: The Inner Conflict in the South, in which he spoke with southerners about race in the wake of the Brown decision, capturing an event of wide impact from multiple points of view. Weaving her own memories with the experiences of family, friends, and neighbors, Trethewey traces the erosion of local culture and the rising economic dependence on tourism and casinos. She chronicles decades of wetland development that exacerbated the destruction and portrays a Gulf Coast whose citizens—particularly African Americans—were on the margins of American life well before the storm hit. Most poignantly, Trethewey illustrates the destruction of the hurricane through the story of her brother’s efforts to recover what he lost and his subsequent incarceration.Renowned for writing about the idea of home, Trethewey’s attempt to understand and document the damage to Gulfport started as a series of lectures at the University of Virginia that were subsequently published as essays in the Virginia Quarterly Review. For Beyond Katrina, Trethewey has expanded this work into a narrative that incorporates personal letters, poems, and photographs, offering a moving meditation on the love she holds for her childhood home.A Sarah Mills Hodge Fund Publication.

'A meditation on race, and class, and grief ... Uplifting, but just wrenching' BARACK OBAMAONE OF BARACK OBAMA'S BEST BOOKS OF 2020AN INSTANT NEW YORK TIMES BESTSELLERA NEW YORK TIMES BOOK OF THE YEARWINNER OF THE ANISFIELD-WOLF BOOK AWARDSHORTLISTED FOR THE 2021 CARNEGIE MEDAL IN NON-FICTION'This will be read for many, many years to come as a classic not just of the memoir genre but of contemporary writing' Simon Schama'Astonishing' Thandiwe Newton‘As gripping as any thriller’ Mail on Sunday‘A masterpiece’ Elizabeth Gilbert‘Powerful’ The TimesAt age nineteen, Natasha Trethewey had her world turned upside down when her former stepfather shot and killed her mother.Heartbreakingly clear-eyed and tender, Memorial Drive is a daughter’s act of love – and an unflinching excavation of the wounds that never heal. For as Trethewey tells her story, and reclaims her mother’s, she lays bare the indelible scars of slavery and racism on the soul of a troubled nation.‘Sheer artistry ... Trethewey’s masterpiece suggests that the greatest act of defiance a black person can do is to remember’ Financial Times