Oleg Benesch – författare

Inventing the Way of the Samurai examines the development of the ''way of the samurai'' - bushidō - which is popularly viewed as a defining element of the Japanese national character and even the ''soul of Japan''. Rather than a continuation of ancient traditions, however, bushidō developed from a search for identity during Japan''s modernization in the late nineteenth century. The former samurai class were widely viewed as a relic of a bygone age in the 1880s, and the first significant discussions of bushidō at the end of the decade were strongly influenced by contemporary European ideals of gentlemen and chivalry. At the same time, Japanese thinkers increasingly looked to their own traditions in search of sources of national identity, and this process accelerated as national confidence grew with military victories over China and Russia. Inventing the Way of the Samurai considers the people, events, and writings that drove the rapid growth of bushidō, which came to emphasize martial virtues and absolute loyalty to the emperor. In the early twentieth century, bushidō became a core subject in civilian and military education, and was a key ideological pillar supporting the imperial state until its collapse in 1945. The close identification of bushidō with Japanese militarism meant that it was rejected immediately after the war, but different interpretations of bushidō were soon revived by both Japanese and foreign commentators seeking to explain Japan''s past, present, and future. This volume further explores the factors behind the resurgence of bushidō, which has proven resilient through 130 years of dramatic social, political, and cultural change.

At the beginning of the twenty-first century, the vocabulary of civility and civilization is very much at the forefront of political debate. Most of these debates proceed as if the meaning of these words were self-evident. This is where Civilizing Emotions intervenes, tracing the history of the concepts of civility and civilization and thus adding a level of self-reflexivity to the present debates. Unlike previous histories, Civilizing Emotions takes a global perspective, highlighting the roles of civility and civilization in the creation of a new and hierarchized global order in the era of high imperialism and its entanglements with the developments in a number of well-chosen European and Asian countries.Emotions were at the core of the practices linked to the creation of a new global order in the nineteenth century. Civilizing Emotions explores why and how emotions were an asset in civilizing peoples and societies - their control and management, but also their creation and their ascription to different societies and social groups. The study is a contribution to the history of emotions, to global history, and to the history of concepts, three rapidly developing and innovative research areas which are here being brought together for the first time.

Inventing the Way of the Samurai examines the development of the 'way of the samurai' - bushidō - which is popularly viewed as a defining element of the Japanese national character and even the 'soul of Japan'. Rather than a continuation of ancient traditions, however, bushidō developed from a search for identity during Japan's modernization in the late nineteenth century. The former samurai class were widely viewed as a relic of a bygone age in the 1880s, and the first significant discussions of bushidō at the end of the decade were strongly influenced by contemporary European ideals of gentlemen and chivalry. At the same time, Japanese thinkers increasingly looked to their own traditions in search of sources of national identity, and this process accelerated as national confidence grew with military victories over China and Russia.Inventing the Way of the Samurai considers the people, events, and writings that drove the rapid growth of bushidō, which came to emphasize martial virtues and absolute loyalty to the emperor. In the early twentieth century, bushidō became a core subject in civilian and military education, and was a key ideological pillar supporting the imperial state until its collapse in 1945. The close identification of bushidō with Japanese militarism meant that it was rejected immediately after the war, but different interpretations of bushidō were soon revived by both Japanese and foreign commentators seeking to explain Japan's past, present, and future. This volume further explores the factors behind the resurgence of bushidō, which has proven resilient through 130 years of dramatic social, political, and cultural change.

At the beginning of the twenty-first century, the vocabulary of civility and civilization is very much at the forefront of political debate. Most of these debates proceed as if the meaning of these words were self-evident. This is where Civilizing Emotions intervenes, tracing the history of the concepts of civility and civilization and thus adding a level of self-reflexivity to the present debates. Unlike previous histories, Civilizing Emotions takes a global perspective, highlighting the roles of civility and civilization in the creation of a new and hierarchized global order in the era of high imperialism and its entanglements with the developments in a number of well-chosen European and Asian countries.Emotions were at the core of the practices linked to the creation of a new global order in the nineteenth century. Civilizing Emotions explores why and how emotions were an asset in civilizing peoples and societies - their control and management, but also their creation and their ascription to different societies and social groups. The study is a contribution to the history of emotions, to global history, and to the history of concepts, three rapidly developing and innovative research areas which are here being brought together for the first time.

Inventing the Way of the Samurai examines the development of the 'way of the samurai' - bushidō - which is popularly viewed as a defining element of the Japanese national character and even the 'soul of Japan'. Rather than a continuation of ancient traditions, however, bushidō developed from a search for identity during Japan's modernization in the late nineteenth century. The former samurai class were widely viewed as a relic of a bygone age in the 1880s, and the first significant discussions of bushidō at the end of the decade were strongly influenced by contemporary European ideals of gentlemen and chivalry. At the same time, Japanese thinkers increasingly looked to their own traditions in search of sources of national identity, and this process accelerated as national confidence grew with military victories over China and Russia. Inventing the Way of the Samurai considers the people, events, and writings that drove the rapid growth of bushidō, which came to emphasize martial virtues and absolute loyalty to the emperor. In the early twentieth century, bushidō became a core subject in civilian and military education, and was a key ideological pillar supporting the imperial state until its collapse in 1945. The close identification of bushidō with Japanese militarism meant that it was rejected immediately after the war, but different interpretations of bushidō were soon revived by both Japanese and foreign commentators seeking to explain Japan's past, present, and future. This volume further explores the factors behind the resurgence of bushidō, which has proven resilient through 130 years of dramatic social, political, and cultural change.

Explores the reality and myths of the samurai from medieval times to today’s popular cultureThe figure of the samurai is unique in its global intelligibility, read both as a symbol of Japan and as a universal icon of the virtuous and fearless warrior. While the term is now common worldwide, there is little understanding of the historical reality, or of the wide variety of ways in which the stereotype has been used over time. This is the first book to explore the centuries-long trajectory of the samurai through objects from international collections. It discusses the warrior class’s historical origins in the medieval period’s civil wars and stories they told of their own achievements. With the establishment of peace, the samurai became an official class fulfilling a bureaucratic role. The ideal of the medieval warrior took on legendary status. Although the samurai social class was abolished in 1876, with the full opening of Japan to international visitors, the concept of the samurai was packaged for foreign tourists and repurposed as a model for the modern soldier in a period of military conflict and colonial expansion. The image of the samurai has been interpreted and reimagined in Japan and across the world in myriad ways. Discussions of national myth and global samurai bring the story up to the present day through a selection of films, television shows, manga, anime, video games, and more.

The word ‘samurai’ stands for ideals of courage, honour, self-sacrifice and loyalty. Yet much of the common understanding is imaginative fiction. This book explores the concept from medieval reality, through early modern changes, to today’s hugely varied popular culture, challenging preconceptions and exploding myths.The figure of the samurai is unique in its global intelligibility, read both as a symbol of Japan and as a universal icon of the virtuous and fearless warrior.Published to accompany a major exhibition at the British Museum, this is the first book to explore the centuries-long trajectory of the samurai through objects from international collections. It discusses the historical origins of the samurai warrior class in the civil wars of the medieval period and examines the stories they told of their own achievements. From the early 1600s, with the establishment of peace, the samurai became an official class fulfilling a bureaucratic role. The ideal of the medieval warrior took on legendary status, leading to endless representations in popular culture of past examples of heroic valour. As the highest social class, samurai were consumers of deluxe products and their tastes set the standard for the rest of society. Political tensions intensified during the 1850s, culminating in civil war in 1868 and the abolition of the samurai social class in 1876. With the full opening of Japan to international visitors, the concept of the samurai was packaged for foreign tourists and repurposed to provide a model for the modern soldier in a period of military conflict and colonial expansion. The image of the samurai has been interpreted and reimagined in Japan and across the world in myriad ways. Discussions of national myth and global samurai bring the story up to the present day through a broad selection of films, television shows, manga, anime, video games and much more.

The figure of the samurai is unique in its global intelligibility, read both as a symbol of Japan and as a universal icon of the virtuous and fearless warrior.Published to accompany a major exhibition at the British Museum, this is the first book to explore the centuries-long trajectory of the samurai through objects from international collections. It discusses the historical origins of the samurai warrior class in the civil wars of the medieval period and examines the stories they told of their own achievements.From the early 1600s, with the establishment of peace, the samurai became an official class fulfilling a bureaucratic role. The ideal of the medieval warrior took on legendary status, leading to endless representations in popular culture of past examples of heroic valour. As the highest social class, samurai were consumers of deluxe products and their tastes set the standard for the rest of society. Political tensions intensified during the 1850s, culminating in civil war in 1868 and the abolition of the samurai social class in 1876.With the full opening of Japan to international visitors, the concept of the samurai was packaged for foreign tourists and repurposed to provide a model for the modern soldier in a period of military conflict and colonial expansion. The image of the samurai has been interpreted and reimagined in Japan and across the world in myriad ways. Discussions of national myth and global samurai bring the story up to the present day through a broad selection of films, television shows, manga, anime, video games and much more.

An innovative examination of heritage politics in Japan, showing how castles have been used to re-invent and recapture competing versions of the pre-imperial past and project possibilities for Japan's future. Oleg Benesch and Ran Zwigenberg argue that Japan's modern transformations can be traced through its castles. They examine how castle preservation and reconstruction campaigns served as symbolic ways to assert particular views of the past and were crucial in the making of an idealized premodern history. Castles have been used to craft identities, to create and erase memories, and to symbolically join tradition and modernity. Until 1945, they served as physical and symbolic links between the modern military and the nation's premodern martial heritage. After 1945, castles were cleansed of military elements and transformed into public cultural spaces that celebrated both modernity and the pre-imperial past. What were once signs of military power have become symbols of Japan's idealized peaceful past.

An innovative examination of heritage politics in Japan, showing how castles have been used to re-invent and recapture competing versions of the pre-imperial past and project possibilities for Japan''s future. Oleg Benesch and Ran Zwigenberg argue that Japan''s modern transformations can be traced through its castles. They examine how castle preservation and reconstruction campaigns served as symbolic ways to assert particular views of the past and were crucial in the making of an idealized premodern history. Castles have been used to craft identities, to create and erase memories, and to symbolically join tradition and modernity. Until 1945, they served as physical and symbolic links between the modern military and the nation''s premodern martial heritage. After 1945, castles were cleansed of military elements and transformed into public cultural spaces that celebrated both modernity and the pre-imperial past. What were once signs of military power have become symbols of Japan''s idealized peaceful past.

An innovative examination of heritage politics in Japan, showing how castles have been used to re-invent and recapture competing versions of the pre-imperial past and project possibilities for Japan''s future. Oleg Benesch and Ran Zwigenberg argue that Japan''s modern transformations can be traced through its castles. They examine how castle preservation and reconstruction campaigns served as symbolic ways to assert particular views of the past and were crucial in the making of an idealized premodern history. Castles have been used to craft identities, to create and erase memories, and to symbolically join tradition and modernity. Until 1945, they served as physical and symbolic links between the modern military and the nation''s premodern martial heritage. After 1945, castles were cleansed of military elements and transformed into public cultural spaces that celebrated both modernity and the pre-imperial past. What were once signs of military power have become symbols of Japan''s idealized peaceful past.

An innovative examination of heritage politics in Japan, showing how castles have been used to re-invent and recapture competing versions of the pre-imperial past and project possibilities for Japan's future. Oleg Benesch and Ran Zwigenberg argue that Japan's modern transformations can be traced through its castles. They examine how castle preservation and reconstruction campaigns served as symbolic ways to assert particular views of the past and were crucial in the making of an idealized premodern history. Castles have been used to craft identities, to create and erase memories, and to symbolically join tradition and modernity. Until 1945, they served as physical and symbolic links between the modern military and the nation's premodern martial heritage. After 1945, castles were cleansed of military elements and transformed into public cultural spaces that celebrated both modernity and the pre-imperial past. What were once signs of military power have become symbols of Japan's idealized peaceful past.

In early modern Japan, upper status groups coveted pills and powders made of exotic foreign ingredients such as mummy and rhinoceros horn. By the early twentieth century, over-the-counter-patent medicines, and, more alarmingly, morphine, had become mass commodities, fueling debates over opiates in Japan’s expanding imperial territories. The fall of the empire and the occupation of Japan by the United States created conditions favorable for heroin use, followed, in time, by glue sniffing and psychedelic mushroom ingestion. By illuminating the neglected history of drugs, this volume highlights both the transnational embeddedness and national peculiarities of the “politics of consumption” in Japan.Contributors are: Anna Andreeva, Oleg Benesch, William G. Clarence-Smith, Hung Bin Hsu, John Jennings, Miriam Kingsberg Kadia,William Marotti, Kōji Ozaki, Jonas Rüegg, Jesús Solís, Christopher W.A. Szpilman, Judith Vitale, and Timothy Yang.