Oscar Salemink – författare

Drawing on fine-grained ethnographies from Bissau, Chile, China, Egypt, Ecuador and Nepal, this volume explores how politically, religiously and (sub-)culturally inspired Utopias motivate youth in the Global South to imagine, enact and embody what was missing in the past and present.

As a fluid age cohort and a social category between childhood and adulthood – and hence with tenuous links to the status quo – youth are variously described as ‘at risk’, as victims of precarious and unpredictable circumstances, or as agents of social change who embody the future. From this future-oriented generational perspective, youth are often mobilised to individually and collectively imagine, enact and embody Utopian futures as alternatives to reigning orders that moulded their subjectivities but simultaneously fail them. The contributions to this book look at how divergent Utopias inspire strategies, whereby young people come together in transient communities to ‘catch’ a fleeting future, cultivate alternative subjectivities and thus assume a sense of minimum control over their life trajectories, if only momentarily.

As youth enact and embody their aspirations for the future in the present, this book will be of interest to those researching how utopian visions shape practices and subjectivities of youth in the present. This book was originally published as a special issue of Identities: Global Studies in Culture and Power.

Drawing on fine-grained ethnographies from Bissau, Chile, China, Egypt, Ecuador and Nepal, this volume explores how politically, religiously and (sub-)culturally inspired Utopias motivate youth in the Global South to imagine, enact and embody what was missing in the past and present.

As a fluid age cohort and a social category between childhood and adulthood – and hence with tenuous links to the status quo – youth are variously described as ‘at risk’, as victims of precarious and unpredictable circumstances, or as agents of social change who embody the future. From this future-oriented generational perspective, youth are often mobilised to individually and collectively imagine, enact and embody Utopian futures as alternatives to reigning orders that moulded their subjectivities but simultaneously fail them. The contributions to this book look at how divergent Utopias inspire strategies, whereby young people come together in transient communities to ‘catch’ a fleeting future, cultivate alternative subjectivities and thus assume a sense of minimum control over their life trajectories, if only momentarily.

As youth enact and embody their aspirations for the future in the present, this book will be of interest to those researching how utopian visions shape practices and subjectivities of youth in the present. This book was originally published as a special issue of Identities: Global Studies in Culture and Power.

This book explores the attribution and local negotiation of cultural valuations of artistic and art-institutional practices around the world, and considers the diverse ways in which these value attributions intersect with claims of universality and cosmopolitanism. Taking Michael Herzfeld’s notion of the “global hierarchy of value” as point of departure, the volume brings together six empirical studies of the collection, circulation, classification and exhibition of objects in present-day Brazil, China, India, Japan, South Africa and Indigenous Australia in light of Europe’s loss of global hegemony. Including reflections by a number of senior scholars, the chapters demonstrate that the question of valuation lies at the heart of artistic and art-institutional practices writ large – including museum practices, museum architecture, galleries, auction houses, art fairs and biennales.

This book explores the attribution and local negotiation of cultural valuations of artistic and art-institutional practices around the world, and considers the diverse ways in which these value attributions intersect with claims of universality and cosmopolitanism. Taking Michael Herzfeld’s notion of the “global hierarchy of value” as point of departure, the volume brings together six empirical studies of the collection, circulation, classification and exhibition of objects in present-day Brazil, China, India, Japan, South Africa and Indigenous Australia in light of Europe’s loss of global hegemony. Including reflections by a number of senior scholars, the chapters demonstrate that the question of valuation lies at the heart of artistic and art-institutional practices writ large – including museum practices, museum architecture, galleries, auction houses, art fairs and biennales.