Peter Pels – författare

Questions surrounding modernity and its meanings weigh heavily on students and scholars who study Africa. Becoming modern carries a lot of different meanings and puts concepts of culture, tradition, and nation into uneasy use. Readings in Modernity in Africa brings together classic essays, old and new, to help assess the issues and problems of modernity in an African context. Questions include: How can we discuss modernity without lapsing into a Western-dominated view of history? How do we avoid losing sight of the diversity of local forms? How is it that modernity has such a powerful impact on African lives? This wide-ranging volume provides new perspectives and suggests alternatives for how a better future might be implemented in Africa and beyond.

It is often forgotten that anthropology--the scientific study of cultural difference--arose from situations that required a practical management of cultural differences. Out of the practical contexts of colonial contact--administration, mission, nationalism, policing, settler cultivation, tourism, warfare--emerged methods, and images of otherness, that inform anthropological notions of cultural difference to this day.The essays in this volume share the assumption that "ethnography," far from being the unique purview of anthropology, is a broader field of practice out of which and alongside which anthropology attempted to distinguish itself as a scientific discipline. They explore a variety of situations in colonial South and Southeast Asia and Africa and in the treatment of the indigenous inhabitants of North America and Australia to provide genealogies of present-day anthropological practices, tracing them back to the subjects of colonial ethnography.This book introduces into the history of anthropology many of the insights developed in recent studies in history, cultural studies, and the anthropology of colonialism. It can serve as a course book in the history of anthropology and the anthropology of colonialism, while at the same time addressing a much larger audience of students of colonial history, of the history of science and modernity, and of globalization.Peter Pels is Lecturer in Anthropology, University of Amsterdam. Oscar Salemink is Program Officer for Social Sciences and Humanities, The Ford Foundation-Vietnam.

Magic and Modernity is the first book to explore comparatively how magic—usually portrayed as the antithesis of the modern—is also something that is at home in modernity. "Magic" and "modernity" are rarely regarded as belonging together. Evolutionism regarded magic as quintessentially "unmodern." Although psychologists and romantic artists have sometimes declared magic to be a human universal, few modern scholars in the humanities and social sciences have studied how modern culture and institutions incorporated and even produced magic. This book is the first to adopt a comparative approach to the study of magic as something that has a place in modernity, and that helped to constitute modern society at local and global levels. The essays in this collection contribute to recent discussions in anthropology, cultural studies, comparative literature, history, and sociology that increasingly question the extent to which modern self-conceptions are accurate reflections of a state of affairs in the world rather than cultural interventions.

Magic and Modernity is the first book to explore comparatively how magic—usually portrayed as the antithesis of the modern—is also something that is at home in modernity. "Magic" and "modernity" are rarely regarded as belonging together. Evolutionism regarded magic as quintessentially "unmodern." Although psychologists and romantic artists have sometimes declared magic to be a human universal, few modern scholars in the humanities and social sciences have studied how modern culture and institutions incorporated and even produced magic. This book is the first to adopt a comparative approach to the study of magic as something that has a place in modernity, and that helped to constitute modern society at local and global levels. The essays in this collection contribute to recent discussions in anthropology, cultural studies, comparative literature, history, and sociology that increasingly question the extent to which modern self-conceptions are accurate reflections of a state of affairs in the world rather than cultural interventions.

Museum Temporalities analyzes how museums relate to time. It explores the hidden temporal assumptions and practices that define museums. How might these assumptions help us to better understand and address museums’ often problematic and painful relationship to the colonial past? Since the nineteenth century, the globalization of the museum has spread specific understandings of permanence and temporariness that inform museum display, separated the modern from the traditional, and promoted preservation and development in ways that tacitly assume a North Atlantic cultural outlook as the end point of history and the standard that determines a hierarchy of science, art, technology, craft, and natural history. Questioning linear and epochal genealogies that assume Enlightenment surveys of the classifiable universe as the origin of the museum, Modest and Pels present evidence that global exhibitionary complexes will fail to sufficiently address questions of decolonization and restitution if they do not make room for the ethnographic museum as a principal site where suggestions for the future of all museums can be generated. They show that any attempt to address the problematic and painful relationship that museums have to colonial pasts requires them to reorient their relationship to time. The chapters in this volume assembles building blocks for a theory and practice of museums that no longer assumes the need for identities, objects, and collections to be permanent; for the museum to be the end point of knowledge; and for "art" or "science" to be the universal measure to which other forms of cultural production can only aspire. This pathbreaking collection centralizes and develops current concerns in critical museology and is valuable reading for scholars and students

A range of meaningful objects—exhibits of human remains or live people, fetishes, objects in a Catholic Museum, exotic photographs, commodities, and computers—demonstrate a subordinate modern consciousness about powerful objects and their ‘life’. The Spirit of Matter discusses these objects that move people emotionally but whose existence is often denied by modern wishful thinking of ‘mind over matter’. It traces this mindset back to Protestant Christian influences that were secularized in the course of modern and colonial history.

A range of meaningful objects—exhibits of human remains or live people, fetishes, objects in a Catholic Museum, exotic photographs, commodities, and computers—demonstrate a subordinate modern consciousness about powerful objects and their ‘life’. The Spirit of Matter discusses these objects that move people emotionally but whose existence is often denied by modern wishful thinking of ‘mind over matter’. It traces this mindset back to Protestant Christian influences that were secularized in the course of modern and colonial history.

Anthropologists who talk about ethics generally mean the code of practice drafted by a professional association for implementation by its members. As this book convincingly shows, such a conception is far too narrow. A more radical approach is to recognize that moral judgments are made at every juncture of scientific practice and they require a negotiation of responsibility with all stakeholders in the research enterprise.Embedding Ethics questions why ethics have been divorced from scientific expertise. Invoking different disciplinary practices from biological, archaeological, cultural, and linguistic anthropology, contributors show how ethics should be resituated at the heart of, rather than exterior to, scientific activity. Positioning the researcher as a negotiator of significant truths rather than an adjudicator of a priori precepts enables contributors to relocate ethics in new sets of social and scientific relationships triggered by recent globalization processes - from new forms of intellectual and cultural ownership to accountability in governance, and the very ways in which people are studied. Case studies from ethnographic research, museum display, archaeological fieldwork and professional monitoring illustrate both best practice and potential pitfalls.This important book is an essential guide for all anthropologists who wish to be active contributors to the discussion on ethics and the ethical practice of their profession.

Anthropologists who talk about ethics generally mean the code of practice drafted by a professional association for implementation by its members. As this book convincingly shows, such a conception is far too narrow. A more radical approach is to recognize that moral judgments are made at every juncture of scientific practice and they require a negotiation of responsibility with all stakeholders in the research enterprise.Embedding Ethics questions why ethics have been divorced from scientific expertise. Invoking different disciplinary practices from biological, archaeological, cultural, and linguistic anthropology, contributors show how ethics should be resituated at the heart of, rather than exterior to, scientific activity. Positioning the researcher as a negotiator of significant truths rather than an adjudicator of a priori precepts enables contributors to relocate ethics in new sets of social and scientific relationships triggered by recent globalization processes - from new forms of intellectual and cultural ownership to accountability in governance, and the very ways in which people are studied. Case studies from ethnographic research, museum display, archaeological fieldwork and professional monitoring illustrate both best practice and potential pitfalls.This important book is an essential guide for all anthropologists who wish to be active contributors to the discussion on ethics and the ethical practice of their profession.