Patrick Coleman – författare

'No one can write a man's life except himself.' In his Confessions Jean-Jacques Rousseau tells the story of his life, from the formative experience of his humble childhood in Geneva, through the achievement of international fame as novelist and philosopher in Paris, to his wanderings as an exile, persecuted by governments and alienated from the world of modern civilization. In trying to explain who he was and how he came to be the object of others' admiration and abuse, Rousseau analyses with unique insight the relationship between an elusive but essential inner self and the variety of social identities he was led to adopt. The book vividly illustrates the mixture of moods and motives that underlie the writing of autobiography: defiance and vulnerability, self-exploration and denial, passion, puzzlement, and detachment. Above all, Confessions is Rousseau's search, through every resource of language, to convey what he despairs of putting into words: the personal quality of one's own existence. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In his Discourses (1755), Rousseau argues that inequalities of rank, wealth, and power are the inevitable result of the civilizing process. If inequality is intolerable - and Rousseau shows with unparalledled eloquence how it robs us not only of our material but also of our psychological independence - then how can we recover the peaceful self-sufficiency of life in the state of nature? We cannot return to a simpler time, but measuring the costs of progress may help us to imagine alternatives to the corruption and oppressive conformity of modern society. Rousseau's sweeping account of humanity's social and political development epitomizes the innovative boldness of the Englightment, and it is one of the most provocative and influential works of the eighteenth century. This new translation includes all Rousseau's own notes, and Patrick Coleman's introduction builds on recent key scholarship, considering particularly the relationship between political and aesthetic thought. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Anger, Gratitude, and the Enlightenment Writer examines how writers as diverse as Rousseau, Diderot, Marivaux, and Challe discuss the social appropriateness of anger and gratitude in regulating social life. Emotions are social transactions, with rules identifying when and where it is appropriate to express one's feelings and, especially in the case of anger and gratitude, who is allowed or expected to put them on display. Defining the kinds of slight or favor that demand an angry or a grateful response became problematic in eighteenth-century France under the pressure of two contradictory developments which were both crucial to Enlightenment thinking about sociability. The first drew on the ideal of moral equality as it spread beyond the salons to the social world at large. Writers claimed for themselves an entitlement to anger at personal slight that had been hitherto reserved for aristocrats, and a respectful hearing for their indignation at public injustice despite their lack of official standing. The philosophes also argued their writing made them social benefactors in their own right, more deserving of their readers' gratitude than obliged to any patron. The second gave a new twist to longstanding philosophical notions about transcending emotional disturbance and dependence altogether. A personal ideal became a public goal as Enlightenment thinkers imagined a society where all significant social interaction was governed by the impersonal rule of law. Occasions for personal slight or obligation would disappear, and with them reasons for anger and gratitude. Instead of serving as a model of emotional legitimacy, authors would derive their prestige from their rationality and objectivity. By exploring the interplay between these two attitudes toward anger and gratitude this book provides a fresh perspective on the French Enlightenment.

'For certain men the stronger their desire, the less likely they are to act.'With his first glimpse of Madame Arnoux, Frédéric Moreau is convinced he has found his romantic destiny, but when he pursues her to Paris the young student is unable to translate his passion into decisive action. He also finds himself distracted by the equally romantic appeal of political action in the turbulent years leading up to the revolution of 1848, and by the attractions of three other women, each of whom seeks to make him her own: a haughty society lady, a capricious courtesan, and an artless country girl.Flaubert offers a vivid and unsparing portrait of the young men of his generation, struggling to salvage something of their ideals in a city where corruption, consumerism, and a pervasive sense of disenchantment undermine all but the most compromised erotic, aesthetic, and social initiatives. Sentimental Education combines thoroughgoing irony with an impartial but unexpectedly intense sympathy in a novel whose realism competes with that of Balzac and whose innovations in narrative plot and perspective mark a turning-point in the development of literary modernism.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In this volume a team of international contributors explore the way modern conceptions of what constitutes an individual's life-story emerged in the seventeenth and eighteenth centuries. The Enlightenment idea of the self - an autonomous individual, testing rules imposed from without against a personal sensibility nourished from within - is today vigourously contested. By analysing early modern 'life writing' in all its variety, from private diaries and correspondence to public confessions and philosophical portraits, this volume shows that the relation between self and community is more complex and more intimate than supposed. Spanning the period from the end of the Renaissance to the eve of Romanticism in western Europe, a period in which the explosion of print culture afforded unprecedented opportunities for the circulation of life-stories from all classes, this book examines the public assertion of self by men and women in England, France and Germany from the Renaissance to Romanticism.

In this volume a team of international contributors explore the way modern conceptions of what constitutes an individual's life-story emerged in the seventeenth and eighteenth centuries. The Enlightenment idea of the self - an autonomous individual, testing rules imposed from without against a personal sensibility nourished from within - is today vigourously contested. By analysing early modern 'life writing' in all its variety, from private diaries and correspondence to public confessions and philosophical portraits, this volume shows that the relation between self and community is more complex and more intimate than supposed. Spanning the period from the end of the Renaissance to the eve of Romanticism in western Europe, a period in which the explosion of print culture afforded unprecedented opportunities for the circulation of life-stories from all classes, this book examines the public assertion of self by men and women in England, France and Germany from the Renaissance to Romanticism.

Crucial to an understanding of Montesquieu’s work is the contrast he drew between ancient and modern mentalités. ‘Les politiques grecs,’ he wrote in his classic work De l’esprit des lois (1748), ‘qui vivaient dans le gouvernement populaire, ne reconnaissaient d’autre force qui pût les soutenir que celle de la vertu. Ceux d’aujourd’hui ne nous parlent que de manufactures, de commerce, de finances, de richesses et de luxe meme.’Ancient philosophers had conceptualised model regimes where human beings would flourish in accordance with their natural purposes and potentialities shaped by good laws well obeyed. Such moderns as Montesquieu, on the other hand, ceased to regard the state as a school for morality. No longer concerned with improving man’s soul, politics focused instead on the achievement of liberty, security and material prosperity.Clearly something novel and distinctive, something recognisably ‘modern’, arose during the period from Machiavelli to Montesquieu. A teleological universe suffused with transcendent meaning and purposeful ends was supplanted by a more secular, ‘disenchanted’ world-view. Both the Christian conception of a life lived in humble devotion to the moral commandments of revealed religion and the classical conception of a virtuous life devoted to ethical perfection were challenged by a new political realism stressing the dominance of the passions over reason and the constructive potential of self-interest.The authors of the eleven essays comprising this volume explore the complex relations between Montesquieu and modernity and between Montesquieu and antiquity. Assessing the content of his three major works, they conclude that whereas the label ‘modern’ suits Montesquieu, he nonetheless retained certain philosophical approaches characteristic of antiquity as well as a high regard for the primacy accorded to politics and philosophy in the classical era.

The study of Montreal as a specific location in French and English writings has long been subordinated to the demands of linguistically divided and politically contentious narratives about national development. In this cross-linguistic study, Patrick Coleman models an inclusive and post-national literary history of the city itself. Tracing a sequence of moments in the emergence of the Montreal novel from World War II to the turbulent 1960s, Equivocal City offers close readings of fourteen key works of fiction, focusing on the inner dynamic of their construction as well as the unexpected convergences and contrasts in the narrative structures they adopt and the aesthetic perspective they seek to achieve. Critically sophisticated but accessibly written, this book gives a sympathetic account of how writers in both languages struggled to give integrated artistic expression to their experience of a city that was still linguistically compartmentalized and culturally insecure. By analyzing the interplay between story and narrative form, the book explores what French and English novelists could – and could not – imagine about the Montreal they sought to portray. From the responsible realism of Hugh MacLennan and Gabrielle Roy to the fractious phantasmagorias of Jacques Ferron and Leonard Cohen, Equivocal City traces the evolution of the Montreal novel with the aim of retrieving a shareable literary past.

With origins in the powerful earldoms of the Saxon period, the aristocracy is woven into the fabric of England. Going from Tudor and Stuart courtiers to Georgian and Victorian magnates, the noble families more recently suffered a decline before their rise from the ashes as guardians of heritage. In Dynasties, Patrick Coleman provides a history of sixteen noble families, including the Wellesleys of Stratfield Saye, the Cavendishes of Chatsworth, the Churchills of Blenheim Palace, the Grosvenors of Eaton Hall, the Spencers of Althorp, and the Herberts of Highclere Castle. These six alone are associated with some of the greatest names and most important events in English history: Waterloo, Churchill, the Second World War – and Downton Abbey.Beyond the political and constitutional context, Dynasties considers the romances, tragedies and criminal behaviour of these families; it highlights the poets, politicians, architects and artists produced by the ‘great families’, not to mention the generals. Burke’s Peerage this is not!

On a sunny day, men and women march through the streets wearing orange collarettes and carrying colourful banners. However, this is not the Orange Order in Northern Ireland but the same organisation in Africa. This book moves beyond the cliche to delve deeply into the inner structure and rituals of the Orange Order and its global reach. The Orange Order, while Irish Protestant-founded, managed in a short period to spread to not only other parts of the UK, but also to Australia, New Zealand and even Africa. Previous research has tended to focus on just one to two countries within a narrow timeframe. This book, by contrast, covers almost 230 years of the Orange Order across multiple countries. Unlike other studies, it integrates the activities of men, women and children.

On a sunny day, men and women march through the streets wearing orange collarettes and carrying colourful banners. However, this is not the Orange Order in Northern Ireland but the same organisation in Africa. This book moves beyond the cliche to delve deeply into the inner structure and rituals of the Orange Order and its global reach. The Orange Order, while Irish Protestant-founded, managed in a short period to spread to not only other parts of the UK, but also to Australia, New Zealand and even Africa. Previous research has tended to focus on just one to two countries within a narrow timeframe. This book, by contrast, covers almost 230 years of the Orange Order across multiple countries. Unlike other studies, it integrates the activities of men, women and children.

The cultural forms often referred to as ‘baroque’ are the most spectacular expressions of early modern Europe’s effort to mediate between knowledge and power at a time when political authority was being centralized, the authority of religion undermined by the division of Christianity, and science and poetry were seen increasingly as rival forms of intellectual authority. Culture and Authority in the Baroque explores the baroque across a wide range of disciplines, from poetics to politics, to the rituals of musical, dramatic, and religious performance.The essays in this collection span what has been called the ‘baroque crescent’ stretching from Spain through Italy to Russia, but they also bring Shakespeare and English cosmological poetry into productive dialogue with continental Europe in the reinterpretation of baroque world-views. The editors, Massimo Ciavolella and Patrick Coleman, along with a group of eminent scholars from across the disciplinary and geographic spectrum, investigate baroque modes of persuasion with careful attention to the complexity of particular cultural phenomena and their political and aesthetic implications. This collection redefines the way the baroque will be understood.

Occasioned by the birth of a first child and originally spoken aloud into a digital audio recorder on the poet’s long commute between the art museum where he worked and his home in a neighborhood burned in the Witch Creek Fire of 2007, each of the poems in Patrick Coleman’s first book resists the confusions of twenty-first-century parenthood, marriage, art, and commerce. By turns conversational and anxious, metaphysical and self-mocking, celebratory yet permeated by an awareness of life’s flickering ephemerality, Fire Season is a search for gratitude among reasons to be afraid—and proof that a person can pass through the fires and come out the other side alive.