Paul Murdin – författare

[the text below needs editing and we must be careful not to say things about Dan Brown''s book that could get Springer in legal trouble]

Dan Brown’s novel, The Da Vinci Code, was first published in 2003; its sales have reached 40 million worldwide. The book mixes a small spice of fact into a large dollop of fiction to create an entertaining novel of intrigue, adventure, romance, danger and conspiracy, which have been imaginatively worked together to cook up the successful bestseller.

Most interest in the book’s origins has centred on the sensational religious aspects. Dan Brown has written: ‘All of the art, architecture, secret rituals, secret societies, all of that is historical fact.’ This gives an air of authenticity to the book. Brown has, however, made up the religious doctrines, or based them on questionable accounts by others.

The locations of the actions of The Da Vinci Code are not, however, made up. The present book is the scientific story behind the scene of several of the book’s actions that take place on the axis of France that passes through Paris.

The Paris Meridian is the name of this location. It is the line running north-south through the astronomical observatory in Paris. One of the original intentions behind the founding of the Paris Observatory was to determine and measure this line. The French government financed the Paris Academy of Sciences to do so in the seventeenth to nineteenth centuries. It employed both astronomers – people who study and measure the stars – and geodesists – people who study and measure the Earth. This book is about what they did and why. It is a true story behind Dan Brown’s fiction.

This is the first English language presentation of this historical material. It is attractively written and it features the story of the community of scientists who created the Paris Meridian. They knew each other well – some were members of the same families, in one caseof four generations. Like scientists everywhere they collaborated and formed alliances; they also split into warring factions and squabbled. They travelled to foreign countries, somehow transcending the national and political disputes, as scientists do now, their eyes fixed on ideas of accuracy, truth and objective, enduring values – save where the reception given to their own work is concerned, when some became blind to high ideals and descended into petty politics.

To establish the Paris Meridian, the scientists endured hardship, survived danger and gloried in amazing adventures during a time of turmoil in Europe, the French Revolution and the Napoleonic War between France and Spain. Some were accused of witchcraft. Some of their associates lost their heads on the guillotine. Some died of disease. Some won honour and fame. One became the Head of State in France, albeit for no more than a few weeks. Some found dangerous love in foreign countries. One scientist killed in self defence when attacked by a jealous lover, another was himself killed by a jealous lover, a third brought back a woman to France and then jilted her, whereupon she joined a convent.

The scientists worked on practical problems of interest to the government and to the people. They also worked on one of the important intellectual problems of the time, a problem of great interest to their fellow scientists all over the world, nothing less than the theory of universal gravitation. They succeeded in their intellectual work, while touching politics and the affairs of state. Their endeavours have left their marks on the landscape, in art and in literature.

The word “landscape” can mean picture as well as natural scenery. Recent advances in space exploration imaging have allowed us to now have landscapes never before possible, and this book collects some of the greatest views and vistas of Mars, Venus’s Titan, Io and more in their full glory, with background information to put into context the foreign landforms of our Solar System. Here, literally, are ''other-worldly'' visions of strange new scenes, all captured by the latest technology by landing and roving vehicles or by very low-flying spacecraft.

There is more than scientific interest in these views. They are also aesthetically beautiful and intriguing, and Dr. Murdin in a final chapter compares them to terrestrial landscapes in fine art.

Planetary Vistas is a science book and a travel book across the planets and moons of the Solar System for armchair space explorers who want to be amazed and informed. This book shows what future space explorers will experience, because these are the landscapes that astronauts and space tourists will see.

Editorial Board

EDITORS-IN-CHIEF

This book relates the history of asteroid discoveries and christenings, from those of the early pioneering giants of Hersehel and Piazzi to modern-day amateurs. Moving from history and anecdotal information to science, the book''s structure is provided by the names of the asteroids, including one named after the author.

Free from a need to conform to scientific naming conventions, the names evidence hero-worship, sycophancy, avarice, vanity, whimsy, erudition and wit, revealing the human side of astronomers, especially where controversy has followed the christening. Murdin draws from extensive historical records to explore the debate over these names. Each age reveals its own biases and preferences in the naming process.

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Originally regarded as “vermin of the skies,” asteroids are minor planets, rocky scraps left over from the formation of the larger planets, or broken fragments of worlds that have collided. Their scientific classification as “minor” planets makes them seem unimportant, but over the past decades asteroids have been acknowledged to be key players in the Solar System. This view of their starring role even alters the trajectories of spacecraft: NASA’s policy for new space missions en route to the outer planets is that they must divert to study passing asteroids whenever possible. This book provides for readers a complete tour of the fascinating world of asteroids.